Hardwood Cabinets

Dated from 1950s, designed by Vladimir Kagan and manufactured by Kagan-Dreyfuss Inc, New York, this rarely seen model of armoire features an elegant bleached mahogany exterior with metal legs and an fitted interior with shelves and drawers. The simple form was punctuated by the use of a pair of oversized pulls...

Made of handcrafted wood, plexiglass and brass, the cabinet-showcase Lost Bronze is inspired by the idea of revealing processes and the importance of structures which usually are hi...

Amazing Mid-Century Modern bar cabinet. The bar rests on four tall legs, which gives it an image of lightness and elegance. The door fronts are done in marquetry work, different tone...

André Chetaille four-door cabinet in ash sitting on elliptical legs. France c. 1965. Handles are tapered turned ash and interior with five adjustable shelves and two drawers. A...

A petite teak cabinet with original blue/green paint. Raised panel door front, carved top moulding, interior shelf and brass hardware. Just the body ...

We are delighted to offer for sale this sublime, ornately hand carved Burmese Temple sideboard in Rosewood. This has to be one of the most beautifu...

A very fine pair of French Napoleon III figural ormolu and porcelain (probably Sevres) mounted tulipwood Meuble A Hauteur D'Appui. The rectangular shaped body fitted with a white mar...

A very nice near pair of French demi loon single door cabinets, standing on brass feet, and with marble tops, excellent colour and condition. Would sell seperately. 35.5" high 28.5"...

44? antique Chinese cabinet from the Shandong Provence 1851 Beautifully carved apron and sides with 3 drawers. Brass pulls.    

Grange quality Chest in French Style with Cherry Stain in a useful size. The top with rounded front corners and dowel construction. One small center diamond ribbed drawer at the top over five long drawers, carved and looking like two each with patinated brass knob pulls. With canted ribbed side supports and carved side panels. The frieze with ribbed side panels and one ribbed panel above the carved base. H. 38", W. 25", Depth 15" Condition: Sun struck...

Wonderful sculptural bar cabinet made by Aldo Tura in the 1960s. The Trompe l'oeil painted goatskin surface seems in a three-dimensional book shelf based on a tanned pearwood x base....

The cabinet has been fully restored by our professional refurbishing team in Czechia according to the original process. Sold individually. This item features classic Mid-Cent...

