Velvet Lounge Chairs

The facet lounge chair was named after the facets on gemstones. The seat, backrest and arms were all designed to look like the facets of jewelry. Giving shape to the lounge chair whi...

A beautiful midcentury velvet armchair by iconic Italian designer Franco Buzzi from the 1940s. This unique piece is covered in Lelievre Paris bright grey velvet fabric, with elegant ...

German chair produced at the turn of the 1960s and 1970s. This is a limited edition and a part of "into the wild" collection of our restored products. The armchair is after a thoroug...

This pair of lounge chairs are designed by Sven Ellekaer for Komfort, Denmark in the 1960s. It features a beautiful shaped solid teak frame with new unique luxurious velvet. The ch...

Peter Shire Wexler lounge chair upholstered in yellow velvet. Peter Shire: Peter Shire is an LA-based artist whose work eludes all attempts at categorization. He has created cera...

Rare ‘Circle’ rocking chair by Yngve Ekström – Sweden, 1960s. Designer: Yngve Ekström Manufacturer: Stol AB Sweden. Country: Sweden Mo...

Pair of diminutive lounge chairs by Edward Wormley for Dunbar, (circa 1947, USA). Pair includes brass caster wheels, which can easily be added or removed for better stability, as sho...

Pair of luxurious "Schulz" easy chairs by Otto Schultz for Jio Möbler, Sweden. Very early edition featuring large and curved back rests professionally re-upholstered in a grey velvet...

Pair of 1960s Grosfeld House style side or lounge chairs. Has a white decorative frame and upholstered velvet seat and back cushion.

Lounge chair "Reconstruction" in oak and velvet in the style of Marcel Gascoin, circa 1950.

"Work is Over" is a lounge chair, designed by Diesel Creative Team and manufactured by Moroso, featuring a structure in varnished steel and cushions in po...

A pair of midcentury lounge chairs designed by Roland Rainer for the Cafe Ritter in Vienna, Austria, in 1952 and manufactured by Emil & Alfred Pollak. The ...

Decorative modern tall back lounge or armchair. The back of the chair is upholstered in it's original orange velvet fabric. Has solid wooden arms and the l...

Polish armchair from the 1970s, the Lejkowski - Lesniewski design. Made in Krakow Furniture Factories. A rarity on the market with a unique look. The furniture comes from a private c...

Pair of custom tufted lounge chairs upholstered in pink silk velvet with wood legs. Made in Los Angeles by Adesso Imports. Can be done in different colors and fabrics. Sale price f...

Springy, very comfortable and stabile club seats. Produced in the 1960s at the factory in Germany. The whole armchairs is covered with high-quality velour. The armchair is after a co...

These glamorous and elegant chairs by James Mont, circa 1950. Each chair sits low and has a channeled barrel back that curves around, a thick cushioned seat and ebonized feet. Origin...

A midcentury lounge chair designed by Roland Rainer for the "Cafe Ritter" in Vienna, Austria, in 1952 and manufactured by Emil & Alfred Pollak. The chair ...

The high back lounge chair ‘Marcello’ was inspired by stylish Italian Design from the 1950s and is now created by English craftsman for the 21st century. We developed a Lounge chair ...

Polish armchairs produced at the turn of the 1960s and 1970s in the Bending Furniture Factory in Radomsko. This is a limited edition marked with the B-310 VAR symbol. The armchairs a...

VG furniture represent luxury in terms of exclusivity, distinction and high quality. They are the result of sophisticated and Exclusive Design with a strong identity and are the outc...

The armchair produced in the times of the PRL, we estimate the 1960s. Furniture after a full carpentry and upholstery renovation. The seat and backrest are covered with high quality ...

German chairs produced at the turn of the 1960s and 1970s. This is a limited edition and a part of "into the wild" collection of our restored products. The armchairs are after a thor...

This sofa's memory inspires us in its simplicity, referring us to a refined sense of elegance and contemporaneity. Sofa an iconic design and match in perfection with modern interiors...

Springy, very comfortable and stabile club seats. Produced in the 1960s at the factory in Germany. The whole armchairs are covered with high-quality velour. The armchairs are after a...

VG furniture represent luxury in terms of exclusivity, distinction and high quality. They are the result of sophisticated and exclusive design with a strong identity and are the outc...

VG furniture represent luxury in terms of exclusivity, distinction and high quality. They are the result of sophisticated and Exclusive Design with a strong identity and are the outc...

Atlantis armchair from the 1960s, produced in the Silesian furniture factory in Swiebodzin at the moment they are unique. Due to their dimensions, they perfectly blend in even in sma...

A set of three vintage French Art Deco fauteuils and sofa, in good condition. The chairs and sofa are made of hand crafted Birchwood, upholstered in ...

