
Extremely Rare Pierluigi Spadolini for Arflex Sectional Sofa in Chenille
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Extremely Rare Pierluigi Spadolini for Arflex Sectional Sofa in Chenille
About the Item
- Creator:Arflex (Manufacturer),Pierluigi Spadolini (Designer)
- Dimensions:Height: 25.6 in (65 cm)Width: 110.24 in (280 cm)Depth: 82.68 in (210 cm)
- Style:Mid-Century Modern (In the Style Of)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1967
- Condition:Wear consistent with age and use. Every item Morentz offers is checked by our team of 30 craftsmen in our in-house workshop. Special restoration or reupholstery requests can be done. We guarantee a very high-quality standard, ask our design specialists for detailed information.
- Seller Location:Waalwijk, NL
- Reference Number:Seller: 501108541stDibs: LU933127879462
Pierluigi Spadolini
Pierluigi Spadolini was an Italian designer and architect. He was brother to the famous politician Giovanni Spadolini. During the 1940s and 1950s, he designed a series of furniture systems, of which his most famous were the library systems. In 1965, Spadolini co-founded the Istituto Superiore per le Industrie Artistiche, which became a consortium of four higher education institutions dedicated to training students in the field of design, and he later joined the faculty of ISIA of Florence, directed by Angelo Maria Landi. He also became a member of the Associazione per il Disegno Industriale.
Arflex
From its unorthodox beginnings, Italian manufacturer Arflex grew into one of the leaders of 20th-century furniture design. Its furniture came to be known for its integration of new materials and bold appeal, and today a variety of vintage Arflex chairs, sofas and tables are emblems of mid-century modernism.
Arflex was established in Milan in 1947 by Pirelli employees Carlo Barassi, Pio Reggiani, Renato Teani and Aldo Bai. Barassi, a Milan Polytechnic graduate and visionary engineer at the Italian tire manufacturer, explored innovative technology and new uses for synthetic materials in domestic products (for Kartell, he codeveloped a ski rack for automobiles). The four founders partnered with a young architect named Marco Zanuso, who also desired to create furniture that featured an application of novel materials such as elastic tape and polyurethane foam.
One of Arflex’s inaugural pieces was Zanuso’s Lady armchair, a seat made of polyurethane foam that was manufactured in pieces and assembled at the very end of the production process. It won a gold medal at the 1951 Milan Triennale. A couple of years later, Arflex collaborated with Studio BBPR to create the office-chic Elettra and Neptunia chairs. The flourishing furniture company quickly established a reputation for compelling products and attracting and working with up-and-coming designers such as Roberto Menghi, who created Hall, a luxurious line of seating that would earn the Compasso d’Oro – Honorable Mention in 1959.
In the 1960s, Arflex continued to welcome the use of new and cutting-edge materials. Popular designs from this decade include Carlo Bartoli's fiberglass and polyester resin Gaia lounge chair and Cini Boer’s Bobo Relax lounger, one of history’s first seating pieces made of polyurethane foam (it has no internal frame). Boer, a pioneer of furniture design in Italy, also created the Strips sofa for the brand in 1972. Part of a plush modular seating system, the Strips sofa became an Arflex icon and was awarded the Compasso d'Oro in 1979.
Arflex continues to work with innovative designers to this day. Among their more recent collaborations is with Swedish design studio Claesson Koivisto Rune. The company's legendary creations are also on display at museums worldwide. The Lady chair, for example, is in the permanent collection of the Museum of Modern Art in New York City.
On 1stDibs, you can find a collection of vintage Arflex lounge chairs, armchairs, coffee tables and other furniture.

Established in 2006, Morentz has a team of approximately 55 restorers, upholsterers, interior advisers and art historians, making it a gallery, workshop and upholstery studio, all in one. Every day, a carefully selected array of 20th-century furniture arrives from all over the world at the firm’s warehouse, where the team thoroughly examines each piece to determine what, if any, work needs to be done. Whether that means new upholstery or a complete restoration, Morentz's aim is always to honor the designer’s intention while fulfilling the wishes of the client. The team is up to any challenge, from restoring a single piece to its original glory to furnishing a large-scale hotel project.
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