A fine French 19th-20th century kingwood and tulipwood marquetry and gilt-bronze mounted vitrine, in the manner of François Linke (1855-1946). The slender single door display cabinet with a red-velvet backing and bowed glass panels surmounted with acanthus and floral gilt-bronze mounts in the style of Léon Messagé (French, 1842-1901), the serpentine shaped front door with an ornate marquetry and ink colored panel depicting wreaths, ribbons and tied acantus leaves, all raised on four cabriolet legs ending with gilt-bronze paw-feet, Paris, circa 1900. Linke was born on 17 June 1855 in the small village of Pankraz, in what is now the Czech Republic. Records show that Linke served an apprenticeship with the master cabinet maker, Neumann, which he completed in 1877. Linke’s work book or Arbeits-Buch records that he was in Vienna from July 1872 to October 1873 at the time of the International Exhibition held there in 1873. He subsequently travelled to Prague, Budapest & Weimar before finally arriving in Paris in 1875. It is documented that he obtained employment with an unknown German cabinetmaker in Paris, and stylistic similarities, photographs and geographical proximity have led some to suggest that Emmanuel Zwiener was the most likely candidate. After a period back in his home town of Pankratz, he returned once and for all to Paris in 1877. In 1878 Paris hosted the third great International Exhibition, a remarkable success for a country ravaged by war only seven years earlier. It is known that the fledgling Linke workshops were active in the Faubourg St. Antoine as early as 1881, during this time he supplied furniture for other more established makers such as Jansen and Krieger. By 1889 another World’s Fair, as they were often referred to in America, took place in Paris. Monsieur Eiffel erected what has become the most iconic building in Paris for the exhibition and the atmosphere of wealth and confidence may well have encouraged Linke to think that he could contribute an important part to the next great exhibition. As early as 1892 this was decreed to take place at the end of the century, in an attempt to pre-empt Berlin from staging the last great show of the century. In 1892, Victor Champier (fr) one of the commissioners for the 1900 Paris Fair had appealed, “Create in the manner of the masters, do not copy what they have made”. It was an appeal against mere reproduction and Linke rose to this challenge in an unparalleled way with his unique display that was to include the Grand Bureau. Determined to outshine the competition at the Exhibition, Linke had set about creating the most ambitious pieces he could envisage, and more extravagant than had ever been displayed before. The items he exhibited marked a transition from the historicist interpretation of Louis XV and Louis XVI styles, an interpretation that was the mainstay of his nearest rivals, to something startlingly new and vital in its immediacy. [6] Together with Léon Messagé he developed a new style for the 1900 Exhibition that paid homage to the Louis XV rococo in the fluidity of its approach, but an approach fused with the lively flowing lines of the contemporary and progressive 'art nouveau'. The Art Journal reported in 1900 on Linke's stand: "The work of M. Linke ... was an example of what can be done by seeking inspiration amongst the classic examples of Louis XV and XVI without in any great sense copying these great works. M. Linke's work was original in the true sense of the word, and as such commended itself to the intelligent seeker after the really artistic things of the Exhibition. Wonderful talent was employed in producing the magnificent pieces of furniture displayed". Linke's stand would have appeared refreshingly new to contemporary onlookers, the traditional designs of the eighteenth century melting seamlessly into an exuberant naturalism. The 'Revue' described Linke's style as 'entièrement nouveaux' and noted "This opinion is universally accepted. Linke's stand is the biggest show in the history of art furniture in the year 1900". It is perhaps the most extraordinary and remarkable aspect of Linke’s personal history that he produced such expensive and luxurious furniture of exquisite quality for the 1900 exhibition without any commission or any potential buyer in mind. [9] At a time when other more established furniture businesses such as those of Beurdeley and Dasson were closing down, he made a huge investment in his stand and the furniture he supplied for it. Linke recognised that to move his business forward he needed to appeal to a more International clientele and the new emerging rich who were at this time amassing fortunes on an unprecedented scale. For this reason he gambled everything he had on his display for the 1900 exhibition. Had this not succeeded he would almost certainly have succumbed to bankruptcy. Linke’s notebook records visitors to his stand from England, Europe, the Americas, Egypt and Japan and including; the King of Sweden, three visits from the King of Belgium, Prince Radziwill, the Prince d’Arenberg, the Comte Alberic du Chastel, Miss Anna May Gould, the American heiress, distinguished furniture makers and the President of France Emile Loubet. This risky endeavour was a resounding success, and with his reputation established, La Maison Linke became the pre-eminent furniture house until outset of the Second World War. The technical brilliance of his work and the artistic change that it represented was never to be repeated. His showrooms expanded into prestigious premises in Paris, in the Place Vendôme as well as the Faubourg St. Antoine where his workshop had been established. He embarked on many important commissions in the years up to the outbreak of the First World War, making and designing furniture for leading international industrialists and bankers. After the 1914-1918 World War, Linke undertook the extraordinary commission to furnish the Ras al-Tin Palace in Alexandria for King Fuad of Egypt, possibly the largest single furniture commission ever conceived, eclipsing even Versailles. Linke flourished and remained active until the middle years of the 1930s and died in 1946 Léon Messagé (1842-1901) was a French sculptor, best known for his sculptural collaboration with François Linke for the 1900 Paris Exposition Universelle. Messagé was also responsible for much of the design and creative work for Roux et Brunet...

André Beaudoin, Art Deco cabinet in sycamore and bronze, circa 1940-1950. Good proportion, A.B monogrammed keys Complete interior Patina to review.

A Qing Dynasty period compound elmwood cabinet from the 19th century, with reddish brown lacquer and traditional brass hardware. This Qing Dynasty period compound elm cabinet from th...

By concentrating on his graphic, elegant style, a subtle blend of tradition and the avant-garde, it is possible to overlook an essential quality of Breton artist...

Contemporary style Joyce sideboard made of ashwood Two central doors with Vienna straw and two side sliding doors with handmade brass handles. The top ...

