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Grande Papilio Armchair & Ottoman by Naoto Fukasawa for B&B Italia in Soft Wool

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Pair Of Paul McCobb Ottomans in Green Leather
By Paul McCobb
Located in Phoenix, AZ
This set of 2 Paul McCobb ottomans have been reupholstered with new green leather. The original iron legs are in great condition.
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Vintage 1950s American Mid-Century Modern Ottomans and Poufs

Materials

Iron

Pair Of Paul McCobb Ottomans in Green Leather
$2,520 Sale Price / set
20% Off
Arne Vodder for Sibast Rosewood Armchairs Set of Four
By Sibast, Arne Vodder
Located in Phoenix, AZ
Here is a set of four Danish rosewood armchairs in black leather by Arne Vodder for P. Olsen Sibast (Sibast), circa 1960s. These could be used as dining chairs, but are large enough ...
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Mid-20th Century Danish Mid-Century Modern Armchairs

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Armchairs by Josef Hoffmann, 1890s, Set of 2
By Jacob & Josef Kohn, Josef Hoffmann
Located in Phoenix, AZ
Pair of late 19th century armchairs designed by Josef Hoffman for J&J Kohn.
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Antique Late 19th Century Austrian Art Nouveau Chairs

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Extra Large Jane and Gordon Martz Coffee Table / Bench for Marshall Studios
By Gordon & Jane Martz, Marshall Studios
Located in Phoenix, AZ
Extra long rectangle coffee table by Gordon and Jane Martz for Marshall Studios. The table top is inlaid with olive and taupe square ceramic tiles and the frame and legs are solid wa...
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Mid-20th Century American Mid-Century Modern Coffee and Cocktail Tables

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Robert Whitton Powder Coat Red Prototype Chair
By Robert Whitton
Located in Phoenix, AZ
This Robert Whitton prototype chair, crafted entirely from aluminum, is a striking piece of usable art, blurring the lines between sculpture and functional furniture. Designed in the...
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Vintage 1980s American Post-Modern Chairs

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Rare Set of 8 Mies van der Rohe for Knoll MR10 and MR20 Chairs
By Ludwig Mies van der Rohe
Located in Phoenix, AZ
Rare Set of 8 Mies van der Rohe for Knoll MR10 and MR20 Chairs This exceptional set of eight chairs by Ludwig Mies van der Rohe for Knoll represents the epitome of modernist design. Comprising six MR10 and twor MR20 chairs, this collection showcases Mies' commitment to simplicity, functionality, and elegance in both form and material. Style & Usage in Interior Design These chairs belong to the Bauhaus and International Style, characterized by clean lines, minimal ornamentation, and an emphasis on the use of modern materials. The MR10 chairs are armless, offering a sleek and unobtrusive silhouette perfect for dining or office spaces where a minimalist aesthetic is desired. The MR20 chairs, featuring a distinctive curved armrest, provide additional comfort and a more commanding presence, making them ideal as statement pieces in living rooms, lounges, or reading nooks. In interior design, these chairs are best used in spaces that celebrate the beauty of industrial materials like steel and leather. They complement open-plan layouts, where their airy structure can be fully appreciated, and they pair well with other iconic mid-century modern pieces. Key Differences: MR10 vs. MR20 MR10 Chairs: Armless design, characterized by a continuous steel frame that supports the seat and back. Their simplicity allows them to fit seamlessly into various spaces, from dining rooms to offices. MR20 Chairs: Include curved armrests, adding both aesthetic and functional value. These chairs provide more support and comfort, making them suitable for longer periods of sitting or as standalone accent pieces. Mies van der Rohe: A Brief History Ludwig Mies van der Rohe, born in Germany in 1886, was a pioneering figure in modern architecture and design. He began his career in his family's stone-carving business, later studying architecture and working under the influential architect Peter Behrens. Mies was a leading member of the Bauhaus movement, which emphasized the integration of art, craft, and technology. In 1938, Mies emigrated to the United States, where he became the head of the architecture school at the Illinois Institute of Technology (IIT). His work in America solidified his reputation as one of the most influential architects of the 20th century. Architectural Legacy Mies van der Rohe's architectural philosophy is encapsulated in his famous dictum, "Less is more." His buildings are renowned for their clarity of form, open spaces, and use of modern materials such as glass and steel. His approach sought to create structures that were both functional and aesthetically pleasing, stripping away unnecessary ornamentation to reveal the essence of the design. Notable Works: The Barcelona Pavilion (1929): A masterwork of modern architecture, showcasing Mies' minimalist approach with its flowing spaces and use of glass, marble, and steel. The Farnsworth House (1951): An iconic example of his philosophy, this glass and steel structure is celebrated for its simplicity and seamless integration with the surrounding landscape. The Seagram Building (1958): Located in New York City, this skyscraper is a landmark of the International Style, known for its clean lines, bronze facade, and innovative use of space. This rare set of MR10...
Category

Vintage 1980s Italian Bauhaus Chairs

Materials

Chrome

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