Art Nouveau Carved Walnut inlaid & glazed Salon Cabinet by Louis Majorelle

Collinson & Lock. An outstanding quality Aesthetic Movement Anglo-Japanese walnut side cabinet with dentil moulding to the cornice and astr...

J S Henry attributed, An Arts & Crafts flame mahogany display cabinet with stylised floral inlays, the door has a very unusual stylized floral w...

An outstanding Arts & Crafts display cabinet, with stylized ebony and pewter inlays. Arched bevelled mirror to the back above display area, flanked by two upper shelves stylized inla...

A Secessionist style Arts and Crafts mahogany display cabinet with two upper beveled glass doors, and a central display cabinet with stylised flora...

A French Art Nouveau walnut display cabinet, with foliate carving, an arch top, two bevelled glazed doors, eight drawers with Art Nouveau gilt brass handles, on foliate scroll feet. ...

Edward William Godwin (1833-1886) for Collinson and Lock, The Eaton Hall cabinet, circa 1878, in rosewood, the scroll-carved broken arched Queen Anne pediment above a dentil and moulded frieze, with a pair of astragal glazed doors flanked by shelves beneath fielded panels, above a central drawer and semi-circular cupboards, the moulded top above a pair of panelled doors with an open panelled section beneath, on shaped splayed feet, japanesque engraved brass handles, hinges and lockplates, stamped 'Collinson and Lock, London 7480', the handles, hinges and lockplates all stamped 'Elsleys, Gt Portland St, London'. Provenance: Eaton Hall, Cheshire. A previous owner purchased this lot from a sale of the contents at Sweetenhams of Chester, 20th and 21st May 1959, where it states:- '283. Rosewood display cabinet, the upper portion enclosed with astragal glazed doors with side shelves, the lower portion enclosed with two panelled doors. This was the last mention of the Rosewood cabinet before it was sold. This piece has many features, which firmly show Godwin's hand at work, i.e. Queen Anne broken pediment, (Soros, Susan Weber 'The Secular Furniture of E.W. Godwin', Butterfly cabinet, p. 227; and a Queen Anne cabinet p. 269 and an 'over door', p. 251), the dentil moulding to the top is identical to the Butterfly cabinet, the astragal glazed doors and panelled lower doors identical to a design for a table for Grey Towers (Susan Soros, 'Secular Furniture', p. 157 and similar detail to the doors on two cabinets on pp. 222-223). The semi-circular central side doors and semi-circular open shelves above are identical to a dressing table and a sketch for a dresser (Susan Soros, 'Secular Furniture', p. 211), a design for a mantelpiece (Susan Soros, 'Secular Furniture', p. 248) and a design for a buffet (Susan Soros, 'Secular Furniture', p. 265). The integrated design of solids and voids in many of his cabinet designs and the framed back panels to each individual shelf and framed panels to each side is typical of his work. The splayed front feet are identical to the Four Seasons cabinet (Susan Soros, 'Secular Furniture', p. 217). The elongated handles with japanesque engraved backplates simulate Japanese woven rush work (Susan Soros, 'E.W. Godwin Aesthetic Movement, Architect and Designer', p. 303, fig. 11-10 and Susan Soros, 'Secular Furniture', p. 268) a detail he used in many combinations. 'Sheraton and Queen Anne in Japan at Eaton Hall' only Godwin could have designed this exceptional work of art. Possibly part of a larger commission, the Eaton Hall archivist also found a Collinson and Lock billiard table in the inventory at Eaton Hall. Godwin is known to have designed billiard tables for Collinson and Lock, a design appears in his sketchbook on the 6th of October 1873, carved in the Jacobean style with circular decorations of white storks in relief interspersed with square panels. A corresponding entry on the 7th of October 1873 it shows that he designed it for the McLaren house, a large commission that Godwin did at Adison Rd, Kensington. The third Marquis of Westminster, who later became the 2nd Duke of Westminster, commissioned Sir Alfred Waterhouse to substantially remodel and rebuild Eaton Hall. The work began in 1869 and reached its completion in 1883. The large drawing room can be seen in a photograph taken, circa 1887, pl. 199 in Cooper, Jeremy. Victorian and Edwardian Furniture and Interiors, in which Cooper mentions that the Duke had spent 600,000 pounds on the decoration alone and that Heaton, Butler and Bayne carried out the work. In 1885, an inventory of the contents of Eaton Hall was carried out, and it is precisely at this point in time that the cabinet receives its first mention. Having occupied a place in the Ormand Sitting Room, 72 on the ground floor of the North Wing of the Waterhouse Hall, the cabinet was described as, 'A Rosewood china cabinet with cupboards beneath and glass fronts at the top, 50ins'. The cabinet is then mentioned again in a 1917 inventory in the Angel Bedroom. The cabinet made its next appearance in 1931 in the 'Declaration of Trusts', which was a valuation of the contents of Eaton Hall, appearing as T86/27 in the Stewards Offices with a similar description, and then finally in the 1959 sale catalogue mentioned above. Sotheby's and various other local auctioneers held many sales of the various contents of Eaton Hall from 1955 through to 1961 until the Hall was demolished in 1961. This description was compiled with the generous help and assistance of the Grosvenor Estate's Archive Department, Eaton Hall, Cheshire. Collinson and Lock of London...

Edler Jugendstil Salonschrank mit floralen Schnitzereien und feiner Cloisonné-Glasarbeit, Louis Majorelle zugeschrieben, Nancy um 1900-1907. Der Salonschrank besteht aus einem Rah...

French Art Deco vitrine by Louis Majorelle made of Macassar ebony. Center glass door with floral fabric lined interior. Three doors with exterior floral marquetry and interior shelve...

This exquisite antique French Art Nouveau inlaid wood and glass cabinet was designed by Louis Majorelle and made in Nancy, France circa 1910-1920. This exceptional, museum quality cabinet...

Vitrine signed "L.Majorelle" in walnut and veneer, molded and carved with clematis decoration. The central box opens on the front with a partly glazed door presenting a lower inlaid ...

Exquisite & breathtaking! This French antique Art Nouveau cabinet / etagere by Louis Majorelle 1900 Nancy France. The upper door inlaid i...

A very fine French Belle Époque 19th century tulipwood and gilt bronze-mounted Vernis Martin decorated Vitrine by Louis Majorelle (French, 1859-1926). The single door case with a hand-painted board depicting a garden courting scene surmounted with ormolu wreaths and a banded frame. The top with a pierced gilt bronze gallery above an ormolu royal tassel trim flanked by a pair of female masks above crossed torches and flames, cross flutes, a tambourine, a pan flute, ribbons and a tassel. Raised of four cabriolet legs with corner ormolu wreaths and leaves ending with hooves, Paris, circa 1990. The back bears the original Majorelle label that reads: "Louis Majorelle, Fabrique a Nancy, 3 Rue Girardel. Depot. 56 Rue de Paradis, Paris." Louis-Jean-Sylvestre Majorelle, usually known simply as Louis Majorelle, (26 September 1859 – 15 January 1926) was a French decorator and furniture designer who manufactured his own designs, in the French tradition of the ébéniste. He was one of the outstanding designers of furniture in the Art Nouveau style, and after 1901 formally served as one of the vice-presidents of the École de Nancy. The Majorelle firm's factory was designed by famous École de Nancy architect Lucien Weissenburger (1860 – 1929) and located at 6, rue du Vieil-Aître in the western part of Nancy. In the 1880s Majorelle turned out pastiches of Louis XV furniture styles...