Velvet Sofas

Three-Seater Sesann Sofa by Gianfranco Frattini for Cassina, Italy, 1970s

Two-seater sofa of 1950s Italian design. Completion restored with alcantara fabric upholstery.

Mid-Century Modern Seating Set, Sofa and 3 Armchairs, Italy - New Upholstery

Vintage unique black lacquered high gloss wooden frame armchair in the style of Sapporo. This lounge chair features original grey velvet upholst...

Rare curved sofa attributed to Paolo Buffa, circa 1950 walnut, original gold velvet, iron very good original condition Measures: 145.5 x 60 cm height 94 cm height seat. 41 cm.

Three Seater Sofa in Velvet with Newly Reupholstered in Velvet Fabric by Lennart Bender, 1970’s Additional Information: Material: Solid rosewood and newly reupholstered in velvet fa...

Great 5 piece Post Modern modular sectional sofa. Comprised of 5 identical chair pieces that can be used individually or together. The arrangements are truly endless. Willing to...

A Very Fine Settee After a Design by William Linnell Firmly Attributed to Maple & Company of London The mahogany settee has the end arm supports carved with recumbent mermaids, ter...

Introducing the epitome of sophistication – our Beige Textured Velvet Upholstered 3-Seat Sofa, a fusion of comfort and contemporary design. Sink into luxury with the plush back cushi...

A stunning dark grey velvet four section custom made bourne. The base is hexagonal in shape with a luxurious inverted pleated flat valance. Four shaped and curved back supports creat...

Sofa, corduroy velvet, wood, Italy, 1970s This delicate sofa has a cozy and bulky appeal. An dark orange to peach velvet has been used to cover the seating. The textured surface of ...

Stunning limited vintage TOGO in its original ‘liberty’ velvet. From its first owner (1979). Exceptional condition. Designed by Michel Ducaroy for Ligne Roset France & sold bij Aèra...

What a stunning, large & matching combination in an exceptional original condition. First owner (1983). An extremely comfortable seating group. A rare find on the market in this c...

Large Mid-century modern sofa designed in the manner of Frederico Munari with generous curves. The sofa has a deep seating and a slopping backrest and arms, that makes it very comfor...

Louis XVI Styly Green Silk Velver Canapé Sofa Settee W Clarence House Tiger Pillow

Modern Cache Antiques Carlyle Sofa Settee

Mario Bellini "Camaleonda" modular sofa for B&B Italia, Italy, 1970, four elements. "Camaleonda" is an icon, rediscovered. A special project made possible this limited edition of "...

Cornaro two-seater sofa, designed by Carlo Scarpa and manufactured by Studio Simon in 1974. Made of Iroko wood, foam, and azure chenille velvet. Excellent vintage condition. Born in Venice on June 2nd, 1906, Carlo Scarpa began working very early. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa was constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most incredible ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti Award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovating and restoring the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he worked on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began building a villa in Udine for the Veritti family. To shed some light on how much his work evolved over the years, it may be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, plenty of other episodes can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen in 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he carried out simultaneously on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, arising out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea,” followed by a cloister that ends by a small chapel, with an arcosolium bearing the family sarcophagi, the central pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways, teamed with the luminosity of these harmoniously blended spaces, shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all his many skills to come up with this truly magnificent space. As well as an outstanding commitment to architectural work, with the many projects we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added a couch and armchair, “Cornaro,” to the collection and the “Toledo” bed...

The beautiful rare sofa is statement piece which is also extremely comfortable and packed with personality! Just look at the gorgeous lines and curves on this beauty! Bright and vibr...

Large modular velvet sofa with wooden feet, Italy 1980. Product details Dimensions: 350 W x 80 H x 350 D cm

A very comfortable design with eye-catching colors, these 1970s Italian armchairs have been recently upholstered in vibrant yellow corduroy. Their generous shape invites you to sit a...

Elegant and wide Italian three-seat curved sofa. Circa 1950/60. Soft and comfortable seat. Light beech waxed feet. Perfect condition. Original pieces from the 1950s newly re-upholstered in the traditional way by the best French craftsmen, we used a high quality velvet fabric from Kvadrat Raf Simons' collection and new foams. We can particularly appreciate the work and savoir-faire of our team of upholsterers respecting the original design, using the right proportions and lines as it was designed in the 50's. If needed for a project, we also have the pair of armchairs in stock...

20th century English custom-made 3-seat saddle arm sofa in dark moss green velvet. Wood legs, condition as shown.

Sesann two-seater sofa, designed by Gianfranco Frattini in 1970 and produced by the Italian manufacturer Cassina. It features wool bouclé upholstery and a chrome tubular cage as s...

The geometric pattern is amazing! I love the different shades of greens and pinks mixed throughout! This sofa is in good vintage condition without any rips, tears, or stains. The fa...

Beautiful stylish vintage sofa bed / daybed designed by Marco Zanuso for Arflex Italy in the 1950s. Model Sleep-O-Matic version with 2 legs instead of 3. The sofa is upholstered in v...

“Camaleonda” sofa, in white velvet upholstery, designed by Mario Bellini and manufactured by B&B Italia in 1972. Fully restored and reupholstered in Italy. The sofa is very comfort...

