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This amazing piece is made of the highest quality Brazilian Jacaranda frame and original leather stripes and cushions. Crafted with a beautiful eye for detail, creating a stunning appearance from every angle.
In great original condition, with minor wear consistent with age and use, preserving a beautiful patina.
Ergio Rodrigues has been dubbed the father of Brazilian furniture. Indeed, he was responsible for establishing a new paradigm in design, setting himself apart with his very own language in his quest for a clearly recognizable Brazilian identity. He became notorious for his use of robust woods like jacaranda, Peroba and imbue to create quintessential icons. His notorious “Mole” armchair was an immediate success, comprised of jacaranda and upholstered cushions supported by leather straps. The piece, informed by Rodrigues’ playfulness and wit, readily became associated with a typically relaxed Brazilian attitude and lifestyle. Rodrigues furniture lets the robust thickness of Brazilian wood speak for itself with his imaginative functional forms and playful volumes.
Sergio Rodrigues was born in Rio de Janeiro in 1927. The designer graduated from the Faculdade Nacional de Arquitetura in 1952, and shortly after founded one of the first stores of modern furniture and art in Curitiba. In 1955, Rodrigues opened the more established company Oca, which he referred to as ‘a laboratory for Brazilian furniture and handicrafts’ and became one of the most critical components in the evolution of furniture in Brazil. Rodrigues later set out on his own and has since been designing furniture, hotels, residences and notorious pre-fabricated Dwellings.
Amongst his well-known works are pieces of furniture designed for the Brazilian Embassy in Rome, for the UNB (Brasília University) and the Teatro Nacional (National Theatre in Brasília). The designer has worked closely with Oscar Niemeyer, as the latter's interior designer of choice for his buildings in Brasilia.
About Sergio Rodrigues (Designer)
The prolific architect and designer Sergio Rodrigues is often called the "father of modern Brazilian design," but it is the second adjective in that phrase that deserves emphasis: Rodrigues’s great achievement was to create furniture in a style that captured the spirit, character and personality of his country.
Modernity came slowly to 20th-century Brazil, politically and culturally. The nation finally realized genuine constitutional democracy in 1945, ushering in a new, progressive era in the arts. Until that time, heavy furniture based on historical European models had been the norm. In the late 1940s, designer Joaquim Tenreiro introduced sleek, minimalist chairs and cabinets; José Zanine Caldas, now best known for his later artisanal work, created plywood furnishings for mass-production; the Italian architect Lina Bo Bardi, a former editor for the Gio Ponti-founded magazine Domus, set up shop in São Paulo, designing elegant, flexible chairs set on slim metal frames.
This was the heady scene into which Rodrigues, the son of an artistically prominent Rio de Janeiro family, arrived after graduating in 1952 from the national university. He established Oca Industries in 1955, a company that would become the preeminent maker of modernist furniture in Brazil. When architects Lúcio Costa and Oscar Niemeyer were tasked in 1956 with the whirlwind project to plan, design and build the new capital, Brasília, in five years, they used Rodrigues’s early chairs, with their softly-contoured lines and caned seats and backrests, to furnish many of the buildings.
Rodrigues would realize the true expression of his talents in — and garner international awards and acclaim with — his Mole chair of 1957. The word mole means "soft" in Portuguese, but can be interpreted as "easygoing" or even "listless." Rodrigues's chair features a sturdy, generously proportioned frame of the native South American hardwood jacaranda, upholstered with overstuffed leather pads that flap like saddlebags across the arms, seat, and backrest. It is a chair that invites sprawling — perfect for the social milieu of the bossa nova and caipirinha cocktails; where a languorous afternoon spent chatting and joking is the apex of enjoyment. Most of the estimated 1,200 chairs, sofas, tables, beds and dressers Rodrigues designed in his long career are imbued, in one way or another, with this air of robust relaxation. Sergio Rodrigues was a designer true to the temperament of his people.
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