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Harvey Probber Cabinet with Jewelry Enamel Doors

$15,000List Price

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Norman Cherner Cabinet for Multiflex Corp.
By Norman Cherner, Multiflex Corp.
Located in New York, NY
Modular "Studio Group" cabinet composed of walnut with a white micarta top, lacquered masonite doors and panels, and angle-steel pulls and frame. The “Curtainwall” principle applied to furniture, allowing easy extension in either a vertical or horizontal direction. An elegant riff on the Eames ESU, designed by Norman Cherner (along with Matthew Cooper) and manufactured by the Multiflex Corp circa 1954. The Studio Group was featured in George Nelson’s Storage book and was a MoMA Good Design selection in 1954. The present unit has two sliding door cabinets flanking a bank of three drawers. Behind each pair of sliding doors is a black masonite bottom and white masonite back. The frame, which disassembles to a large degree, is held together with brass buttons that are optionally visible on the outside (MoMA preferred visibility as expressive and suitable to the piece). Cherner famously designed the narrow-waisted Plycraft armchair along with an award-winning furniture line for Konwiser and was the author of the 1953 book Make Your Own Modern Furniture. Along with a nine drawer chest of drawers and a double-tall unit...
Category

Vintage 1950s American Mid-Century Modern Cabinets

Materials

Steel

Gerald Luss Cabinet for Carrom Industries
By Gerald Luss
Located in New York, NY
Case with five drawers and a cabinet of cherry-stained wood with faux-grain plastic laminate top and facings, curved steel drop pulls, steel angle-iron legs, and a perforated transit...
Category

Vintage 1950s American Mid-Century Modern Cabinets

Materials

Steel

Art and Trade Shop Unit Cabinet
By Eero Saarinen
Located in New York, NY
Custom and well-crafted modular sliding-door cabinet produced by Eric R.E. Schuster of the Art and Trade Shop of New York City in the early 1940s. Styl...
Category

Vintage 1940s American Mid-Century Modern Cabinets

Materials

Birch

Norman Cherner Double High Cabinet for Multiflex Corp.
By Norman Cherner, Multiflex Corp.
Located in New York, NY
Stacked and fastened "Studio Group" modular units composed of walnut, angled steel, and lacquered masonite. with sliding doors at top and an open compartment at bottom. The “Curtainw...
Category

Vintage 1950s American Mid-Century Modern Cabinets

Materials

Steel

Norman Cherner Chest of Drawers for Multiflex Corp
By Norman Cherner, Multiflex Corp.
Located in New York, NY
Modular nine-drawer "Studio Group" chest composed of walnut with a white micarta top, lacquered masonite drawer bottoms and angle-steel pulls and frame. The “Curtainwall” principle applied to furniture, allowing easy extension in either a vertical or horizontal direction. An elegant riff on the Eames ESU, designed by Norman Cherner (along with Matthew Cooper) and manufactured by the Multiflex Corp circa 1954. The present unit has three banks of three drawers; the full-length angled steel pulls contribute to the overall graphic scheme of contrasting stripes. The Studio Group was featured in George Nelson’s Storage book and was a MoMA Good Design selection in 1954. The frame, which disassembles to a large degree, is held together with brass buttons. Cherner famously designed the narrow-waisted Plycraft armchair along with an award-winning furniture line for Konwiser and was the author of the 1953 book Make Your Own Modern Furniture. Along with a sliding door cabinet and a double-tall unit...
Category

Vintage 1950s American Mid-Century Modern Commodes and Chests of Drawers

Materials

Steel

Carl Koch Techbuilt Spacemaking Furniture
By Carl Koch
Located in New York, NY
Unit furniture of Philippine mahogany with white Masonite panels consisting of a module with sliding Masonite doors and a double wide module with an open front. Designed by Harvard-educated, Boston-area architect, designer, and urban planner Carl Koch as a corollary to his prefabricated Techbuilt houses and produced in 1955. Koch was a pioneering champion of prefabrication in housing in mid-century America, first with his much-publicized but ill-fated all-steel Lustron houses in the late 1930’s, then with his more successful wooden Tech-Built houses, introduced in 1953. In At Home with Tomorrow, his 1958 paean to prefabrication, he lays out his opposition to the traditional hammer-and-handsaw construction methods that remained dominant even with conceptually modernist structures. His designs generally hewed to a regional brand of modernism rather than orthodox international style, taking into account local topography and climate—his iconic form is an A-frame with a pitched roof, more sensible in New England winters than a flat roof (though there are such Techbuilt designs). The basic Techbuilt formula suggested that modular, industrial production methods of the components combined with knock-down shipping and on-site assembly equalled lower cost and less waste. Variety and individuality could be achieved in how the elements were combined. This underlying philosophy involving modularity, flexibility, and industrial production methods applied to Spacemaking furniture as well, although interestingly enough, the furniture design preceded the architectural application, as Koch (et al) had submitted a version to the 1947 MoMA Low-Cost Furniture Competition (and so these units also preceded the famous 1951 Eames Storage Unit, a conceptually similar idea executed with metal framing). The furniture line began with requests for freestanding wardrobe...
Category

Vintage 1950s American Mid-Century Modern Cabinets

Materials

Mahogany, Masonite

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Harvey Probber Wall Mounted Credenza with Inset Caned Doors, 1950s
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