Sculptural Lounge Chair and Ottoman by Carlo de Carli

A modern Renaissance man, Italian designer Carlo de Carli wove his personal philosophy into his furniture creations. He believed that furniture should suit human movement and the surrounding environment, and each piece was made not only with an eye to form but also for everyday practicality. In today’s interiors, vintage de Carli furniture captures the extraordinary essence of Italian mid-century modernism.

Carlo de Carli was born in Milan in 1910. He studied at the Polytechnic University of Milan and developed an interest in design, architecture, writing and philosophy. After graduating in 1934, he worked under revered Italian architect and designer Gio Ponti. Shortly afterward, de Carli opened a studio with furniture maker Renato Angeli. In 1940, he began a relationship with the Milan Triennial design and art museum, where he eventually joined the board of directors.

Most of de Carli's furniture and architectural works came to fruition between the 1940s and 1970s. His architectural projects included the Church of Saint Ildefonso and the Via dei Giardini 7 building in Milan. However, de Carli is best known for his chair and table designs.

What sets de Carli’s chairs and other seating apart from those of other designers is that they are made to be lived in. As a result, his comfortable, functional and inviting designs earned the attention of leading Italian furniture companies like Cassina, Singer & Sons, Tecno and GUBI, and he played a significant role in 20th-century Italian furniture design.

In 1954, de Carli was awarded the Compasso d’Oro for his Cassina Model 683 chair. In 1957, he also won a Grand Prix at the Milan Triennial exhibition for a chair he designed for Tecno. Still committed to his academic pursuits, de Carli served as dean of the architecture faculty at the Polytechnic University of Milan from 1963 to 1968. He continued teaching until 1986 and continued writing until his death in 1999. His most important writings were published in a book titled Architettura, Spazio Primario.

Find vintage Carlo de Carli armchairs, dining chairs and coffee tables on 1stDibs.

New York furniture manufacturer M. Singer & Sons is well known to collectors of dazzling mid-century modern design — the company played an integral role in introducing Italian furniture masters to the American marketplace and introduced striking dining room tables, lounge chairs and dressers that were created in rich woods and met the day’s growing demand for sleek and simple furnishings.

While M. Singer & Sons had been offering upholstered furniture out of its storefront in downtown Manhattan in as early as 1923, it is today widely recognized for the alluring tables, seating and other designs of the postwar era. 

M. Singer & Sons rose to prominence in the 1950s. A boom in prosperity followed World War II, and new homeowners all over the United States were seeking modern furniture to move into their living rooms and dining rooms. This yielded a heyday of innovation, and the likes of Herman Miller, Knoll and other furniture manufacturers of the era endeavored to position themselves as leaders in the space. M. Singer & Sons was no different, and the company’s success over the subsequent decade can be credited to Joe Singer, who was then steering the ship. 

Singer saw how important it was to offer furnishings in a style that broke from the bulky and overly ornamental pieces that characterized interiors in the previous century — M. Singer & Sons would need to manufacture streamlined storage cabinets, low-profile coffee tables and practical but comfortable seating that didn’t occupy lots of real estate.

It was thanks to his quest for modernist furniture that Singer discovered legendary polymath Gio Ponti, arguably the most influential figure in 20th-century Italian modernism. 

Singer reached out to Ponti and offered a partnership for M. Singer & Sons to bring the Milanese designer’s work to America. He created elegant armchairs, sideboards set on tapered legs and more for the company. At the same time, Singer struck up a collaboration with Bertha Schaefer, an acclaimed Mississippi-born interior decorator and the owner of an important Manhattan art gallery at the time Schaefer, an enthusiast of Bauhaus design, would go on to create sculptural walnut desks, angular seating framed in mahogany and other pieces for the brand. With conceptual input from Ponti, she developed a furniture line called Modern by Singer.

The new collection — which merged the alluring forms and materials associated with Italian modernism and quality American manufacturing — was an instant success for M. Singer & Sons. Smooth lines, exceptional hardwoods and luxurious finishes lent the line a high-end feel and spurred demand.

A Schaefer-designed nesting table from the Modern by Singer line was included in 1952’s “Good Design” exhibit at the Museum of Modern Art in New York City, which featured work from the likes of George Nelson, Paul McCobb, Jens Risom and others. 

M. Singer & Sons introduced Ponti to an American audience, and he, in turn, introduced the company chairman to Italian designers like Ico Parisi and Carlo Mollino. These relationships also developed into successful collaborations that helped cement M. Singer & Sons' presence and prominence in modern American furniture. 

Today, M. Singer & Sons’ designs by Schaefer and its stable of Italian designers are coveted and collected all over the world.

Find vintage M. Singer & Sons furniture on 1stDibs.