This sofa, in a magnificent architectural style is a synonyms of the man‘s eccentricity, and it will add a touch of classicism to the interior design. It´s perfect for Classic interiors. The upholstery is in soft velvet. The legs are made in solid walnut wood. Special requests: Personalization and bespoke by price...

An exceptional slipper chair with a gently curved back and a generous seat upholstered in a light brown velvet.

This bench is part of the awaiting collection, presented by Secondome during Milan Fuorisalone 2016. It's a series of items born from the encounter between the printed silk and cotto...

A pair of 1970s glam Hollywood Regency high back lounge chairs in original velvet upholstery. The low arm swoops up to a high back with a loose back cushion, tufted with three button...

The high back lounge chair ‘Marcello’ was inspired by stylish Italian design from the 1950s and is now created by English craftsman for the 21st century. We developed a lounge chair ...

Pair of ebonized mahogany and cane arm chairs by Baker Furniture. Stacked and loose seat cushion is upholstered in a button tufted persimmon velvet. Most likely a Michael Taylor or W...

An uncommon pivot-back lounge chair in lacquered mahogany with vintage velvet geometric upholstery. Designed in 1948 by Edward Wormley.

French design velvet and swivel large armchair: elegant and so soft, this armchair is so large that 2 persons can seat on! In excellent state (new items / never used).

Black lacquer and velvet Asian inspired armchair by Hibriten in the style of James Mont, Stylish and comfortable. Hand delivery avail to New York City or anywhere en route from Buffa...

Fun stripped upholstery, high back wing.lounge chairs. Clean and ready to use.

Mid-century Modern Armchairs and Sofà Carlo de Carli for Cassina style , Milano Structure in high quality blond walnut wood and patina, wax polished, with spring-loaded seat and new ...

A wonderful set of an easy chair with stool. By Swedish designer Svante Skogh for Finnish maker Asko. This is model no 2418. Recently restored and newly upholstered in a light green ...

Rare easy chair model Schulz designed by Otto Schulz. Produced by Boet in Sweden.

JOSE ZANINE DE CALDAS (1919-2001). Pair of armchairs model “H.” Manufactured by Moveis Artísticos Z. Brazil, 1949. Marine plywood, fabric upholstery. Measuremenents 58 cm x 50 cm x 80 H cm. Literature: Habitat, nº9, Sao Paulo 1952. José Zanine Caldas (Belmonte, Bahia, 1918 - Vitória, Espírito Santo, 2001) was an architect and designer. Caldas stands out on the national architecture in Brazil for his exploration of the constructive qualities of Brazilian woods, defining his work with a warm rustic ambience, working on both high-end residential projects and also popular constructions. Never actually training as an architect, he starting working in the 1940s as a designer at Severo & Villares and as a member of the National Artistic Historical Heritage Service (Sphan). He opens a maquet studio in Rio de Janeiro, where he worked between 1941 and 1948, and, at the suggestion of Oswaldo Bratke (1907-1997), moved the studio to São Paulo, from 1949 to 1955. The studio served important modern architects of the two cities, and was responsible for most of the models presented in the book Modern Architecture in Brazil, 1956, by Henrique E. Mindlin (1911-1971).. During the 1940s, he also began developing and researching at the Institute of Technological Research of the University of São Paulo (IPT/USP), and was first introduced to plywood. In 1949, he founded the Fábrica Móveis Artísticos Z, with the objective of producing large-scale industrialized furniture, good quaility and afforable, the furniture was to be materialized using plywood sheets. This method minimized material waste and the need for artisan skills, as the parts were mechanically produced and the use of labor was only needed for the assembling of the furniture. His time at Móveis Artísticos Z, in 1953 was rather short lived and left the company in 1953 and instead worked on landscape projects until 1958 in São Paulo, when he moved to Brasília, where he built his first house, also in 1958, and coordinated the construction of others until 1964. Appointed by Rocha Miranda to Darcy Ribeiro (1922-1997), he joined the University of Brasília (UnB) in 1962 and taught modeling classes until 1964, when he lost his position due to the military coup. He set off and travelled through Latin America and Africa, an experience that had a remarkable effect on his work. On return to Brazil he built his second house, the first of a series of projects in the Joatinga region of Rio de Janeiro. In 1968, he moved to Nova Viçosa, Bahia, and opened a workshop, which ran up until 1980. His experience in the Bahian city was shaped by his renewed love and contact with nature, and he began working closely with environmentalists. In one of these collaborations, he participated in the project of an environmental reserve with the artist Frans Krajcberg (1921-2017) for whom he also designed a studio in 1971. The furniture he designed during this period, is reflective of his ecological sensitivity, his works were constructed with crude logs of wood, whose twisted lines inspire his drawings. It is also in Nova Viçosa that the architect builds the Casa dos Triângulos (1970) and casa da Beira do Rio (1970), in which he adopted a very artisanal construction system with typical woods of the region. According to the historian and architecture critic Roberto Conduru, Caldas' performance was relevant for the diffusion of environmental values in architectural projects: a "taste for the alternative and the rustic was disseminated throughout the Brazilian territory [...], encouraged by environmental preservation campaigns, by the wear and tear of the current models in reinforced concrete and by the re-emergence of the regionalist ideal in the international panorama"1. Between 1970 and 1978, he kept an office in Rio de Janeiro, where he returned in 1982. In 1975, the filmmaker Antonio Carlos da Fontoura made the film Arquitetura de Morar, about the houses of Joatinga, with a soundtrack by Tom Jobim (1927-1993), for whom Caldas designed a house. Two years later, the architect's work was exhibited at the Museum of Modern Art of Rio de Janeiro (MAM/RJ), at the São Paulo Museum of Art Assis Chateaubriand (Masp) in Belo Horizonte, and the following year at Solar do Unhão, in Salvador. Between 1980 and 1982 The Helium House Olga Jr was designed and built in São Paulo. Caldas outlined the plans for the construction sourcing the all the wood, the actual assembly of the house was carried out by the owner. The house, is defined by wooden structure that stands out from the fence walls, the clay tile roof of wide eaves and the demolition materials that give the building the feeling of rusticity, warmth and nostalgia. The house was similar to those built in the 1970s for Eurico Ficher and Pedro Valente, in Joatinga. In 1983, Calders founded the Center for the Development of Applications of The Woods of Brazil (DAM), and gave it to UnB in 1985. During this period, he proposed the creation of the Escola do Fazer, a teaching center focused on the use of wood for the construction of houses, furniture and utilitarian objects for the low-income population. Despite the fact that much of Calders early work was centered around building houses for the elite, in the 1980s the designer dedicates himself the DAM where he rigorously researches popular housing based on artisan construction processes and whereby the users participate in the construction process. At the Brasília unit, he developed prototypes of popular houses with eucalyptus logs as a structure and sealing in soil-cement, betting on an ideal of self-construction already tested at Casa do Nilo, in São Gonçalo, Rio de Janeiro. From that moment on, as occurred with his the furniture designs, Caldas adopts the use of crude wood logs rolled...

