Set of Three Pierre Guariche "Tonneau" Bentwood Chairs for Steiner Edition, 1954

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Set of Three Pierre Guariche "Tonneau" Bentwood Chairs for Steiner Edition, 1954

About the Item

All-original bent plywood Tonneau chairs by Pierre Guariche, Edition Steiner, 1954. Early years Pierre Guariche was born in 1926, son of a family of Parisian goldsmiths. He studied at the École nationale supérieure des arts décoratifs, where he was taught by René Gabriel. He graduated in the Spring of 1949. He became a member of the Union des artistes modernes (UAM). He joined the studio of another of his teachers, Marcel Gascoin. He began to exhibit his own work in the Salon des Arts Ménagers and the Salon des Artistes Décorateurs. In the period after World War II (1939–1945) there was increased interest in using new methods and materials for mass production of furniture. Manufacturers of materials such as formica, plywood, aluminum, and steel sponsored the salons of the Société des artistes décorateurs. Designers who exhibited their experimental work at the salons in this period included Guariche, René-Jean Caillette, Joseph-André Motte, Jean Prouvé, Charlotte Perriand, Antoine Philippon and Jacqueline Lecoq. Career Guariche was quickly noticed. The MAI gallery exhibited some of his furniture, and then he was employed by the new company Airborne, founded in 1951. Guariche proposed a complete suite of furniture for a house, which he called "Prefacto", as his first project for Airborne. Using metal tubes and wood he created furniture for the different rooms in a dwelling, including tables, chairs and modular storage units. He also designed a very successful line of chairs, armchairs and sofas for Airborne. In 1951 Guariche began to collaborate with Steiner, another major furniture manufacturer. He designed the innovative chair called "tonneau", with a plastic and aluminum version in 1953 and a bent plywood version in 1954. The "tonneau" was easy to manufacture and inexpensive, and was extremely successful. In the same period Guariche made many models for the lighting manufacturer Pierre Disderot, including hanging lights, standing lights and table lamps. He was looking for a modern, straightforward and economical alternative to the opulence of traditional French designs and the hard chic of the prewar modernists. The lights often included a counterbalance to give harmony to the form. They may be the work for which he is most remembered. In 1954 Guariche formed an association called the Atelier de Recherche Plastique (ARP: Plastic Research Workshop) with Michel Mortier and Joseph-André Motte, whom he had met in the Gascoin studio. For about three years the ARP designed a wide range of furniture for the living room, parent's bedroom and child's bedroom for the manufacturer Charles Minvielle. Guariche also designed a range of office furniture for Charles Minvielle. In 1957 Guariche became artistic director for the Meurop furniture maker in Belgium. The furniture he designed for Meurop was both elegant and very economical. Guariche saw himself primarily as an architect, and his furniture reflects his concern with form and volume. He designed various private homes. In the 1960s he also engaged in interior design for offices and shops. He helped with the design of a station in the winter sports resort La Plagne and the interior of the Firminy hospital. Guariche was named consulting architect for the Caisse des dépôts et consignations, Société Nationale de Construction de logements pour les Travailleurs (Sonacotra) and Ogirep. He also taught at the École nationale supérieure des arts décoratifs in Paris and the Ecole Supérieure d’Architecture in Tournai, Belgium. Pierre Guariche was awarded the René Gabriel prize in 1965. He died in 1995.

Creator:
Pierre Guariche (Designer),Steiner (Manufacturer)
Design:
Tonneau Chair
Dimensions:
Height: 30.52 in (77.5 cm)Width: 20.08 in (51 cm)Depth: 15.36 in (39 cm)
Sold As:
Set of 3
Style:
Mid-Century Modern (Of the Period)
Materials and Techniques:
Bentwood
Place of Origin:
France
Period:
1950-1959
Date of Manufacture:
circa 1950
Condition:
Wear consistent with age and use.
Seller Location:
Brussels, BE
Reference Number:
1stDibs: LU226537767793

Shop All Pierre Guariche

Pierre Guariche

The architect Pierre Guariche was one of the leading modern furniture and lighting designers of postwar France. Guariche can, in some ways, be thought of as the French version of Charles Eames: with his lean and angular chairs and slender, sculptural table lamps, he helped introduce a new aesthetic to the country’s interiors — and he was an eager pioneer in the use of new industrial materials and production techniques that emerged in the 1950s.

Guariche studied at the École Nationale Supérieure des Arts Décoratifs in Paris (the national design academy) under René Gabriel — a designer known for his quality, mass-produced furnishings, who served as a director of the postwar Ministry of Reconstruction. Two years after graduating in 1949, Guariche opened his own design firm, and he was soon creating pieces for numerous companies, including the lighting manufacturer Disderot.

Wood and metal were rationed in the years following the war and Guariche learned to do more with less. His chairs of the early 1950s include several designs with narrow, softly angular wooden frames; others, like the Tonneau chair, feature a single piece of molded plywood set atop metal legs. His lamps of the period are likely his best-known works. They include delicate compositions of slender steel tubes, and more flamboyant pieces such as the Kite lamp, with its curved metal reflector panel.

Always on the lookout for new materials, Guariche spent several years in the mid-1950s operating a firm making furniture in fiberglass and other plastics, along with Joseph André Motte and others. After 1957 — when Guariche was named head of design for the Belgian company Meurop and given a brief to create stylish, up-to-date chairs and cabinets — he began to look to America for ideas.

In the mid-1960s, Guariche produced several lines of deeply upholstered, rounded lounge chairs inspired by the Space Age look, and gave them names like Jupiter, Polaris and Luna. While Guariche always kept pace with his times, throughout his career he showed a consistent talent for producing elegant, eye-catching forms using a minimum of materials.

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