Italian Sofas

"Serpente - Snake" sofa designed by Marzio Cecchi in the seventies and produced by the brand of the architect own brand "Studio Most". 18 elements with wooden frame covered in glos...

Mario Bellini "Camaleonda" modular sofa for B&B Italia, black leather, Italy, 1970, three elements. "Camaleonda" is an icon, rediscovered. First designed in 1970 by Mario Bellini, ...

Set of 2 “Bibambola” sofa designed by Mario Bellini for B&B Italia. Original vintage version from 1976, recently reupholstered by the previous owner with a light grey fabric. This ...

Vico Magistretti for Cassina, ‘Fiandra’ sectional sofa, leather, plastic, Italy, 1970s This subtle and modest sofa is designed by the Italian designer Vico Magistretti (1920-2006) ...

Mario Bellini "Camaleonda" modular sofa for B&B Italia, ivory wool bouclé, Italy, 1970, two elements. "Camaleonda" is an icon, rediscovered. It was one of the truly modular sofa de...

Vintage 1980s two-seat sofa by Paolo Piva for B&B Italia. Black leather upholstery with perforated accents. Circular glass side tables swivel out from under the arm rests. The back r...

Mid- Century modern period stunning and rare Bengodi 2-seat sofa. Designed by Cini Boeri for Aflex Italy, 1970's circa. Original cognac leather with a stunning patina! Very good ...

Thanks to a scholarship obtained in 1958, Lella studied Architecture at the Massachusetts Institute of Technology school of architecture and worked as a junior designer in the presti...

A classic Italian design upholstered in Sky Blue cotton velvet by Rose Uniacke, a lovely soft velvet. Modular in nature, this set of three large Camaleonda units can be arranged in...

This "Okay" Sofa is an original design furniture piece realized by Adriano Piazzesi for Space Age, Italy 1970s. Dimensions: L 210 cm. H 80 / P 90 H Seat 38 cm Very good condition. A...

Mario Bellini "Camaleonda" modular sofa for B&B Italia, tan leather, Italy, 1970, five elements. "Camaleonda" is an icon, rediscovered. First designed in 1970 by Mario Bellini, it w...

Title: Vintage Brown Leather 2-Seater Sofa - Classic Italian Design Indulge in timeless elegance with our Vintage Brown Leather 2-Seater Sofa, crafted with meticulous attention to d...

A 5 piece 'Amanta' sofa designed by Mario Bellini and manufactured by B&B Italia in the 1980's. Each module is composed from a black enamelled fibrelite shell with rubber feet upon w...

So typical 1970s this Superb Italian two seater in the Soriana Topia scarpa style, beautiful cognac color . Nice curved organic shape, still in a very good condition . Please don't...

Discover the timeless Organic Modern elegance of the original 1970s Le Bambole Italian sofa set with beige woven wool upholstery in superb condition. A Mid-Century Modern Italian ma...

Paolo Piva Alanda A rectangular two-seater sofa with mobile headrests and armrests covered with its multicolored original fabric upholstery. Original edition by B&B Italia. W...

Soriana Three Seater Sofa for Cassina, Italy 1970s. Black Leather, original Cassina Label. Outstanding piece in near perfect condition, with origin...

Nine Amanta Armchairs by Mario Bellini for C&B Italia, Italy 1973. Manufacturer label under the base. Plastic and padded leather. Very rare set manufactured by C&B, then replaced ...

Mario Bellini "Camaleonda" modular sofa for B&B Italia, black leather, Italy, 1970, six elements. "Camaleonda" is an icon, rediscovered. First designed in 1970 by Mario Bellini, it...

Afra & Tobia Scarpa, Soriana Sofas, Cassina, Italy, 1970s. Afra (1937-2011) & Tobia (1935-) Scarpa both studied at the Venice Institute of Architecture. Their pieces are exhibited i...

Cornaro 300 sofa designed by Carlo Scarpa. Solid hardwood structure (iroko). Polyurethane padding. Upholstery in original chenille velvet. The one-uni...

Mario Bellini "Camaleonda" modular sofa for B&B Italia, black leather, Italy, 1970, eight elements. "Camaleonda" is an icon, rediscovered. First designed in 1970 by Mario Bellini, ...

Black leather and metal sofa. Dimensions: Seat height 41cm. Wear due to time and age

A 1990s “Bocca” sofa designed by Studio 65 and manufactured by Edra in Italy. The Bocca Sofa, also known as the Lips Sofa, is a design icon that has gained international fame for ...

Gionathan De Pas, Donato D'Urbino, Paolo Lomazzi "Ipercubo 200" modular sofa for Driade, original cognac leather, Italy, 1970s, set of five. The most peculiar feature of the “Ipercu...

Mario Bellini "Camaleonda" modular sofa for B&B Italia, ivory wool bouclé, Italy, 1970, four elements. "Camaleonda" is an icon, rediscovered. It was one of the truly modular sofa d...

Vintage Armchair "Okay" realized by Adriano Piazzesi for Space Age, Italy, 1970s. Leather and steel. Very good condition. Adriano Piazzesi was a great Italian designer who oper...

Italian modern grey-blue velvet five module sofa, 1970s Five-module sofa with seat made up of four twin-shaped modules without armrests and the fifth angul...

A three-seater black ABS plastic and white / light grey leather sofa, designed by Cini Boeri, and produced by Gavina, Knoll, 1970s. Backside features a built in shelf. 13.5” seat he...

Sofa in creamy white fabric. It is possible to open the backrest for more comfort. Height when open: 96 cm. Seat height: 44 cm. Wear due to time and age.

