European Living Room Sets

Louis XVI French settee and 4 arm chairs Made in the 1800s Made in France Beautiful carved giltwood detail Upholstered in Aubusson tapestry with each chair and settee depicting a dif...

Introducing a complete set of two Danish-made high-back lounge chairs with accompanying foot stools. Crafted in the mid-1970's by the lauded Domino Møbler this expansive set is craft...

Livin room set Minimal industrial design of 1950 French perforated black metal scratched. Measures: Width cm.69, depth cm.53.

A fine pair of French 19th-20th century Louis XVI style two-tone cream and green painted with parcel-giltwood carved fauteuils armchairs. The intricately carved wood frames with a pa...

Set of modular armchairs and poufs in brown corduroy, mod. Camaleonda designed by Mario Bellini for C&B Italia in 1970. The set consists of 8 elements: - 5 armchairs (cm 71H x 65...

This seating collection consists of one lounge chairs and five ottoman. The components of the lounge chair and ottomans are made from FlexySkin, a unique plant-based polyurethane foa...

Cornaro two-seater sofa, designed by Carlo Scarpa and manufactured by Studio Simon in 1974. Made of Iroko wood, foam, and azure chenille velvet. Excellent vintage condition. Born in Venice on June 2nd, 1906, Carlo Scarpa began working very early. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa was constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most incredible ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti Award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovating and restoring the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he worked on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began building a villa in Udine for the Veritti family. To shed some light on how much his work evolved over the years, it may be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, plenty of other episodes can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen in 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he carried out simultaneously on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, arising out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea,” followed by a cloister that ends by a small chapel, with an arcosolium bearing the family sarcophagi, the central pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways, teamed with the luminosity of these harmoniously blended spaces, shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all his many skills to come up with this truly magnificent space. As well as an outstanding commitment to architectural work, with the many projects we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added a couch and armchair, “Cornaro,” to the collection and the “Toledo” bed...

Excellent quality Mid-Century Modern bamboo and rattan lounge set of Italian design. The oversized lounge chairs and matching two-seat sofa feature the traditional four strand bentwo...

French Art Déco Living Room Set Carved Wood Gilded by Paul Follot, 1920s Extravagant and rare Art Déco ensemble consisting of 3 elements: 1 elegant sofa and 2 armchairs. Slender l...

French modular sofa from the 70s, set of 9 seats, Entirely reupholsteured in a caramel velvet jab Many shapes are possible You can set it up in ...

Located in Arches National Park in Utah, USA, Double Arch is a grand natural formation which results from an underground sandstone pocket where water and wind erosion gradually sculp...

“Down” sofa set by Carlo Bartoli for Rossi di Albizzate, 1970s Italy. Part of the Down series this set consists of one 3-seater, one 2-seater and a coffee table. Satin black lacquere...

Stunning sculptural ABCD set, designed by Pierre Paulin for Artifort in 1968. This amazing set consist of one 2-seat sofa and two 1-seat sofa's. The sofa's are composed of three...

The chairs in this Thonet set are true masterpieces of craftsmanship, testaments to a time that seems to slip further away with each passing day. These pieces, now almost impossible ...

Iron Design Award Winner for Furniture Design at the A’Design Award Competition 2023-2024 Silhouette is a surreal reminiscence of a woman’s sensual curves that arise designed in an ...

Mario Bellini 7-Piece Bambole Chairs/ Modular Sofa Set for B&B Italia 1970s This is a set of seven original production 'Le Bambole' lounge chairs or mod...

A curved, tailored sofa with swing, is complemented by a pair of matching extremely comfortable chairs. The comfort is due, in part, to the hand tailoring of the sofa and chair backs...

19th Century Rosewood Parlor Set with Carved Backrests We present you a set composed of a three-seat bench and two armchairs. All the furniture is...

This extraordinary and finely carved five piece suite comprising of one sofa, two armchairs and two single chairs with original gilding. It's part of an eleven piece s salon set pub...

Mario Bellini "Le Bambole" living room set for B&B Italia, sofa and two armchairs, faux-fur, foam and metal, Italy, 1971, set of three. The search for a new shape for upholstered fu...

Nice pair of armchairs, Gio Ponti Era, circa 1950, Italy. Brass and light red fabric. New upholstery. Dimensions: 92 cm H, 69 cm W, 89 cm D, seat height: 45 cm. Very good condition. All purchases are covered by our Buyer Protection...

A lovely two seater sofa designed by the Italian designer couple Lella and Massimo Vignelli. Produced by Poltronova of Florence, the sofa is a design classic with a wonderful off-white and red combination for the frame and cushions respectively. Although the original cushions show some signs of distress, they are still supple and have no rips and tears, ready to be enjoyed by the new owner for many years still. CONDITION In Good Condition - Some wear and tear to the leather consummate with age. However no rips or tears, a good distressed look which has plenty of use still...

A wonderful two-piece set of sitting consisting of a loveseat and a single lounge chair by Gerard Van Den Berg (b. 1947). The beautiful chairs are of the rock series designed by Gerard Van Den Berg for Montis designed in 1981. With their low profile and slightly upturned corners, these two whimsical chairs can be arranged in different positions to create a very chic space, like between two rocks in the forest. The loveseat measures 56.5" W x 45" H x 36" D. The slip chair...

This sofa and pair of chairs is from London and dates from the early 1970s. All three pieces were newly upholstered in a gold moleskin fabric with black welting by the European deale...

Cassina presented the Sesann system by Gianfranco Frattini in 1970. The project included an armchair, a two-seater, a three-seater sofa, and a coffee table. Its standout feature is a...

3 piece mid 20th century shell back living room suite circa 1950. Elegant lounge suite to give any interior that hotel look and very much in the art deco taste. Concave seats with s...

