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Gio Ponti for Casa e Giardino Pair of Ivory Velvet Armchairs

$25,000per set

About

Gio Ponti for Casa e Giardino pair of armchairs or lounge chairs with gently curved backrests and tapered Italian walnut legs, Italy, circa 1938. Classic and elegant in their design, these stylish Ponti armchairs are also very comfortable due to its generous scale and proportions. Fully restored and recently reupholstered in luxurious Holland & Sherry Primo ivory velvet. Literature Laura Falconi, ed., Gio Ponti: Interiors, Objects, Drawings, 1920-1976, Milan, 2010, pp. 114-115 Domus, no. 131, November 1938, p. 11.

Details

  • Creator
    Casa e Giardino (Maker),Gio Ponti (Designer)
  • Dimensions
    Height: 32 in. (81.28 cm)Width: 33.5 in. (85.09 cm)Depth: 35 in. (88.9 cm)Seat Height: 18.5 in. (46.99 cm)
  • Sold As
    Set of 2
  • Style
    Mid-Century Modern (Of the Period)
  • Materials and Techniques
  • Place of Origin
  • Period
  • Date of Manufacture
    circa 1938
  • Condition
    Refinished. Reupholstered. Wear consistent with age and use. Recently fully restored with new filling including down cushions and reupholstered in Holland & Sherry Primo ivory upholstery. Legs have been refinished.
  • Seller Location
    New York, NY
  • Reference Number
    Seller: PON1021stDibs: LU2917321923292

Shipping & Returns

  • Shipping
    Rates vary by destination and complexity. We recommend this shipping type based on item size, type and fragility.
    Ships From: New York, NY
  • Return Policy

    A return for this item may be initiated within 7 days of delivery.

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About Gio Ponti (Designer)

An architect, furniture and industrial designer and editor, Giò Ponti was arguably the most influential figure in 20th-century Italian Modernism. Ponti designed thousands of furnishings and products — from cabinets, lamps and chairs to ceramics and coffeemakers — and his buildings, including the brawny Pirelli Tower (1956) in his native Milan, and the castle-like Denver Art Museum (1971), were erected in 14 countries. Through Domus, the magazine he founded in 1928, Ponti brought attention to virtually every significant movement and creator in the spheres of modern art and design.

 

The questing intelligence Ponti brought to Domus is reflected in his work: as protean as he was prolific, Ponti’s style can’t be pegged to a specific genre. In the 1920s, as artistic director for the Tuscan porcelain maker Richard Ginori, he fused old and new; his ceramic forms were modern, but decorated with motifs from Roman antiquity. In pre-war Italy, modernist design was encouraged, and after the conflict, Ponti — along with designers such as Carlo Mollino, Franco Albini, Marco Zanuso — found a receptive audience for their novel, idiosyncratic work. Ponti’s typical furniture forms from the period, such as the wedge-shaped Distex chair, are simple, gently angular, and colorful; equally elegant and functional. In the 1960s and ’70s, Ponti’s style evolved again as he explored biomorphic shapes, and embraced the expressive, experimental designs of Ettore Sottsass Jr., Joe Colombo and others.


His signature furniture piece — the one by which he is represented in the collections of the Museum of Modern Art in New York, Germany’s Vitra Design Museum and elsewhere — is the sleek Superleggera chair, produced by Cassina starting in 1957. (The name translates as “superlightweight” — advertisements featured a model lifting it with one finger.) Ponti had a playful side, best shown in a collaboration he began in the late 1940s with the graphic artist Piero Fornasetti. Ponti furnishings were decorated with bright finishes and Fornasetti's whimsical lithographic transfer prints of things such as butterflies, birds or flowers; the Montreal Museum of Fine Arts possesses a 1950 secretary from their Architetturra series, which feature case pieces covered in images of building interiors and facades. The grandest project Ponti and Fornasetti undertook, however, lies on the floor of the Atlantic Ocean: the interiors of the luxury liner Andrea Doria, which sank in 1956.


Widely praised retrospectives at the Queens Museum of Art in 2001 and at the Design Museum London in 2002 sparked a renewed interest in Ponti among modern design aficionados. (Marco Romanelli’s monograph written for the London show, offers a fine overview of Ponti’s work.) Today, a wide array of Ponti’s designs are snapped up by savvy collectors who want to give their homes a touch of Italian panache and effortless chic.

About the Seller
5 / 5
Located in New York, NY
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Established in 2016
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73 sales on 1stDibs
Typical response time: 1 hour
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