Tito Agnoli for Arflex Sectional Sofa Model '9000' in blue Upholstery Modular sofa, designed by Tito Agnoli 1969, for Artflex. A compact, rounded seating system that allows the cre...

Sofa bed with no base structure but only consists of a fold-down backrest included in the armrests part, which when opened, frames the same mattress, which also folds down. The sofa ...

Mid-Century Modern Italian sofa by Luciano Frigerio, leather, 1970s.

Coronado sofa designed by Tobia Scarpa for B&B Italia. The project is dated 1966. Black leather, great condition.   

Comfortable two-seater sofa circa 1970s, Italian production by Doimo as indicated by the marks under the cushions. The sofa is upholstered and covered in light brown fabric, has two...

Italian-made three-seat sofa from the 1970s. The sofa is made of camel colored leather. The peculiarity of the sofa is in its double layer leathe...

Vintage Midcentury Modern Italian Design Leather 3 Seat Sofa. Made in Italy, 1960's / 70's period. Cognac leather three seat sofa with straps and buckles on the side rests. Bulbous s...

Vintage black sofa "Piumino", designed by Jonathan De Pas, Donato D'Urbino and Paolo Lomazzi for Dall'Oca. Italy 1970 ca. Stunning original condit...

Italian Lounge sofa in fine leather and Walnut Wood, Italy 1970s This Italian oversized lounge sofa from the 1970s is made of solid walnut wood and fine leather. This sofa has an el...

Zanotta Onda Sofa Classic Italian Design by De Pas, D'Urbino, and Lomazzi, this 2-seater sofa showcases iconic Italian style. With a width of 138cm, depth of 75cm, and height of 72c...

Modern and lively 1970s three-seater sofa upholstered in a very dramatic and eye-catching floral fabric. The sofa is in very good condition, giving fresh and cheerful touches to mod...

Mario Bellini "Camaleonda" modular sofa for B&B Italia, velvet, metal and plastic, Italy, 1970, three elements. "Camaleonda" is an icon, rediscov...

Cornaro two-seater sofa, designed by Carlo Scarpa and manufactured by Studio Simon in 1974. Made of Iroko wood, foam, and azure chenille velvet. Excellent vintage condition. Born in Venice on June 2nd, 1906, Carlo Scarpa began working very early. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa was constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most incredible ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti Award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovating and restoring the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he worked on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began building a villa in Udine for the Veritti family. To shed some light on how much his work evolved over the years, it may be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, plenty of other episodes can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen in 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he carried out simultaneously on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, arising out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea,” followed by a cloister that ends by a small chapel, with an arcosolium bearing the family sarcophagi, the central pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways, teamed with the luminosity of these harmoniously blended spaces, shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all his many skills to come up with this truly magnificent space. As well as an outstanding commitment to architectural work, with the many projects we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added a couch and armchair, “Cornaro,” to the collection and the “Toledo” bed...

The Environ One Sofa by Ennio Chiggio for Nikol International, 1970, is a rare vintage piece of furniture that exemplifies the best of Mid-Century Modern desi...

Mario Bellini "Camaleonda" modular sofa for B&B Italia, ivory wool bouclé, Italy, 1970, six elements. "Camaleonda" is an icon, rediscovered. It was one of the truly modular sofa de...

Comfortable pair of two-seater sofas designed by Derk Jan de Vries for Domus. Ash plywood frame with trademark rounded edges and loose cushions upholstered i...

A 1970s Italian sofa featuring a bamboo frame with a double arch back and cane detailing. This sofa has an impressive presence and was newly reupholstered in a beautiful white boucle...

Soriana Three Seater Sofa for Cassina, Italy 1970s. Black Leather, original Cassina Label. Outstanding piece in near perfect condition, with origin...

Mario Bellini for B&B Italia, 'Le Bambole' sofa, brown patinated leather, Italy, 1972. This piece is one of the very rare prototypes or early editions, and still 100% original, read ...

Mario Bellini "Camaleonda" modular sofa for B&B Italia, cognac leather, Italy, 1970, six elements. "Camaleonda" is an icon, rediscovered. First designed in 1970 by Mario Bellini, i...

Set composed of three Bonanza lounge chairs, designed by Afra and Tobia Scarpa and produced by the Italian manufacturer C&B Italia (now B&B Italia...

Italian sectional sofa by Zanota is a stylish and functional piece of furniture than can add character and elegance to any living room. Zanota sofa is a great choice for those looking for the sofa...

Mario Bellini "Camaleonda" modular sofa for B&B Italia, blue petrol velvet, Italy, 1970, four elements. "Camaleonda" is an icon, rediscovered. First designed in 1970 by Mario Belli...

Lauriana 2-seater sofa designed in 1978 by Afra & Tobia Scarpa for B&B Italia. Eggplant removable velvet upholstery with camel leather piping. Mounted on a steel frame with plastic...

Lorenzo Forges Davanzati for The Pace Collection, sofa, model 'Bounty', brown alcantara, lacquered wood, United States, 1980s. The Italian designer, Lorenzo ...

Divano componibile vintage anni '70 formato da un set di quattro sedute ampie e comode, produzione italiana in pelle e camoscio. Design fine ed elegante, si presta ad ogni occasio...

The Hill House furniture, designed by Charles Rennie Mackintosh, represents an icon of Art Nouveau and an extraordinary example of his distinctive style. Hill House is a private resi...

The “Camaleonda” (Italian word play on ‘chameleon’ and ‘wave’) sofa is Mario Bellini’s contemporary classic. The playful, modular design offers endless options for the user, which al...