Very rare extra large 'Gilda' circle sofa in excellent condition. Designed by Michel Ducaroy in 1972. The sofa is manufactured by 'Roset' the company name of Ligne Roset prior to 1...

Mid-Century Modern 1950s Italian sofa attributed to Guglielmo Ulrich. Shell-shaped in Blue velvet. with wooden feet. This sofa showcases elegant form and rich details with its beauti...

fully restored in a cotton velvet and in excellent condition. This piece is incredibly comfortable

1960s, Danish 3 seater curved sofa in original very good condition: no smells and no stains. Original green furniture velour, beech wood legs with brass plugs. Brass springs in the s...

Gorgeous rattan sofa, made in France by Maugrion "Le rotin prestige" (the prestigious rattan), for Roche Bobois, in 1980s. 3 seats sofa in rattan, newly upholstered with a pistachio ...

1970s, Danish design, 2 seater sofa in original very good condition: no smells and no stains. Original light green furniture velour, beech wood legs, springs in the seat. Manufacture...

Alberto Rosselli Set For Saporiti 'Confidential', Italy Design, 1972 Two seater sofa by Alberto Rosselli for Saporiti-- 2 available, sold individually. Matching Ottoman (comes with ...

The special geometry of the seat means that people are not sitting parallel to each other, but facing each other: an invitation to dialogue. Seen in this way, Odin is a modern interp...

Amazing living room set in very well preserved orange / rusty brown velvet upholstery. What stands out are the quality of the upholstery: thick pluche velvet. Of course the Italians ...

A large Italian sculptural sofa designed by Guglielmo Ulrich, very comfortable. Recently upholstered in light blue velvet with a light gray velvet border, in a minimalist way, which ...

Configure this impressive piece as you wish. The sofa sections can be used separately or together, lending a flexibility to your design. The backs and armrests are attached with ring...

A Iconic Vladimir Kagan (1927-1988) Tufted Livid Velvet Upholstered Cast Aluminum 'Unicorn' Sofa, Model U522, Introduced 1960, Late 1960'S. Vladimir Kagan began experimenting with Al...

A very comfortable design with eye-catching colors. This 1970s Italian sofa has been recently upholstered in vibrant yellow corduroy. Its generous shape invites you to sit and lounge...

Sally Sirkin Lewis for J. Robert Scott "Josephine" Modern Mauve Velvet Upholstered Sofa. Overall: 31" H 97" W x 41" D; seat 19.25" H.

1970s, Danish little 2 seater sofa in original very good condition: no smells and no stains. Original light green furniture velour, beech wood legs. Springs in the seat. Manufactured...

Togo 5 Piece Sofa Set by Michel Ducaroy for Ligne Roset, produced under licence by Airborne/Arconas for the Canadian market. This beautiful and amazing large set has a stamped produc...

Rare 'Gilda' sofa and ottoman designed by Michel Ducaroy for Ligne Roset in brown velvet. Set features 4 interconnecting chairs and 1 rarely seen ottoman in matching fabric. The Gil...

Stunning sofa model "Sleep O Matic" designed by Marco Zanuso and produced by the Pizzetti company in the 1950s. The sofa comes with the original fabric in excellent condition, an iri...

W70 D34.25 H29 SW46 SD25 SH20 AH28.5 Fully restored vintage channel tufted sofa in muted green. Item has fresh foam and smooth chenille fabric. Item sits on casters for easy place a...

This extremely rare sofa set created by the Polish company Paged in the 1972. The furniture was produced in cooperation with the Arab Republic of Egypt. This set consists of a sofa a...

1960s "Skyscraper" design velvet sectional sofa. There are eight sections to the sofa (including the two ottomans). Original upholstery. 2 Ottomans:...

A vintage recamier sofa upholstered in Clarence House blue and white velvet geometric fabric. The sofa features graceful curves to the back, legs and curved arms with carved details...

Immerse yourself in the classic beauty of our Mid-Century Danish Sofa, a masterfully hand-crafted piece from the 1960s. Constructed from high-quality teak wood, this sectional sofa i...

Experience the timeless elegance of the Serpentine Sofa by Vladimir Kagan for Directional, circa 1970s. This iconic piece has been fully restored and reupholstered in luxurious choco...

Ico Parisi was an Italian architect and designer, born in Palermo in 1916. His activity, marked by continuous experimentation, consists in an incessant research in the fields of arch...

Please feel free to reach out for efficient shipping to your zip code. Pair Tuxedo Sofas by Cedric Hartman. Circa 1969. Model #15C. Fully restored in olive cotton velvet. Solid scul...

Beautiful baroque seating set consisting of a sofa and two armchairs. Extraordinary workmanship of the woods made according to the canons of the ti...

1960s, Danish design. 2 seater "Banana" sofa in original very good condition: no smells and no stains. Light red furniture velour, beech wood legs with brass plugs, brass springs in ...

1960s, Danish 2 seater "Banana" sofa in original very good condition: no smells and no stains. Brun/beige furniture fabric, beech wood legs, springs in the seat. Manufactured by Dani...

There exists a piece of furniture that embodies the spirit of the 1970s with unparalleled elegance—the Valeria Borsani and Alfredo Bonetti 'D120' sofa for Tecno. Crafted with meticul...

Step into the captivating and opulent world of the Regency/Empire period with this exquisite double end sofa, a harmonious blend of exquisite craftsm...