Børge Mogensen Sofa 2443 in Emerald Wool with Contrast Welt

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About

A Classic three-seat Danish sofa by Børge Mogensen newly upholstered in Holland & Sherry wool flannel with a subtle contrasting deep forest welt.
Details
Creator
Børge Mogensen (Designer)
Of the Period
Scandinavian Modern
Place of Origin
Denmark
Date of Manufacture
1960
Period
1960-1969
Materials and Techniques
Wool
Oak
Condition
Excellent. Brand new upholstery 2017. .
Dimensions
30.5 in. H x 86.5 in. W x 32 in. D
77 cm H x 220 cm W x 81 cm D
Seat Height
18 in. (46 cm)
Dealer Location
Brooklyn, NY
Number of Items
1
Reference Number
LU97846327873

About Børge Mogensen (Designer)

Among the great mid-20th century Danish furniture designers, Børge Mogensen distinguished himself with his faith to traditional values of craftsmanship and honesty of materials. While peers such as Hans Wegner, Finn Juhl and Arne Jacobsen designed some of the most striking and now iconic furnishings of the era, Mogensen focused on making pieces that were simple, durable and comfortable — and in the long run perhaps more useful and better loved.

     Mogensen studied under and later worked for Kaare Klint, a master cabinetmaker whose chief tenets were quality of construction and simplicity of line. Klint was a classicist, who believed that furniture forms should evolve from those of historical models. So, too, in his way was Mogensen, as two of his best-known earlier pieces attest. His 1945 “Spokeback Sofa,” with hinged arms that can be lowered to facilitate lounging, is a reinterpretation of the venerable Knole settee. With the oval silhouette of its plywood backrest and waterdrop-shaped cutouts, Mogenson’s “Shell chair,” designed in 1949, can be seen as a novel take on early 19th century Empire side chairs.

     Yet Mogensen shared the aesthetical sensibilities of his most forward-looking colleagues. His cabinets deploy the same spare geometries and lushly figured woods as those of Ludwig Mies van der Rohe and his disciple Florence Knoll, the chief difference being that Mies and Knoll used chrome steel for the frames and legs of their pieces. The brawny oak frames and slung leather seats and backrests of Mogensen’s “Hunting chair” (1950) and “Spanish chair” (1959) display the same hefty construction and appreciation of natural materials seen in the work of Charlotte Perriand and Sergio Rodrigues. As you will see from the furnishings on these pages, Børge Mogensen designed for function more than sculptural effect. While his chairs may not be the first pieces in a décor to draw the eye, they are often the first to draw in those looking for a comfortable seat.

Address
ASH NYC
257 Grand St
33
Brooklyn NY 11211
US
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