Forest bookcase by Nendo for Driade

Italian furniture brand Driade offers modern designs that are joyful, whimsical and slightly mischievous — words that might be used to describe the tree nymph of Greek mythology for which the company is named. Faye Toogood’s chunky, stout Roly Poly armchair and Fabio Novembre’s enigmatic Nemo chair — in which a backrest assumes the form of a human face — are just two examples of Driade’s eclectic furnishings.

Driade was founded in 1968 by brother and sister Enrico and Antonia Astori, and Adelaide Acerbi Astori, Enrico’s wife. Described by the company as a “factory of art,” Driade was focused solely on bringing distinctive and creative seating, case pieces and decorative objects to market in its early years. The brand sought to mass-produce decor and furniture that could also be seen as provocative works of art.

Driade's initial collaborations included Italian designers such as Enzo Mari, Nanda Vigo, Giotto Stoppino and Rodolfo Bonetto, to name a few. In the 1980s, the brand worked with influential and renowned designers from around the globe. In 1984, Driade partnered with French designer Philippe Starck and debuted his iconic Costes armchair during the same year. Projects with architects and furniture designers such as Ron Arad, Toyo Ito, Borek Sipek, Patricia Urquiola and others followed into the 2000s.

Over more than five decades — the company celebrated their 50th anniversary in 2018 — Driade’s fruitful partnerships have culminated in a vast catalog of chairs, sofas, coffee tables and other furnishings for the home and garden that evoke a unique and diverse blend of cultures.

Driade has also garnered international acclaim, winning the Compasso d’Oro award in 1979 and 2001 for Enzo Mari’s Delfira chair and ebony-finished, chipboard-top table, and again in 2008 for Ron Arad’s MT3 rocking armchair.

On 1stDibs, discover a range of vintage and contemporary Driade tables, cabinets, armchairs and other furniture.

Some pieces of contemporary furniture try to command attention with statement-making forms, while others aim to seduce with pared-down, meticulously detailed perfection. Nendo is remarkable in its ability to blend these two seemingly disparate qualities in objects that are simultaneously provocative and beautiful in their simplicity. And this ability has made the Tokyo- and Milan-based studio one of the most sought-after design firms of the moment.

Nendo is best known for its expansive portfolio of furniture and accessories designed for such luxury makers as Baccarat, Bisazza, Boffi, Cappellini, De Padova, Emeco, FLOS, Foscarini, Fritz Hansen, Kartell, Lasvit, Louis Poulsen, Moroso and Swarovski, as well as for the one-off and limited-edition pieces presented by galleries like New York’s Friedman Benda. But its range is much broader.

Nendo’s full oeuvre runs the gamut from product packaging for such brands as Coca-Cola and Kenzo to large-scale urban-planning and architecture projects, including Tenri Station Plaza CoFuFun, which populated the space in front of a Japanese rail terminal with a series of conical pavilions, turning it into a sort of urban playground for people of all ages.

Whatever the undertaking, the studio’s approach remains the same: embodying lighthearted insights into the human experience in minimalist forms and details. Nendo’s Gaku collection, for the legendary lighting company FLOS, for instance, is based on a simple cup-shaped lamp in a square frame, which can be personalized and changed over time by adding magnetic accessories, including a bookend, mirror, vase and bowl, making it almost as playful as a grown-up dollhouse.

The now iconic Cabbage chair, Nendo’s most recognizable design, offers a whimsical way to deal with trash from the fashion industry. A fat roll of discarded paper used in the production of Issey Miyake’s pleated fabric is simply cut down the middle and its individual layers peeled open to create a seat.

It wasn’t always evident that chief designer and Nendo cofounder Oki Sato would spend his life finding subtle surprises in tables, floor lamps and chairs. He was born in Toronto, where his father worked for Pioneer Electronics, and moved with his family to Tokyo when he was 11. He studied architecture at Waseda University but found the program a little too narrow and rigid for his liking.

After graduating, in 2002, he traveled with friends to the Salone del Mobile in Milan and stumbled into the biggest aha moment of his life: He realized that architects could do more than design buildings — they could also design furniture, lighting and other objects. And the architects at the fair appeared to be enjoying plenty of creative freedom while doing so.

Upon returning to Tokyo, he founded Nendo, whose name means “flexible clay” in Japanese, with his classmate Akihiro Ito, the firm’s managing director. In 2005, they established a second office, in Milan. Within a few years, Nendo had become an omnipresent name at the fair that had inspired them.

Nendo’s wares have been acquired by such institutions as New York’s Museum of Modern Art and Cooper Hewitt, Smithsonian Design Museum; London’s Victoria and Albert; and Paris’s Musée des Arts Décoratifs and Centre Pompidou.

Find Nendo furniture on 1stDibs.