The back and seat inclination of the 'Déclive' slipper chair are designed to promote the most comfortable seating position.

A modernist velvet and birch lounge chair designed by Bjorn Tragardh and Uno Åhren and produced by Svenskt Tenn, Sweden, 1930s.

Handsome occasional chair with mahogany frame meticulously refinished in dark brown lacquer and upholstered in luxurious charcoal grey velvet. All work done with painstaking quality...

Pair of Heritage Furniture, Louis XIV inspired, winged fauteuils. Carved and patinated walnut frames with curved arms and legs with H stretchers. Original cut velvet upholstery strip...

A rare, exotic French Mid-Century Modern neoclassical lounge chair or armchair The chair is composed of hand forged wrought iron and has a modern neoclassical 'Curile' form with chai...

Le Bambole lounge chair, Mario Bellini, B&B Italia, 1970s The Bambole is an iconic piece of Italian design. It was awarded the 1979 'Compasso d'Oro' award. An example of Le Bambole ...

These fiberglass lounge chairs are designed by Titina Ammannati & Giampiero Vitelli for Rossi di Albizzate in the 1970s. Two cosy Papaia space age chairs in a soft orange velvet up...

This rare pair of iconic Distex lounge chairs by Gio Ponti for Cassina, Italy circa 1950s, represent a pivotal moment in design history, encapsulating the radical postwar aesthetic t...

A pair of Mid-Century Modern Italian accent lounge chairs, newly upholstered in copper velvet. Oak tapered legs.

This is a one-of-a-kind armchair that perfectly matches the square shapes of its structure with the soft curves and comfort of the upholstery. The padded structure is upholstered in a different fabric as the seat and back pillows. You can mix and match different materials to obtain the result you want and that your project needs. Pictured Materials: Blue Haze...

This Lounge chair measured proportions perfectly balance thickness and straight lines. The four-leg structure is presented in wood while the seat, back, and armrest are fully upholst...

This Lounge chair measured proportions perfectly balance thickness and straight lines. The four-leg structure is presented in wood while the seat, back, and armrest are fully upholst...

This stunning armchair is the result of highly innovative solutions attached to functional and cozy shapes, merging in a harmonious craftwork design. Without armrests, the wide back ...

The back and the seat of this armchair designed with a slight ergonomic curve to upgrade your level of relaxation for prolonged sittings. The solid metal structure in black texturize...

Swivel lounge chair with a curved body shape. The metallic base can swivel 360 degrees. Shown here in Leather and Columbia Toffee Fabric. Stainless steel base in polished stainl...