Newly upholstered. Wooden parts have been refurbished. The dimensions of the sofa: Height 76cm, seat height 46cm, width 153cm, depth 69cm. The dimensions of the chair: Height 76cm...

Contemporary Modern Jacob Sofa in Deep Blue Velvet Fabric by Collector Studio This fun and sophisticated 21st century sofa designed by ...

Best Chair Design at the International Design & Architecture Awards 2021 Honorable Mention at the European Product Design Awards 2021 The Arches dining chair is designed in the like...

Amazing customized 4-seater sofa mod. Chester produced by POLTRONA FRAU in Italy. This sofa was customized made for a bavarian client. The sofa is in an excellent condition, like n...

Modular system that can be use as a sofa, bench or other options designed by Charlotte Perriand in 1953. Relaunched by Cassina in 2004. Manufactured by Cassina in Italy. A modul...

Best Chair Design at the International Design & Architecture Awards 2021 Honorable Mention at the European Product Design Awards 2021 The Arches dining chair is designed in the like...

Living room consisting of a sofa and 2 armchairs, with elegant lines that reflect the classic Italian furniture of the 1950s, attributable to Bruno Munari.

DS-1088 sofa by De Sede Price per module Dimensions: D 92 x W 92 x H 39 cm Materials: SEDEX upholstery covered with wadding. Compact frame made of panel materials and strapped t...

They can be sold separately. -Sofa: measures cm. W 140, D 70, H 115/45 cm PRICE US$ 6,500.00 -2 Armchairs : measures cm. W 60 , D 60 , H 95/45 PRICE US$ ...

Beautiful red leatherette modular living room set composed by two chairs and a pouf. The set was produced in Italy in early 1980s. The lines...

Living room set composed of two armchairs and a footrest with a structure in metal and padded fabric, designed by Anna and Carlo Bartoli and produced by Rossi di Albizzate, in the 19...

Beautiful set of two armchairs with a coffee table. Sold as a set with all three pieces. The set was designed by Karin Mobring for Ikea in 1970s. The beautiful design is made of squa...

This set of three Italian armchairs was designed in the 1950s. The design is by Melchiorre Bega. What is special about the set is that all three chairs have a different design but st...

Royal House Antiques Royal House Antiques is delighted to offer for sale this stunning and very rare Harry & Lou Epstine style Art Deco three-piece suite with hand carved Walnut fra...

This elegant lounge set consist of a three-seater sofa and an armchair. The set was designed by Hans J. Wegner for the Getama Gedsted in Denmark during the 1960s. This is the GE-530 ...

Contemporary Outdoor or Indoor Sofa in Metal and Rope, XXIst Century with two Armchair Modern Green, Outdoor or Indoor, Metal and Rope, 21st century. The Modern, contemporary sofa fo...

1970 Italian Living Room Set in Orange Velvet and Minimal Steel armchairs height cm.65, depth 75, width cm.96 , seat height cm.40

Set of wicker and oak chairs. They are not exactly the same. When joined together they form a small wicker bench. The backrest is composed of a series of ...

19th century French Louis xv style gold giltwood 3-piece parlor salon suite. Set includes, (1) loveseat, (1) armchair, (1) side chair. All chairs feature gold silk upholstery with em...

Grand Italian living room set from the second half of the 20th century. Design furniture in the Gio Ponti style of beautiful lines and pleasant furnishings. Living room set composed ...

This five-piece furniture suite is an elegant piece of early 18th-century French design. The suite, which is comprised of a canapé (sofa) and four fauteuils (armchairs), is crafted from carved beech wood and Beauvais tapestry...

A rare and elegant rattan lounge set by French designers Janine Abraham & Dirk Jan Rol, dating to the 1960s. This sculptural ensemble comprises four lounge armchairs and a matching r...

Amazing, Mid-Century, low and stealthy, decoratively tufted three seat sofa designed by Kho Liang ie for Artifort Holland. Kho Liang Ie was born in 1927 in Magelang, Dutch East Indie...

Wonderful living room set designed by Illum Wikkelsø for C.F. Christensen, Silkeborg, in Denmark, 1960, consisting of two armchairs, a three-seater sofa (with additional possible configurations) and a coffee table with oak frames, and back and sides pieces in French wicker. The loose cushions are upholstered in light striped wool fabric...

Unio Curved sofa by Poiat Designers: Timo Mikkonen & Antti Rouhunkoski Collection UNIO 2021 Dimensions: H. 72 x W. 220 D. 110 cm SH. 40 (3 seaters) Model shown: Cat 3. Hanoi 04 b...

This absolute unique and gorgeous modular sectional sofa from the 70ties is manufactured by LÜBKE & ROLF from Rheda in Germany ( later was the Name LÜBKE KG). From the same family...

Magnificent set consisting of a sofa / bench, two armchairs à la reine and two Louis XV style chairs. Each piece is in painted and gilded rechampi wood, molded and carved with scrol...

Dining or center table, marble, Italy, 1960s This exceptional dining table, crafted in Italy during the 1960s or 1970s, is a testament to the era's dedication to pure, timeless desi...

Set of four armchairs designed by Vittorio Introini for Mario Sabot, 1970s. Chromed steel structure, seat and back upholstery in fuchsia cloth. They measure 70 cm in height, 64...

Pair of splendid "kiitos" model seats, production of Giuseppe Rossi di Albizzate on a design by Tittina Ammannati & Gia...

An incomparable artisan mastery typical of our land is the distinguishing feature of this collection. The Home collection by Patrizia Garganti inclu...

Mid-century Modern Armchairs and Sofà Carlo de Carli for Cassina style , Milano Structure in high quality blond walnut wood and patina, wax polished, with spring-loaded seat and new ...