'Secret' Throughout the centuries philosophy, religion, literature were drawing breath to obtain the secret. The knowledge was inherited from one to another, was hidden, lost, stole...

The collection is enriched with a version with four drawers and more contemporary finishes. In 1994 Nanda Vigo designed a ten-drawer cabinet for Acerbis Storet. It became part of the Bed Side collection thanks to its bedroom-style finishes. The current version preserves its poetic dimension and introduces contemporary elements that enable it to be versatile in the living and dining area. Structure and drawers A chest of drawers’ system made of medium density wood fibre with open grain brushed veneer in black ash and dark stained walnut finishes. The furniture’s key element is the drawers’ moulding...

A good example with rectangular original grey and white marble top over a drawer with central geometric string inlay and two brass ring handles over a pair of grill doors flanked by ...

A pair of Louis XIV style gilt-bronze mounted calamander breakfront side cabinets, the Algerian brèche sanguine marble tops above a cupboard door incorporating Japanese lacquer panels, Edo period 17th century, opening to reveal a single adjustable shelf, on later spiral fluted tapering feet. Circa 1830 English Footnote: These opulent English cabinets, conceived in the Louis XIV style, employ an array of exotic materials which when coupled with the finely chased gilt-bronze mounts point to a commission of some importance. The vivid brèche sanguine marble tops were mined in Algeria - a source of exceptional marbles championed by British diplomat and naturalist Sir Lambert Playfair (1828 –1899) following a visit in 1880 – and the highly prized Japanese lacquer panels would have originally formed part of an Edo period chest...

A French elm vitrine cabinet from the 19th century, with chapeau de gendarme top, glass doors, carved décor and three drawers. Created in France du...

1960s Danish teak media stand, ideal for a turntable / stereo or tv with two shallow drawers for storing accessories. Quality, dovetail details present al...

This Early 19th Century English Regency Greek Revival Calamander and Jasperware Cabinet with Ivory Stringing is a testament to the era's dedication to craftsmanship and historical re...

A pair of antique Chinese cabinets in elmwood with reverse painted glass planels depicting the four seasons. These early 20th century ...

Of striking form with concave sides fitted with 2-doors to reveal oak-lined drawers, adorned overall with pewter mounts and supports.

A stunning and extremely high quality French 19th century Louis XVI st. Belle Époque period Kingwood, Wedgwood, ormolu, and Vert de Patricia marble cabinet. The one door, one drawer ...

A sleek 1960s highboard in warm teak by Arne Vodder for Sibast. With sliding tambour doors, tapered legs, copious storage and perfect proportions it is both visually arresting and e...

Royal House Antiques Royal House Antiques is delighted to offer for sale this stunning original mid-Victorian Apothecary or Haberdashery cabinet library bookcase Please note the de...

Fantastic pair of raffia wrapped Asian influenced waterfall cabinets. Lacquered in silver inside and out, simple chrome pulls and European style heav...

Antique French Louis XV Style Small Walnut Satinwood Inlay Corner Curio China Cabinet. Item features a serpentine front, ornate satinwood floral inlay, finely carved flower and acant...

Mid-century style rolling door cabinet with shallow drawers. Great for home or office storage. Please confirm location NY or NJ

Exceptional French cabinet with floral and foliate marquetry inlay with gilt bronze mounts. two doors open at the front and interior has one shelf. Sides are shaped and floral mar...

A fine Louis XV fruitwood period buffet deux corps with carving.

This pair of early 19th century red lacquer cabinets is an extraordinary find. When placed beside each other, what remains of the finely-painted decoration comes together to form a s...

Inside safe in shiny white. 24-karat gold-plated brass accessories. Made in Florence, Italy since, 1949. VAT will be applicable to sales in the UK.

A Fine Late 19th Century French Kingwood and Ormolu Vitrine or Display Cabinet, the present piece with its glazed sides and glazed top panel was designed to be viewed in the round an...

Extraordinary Art Deco storage cabinet-bookcase, solid mahogany with mahogany veneer outside and sycamore inside with a wide base, french polish. Two curved doors...

A stunning Art Deco burr elm and walnut bedside cabinet, this was made in England and dates from the 1930’s. It is a lovely, useful size and is of superb quality. There are incredib...

American Rustic Adirondack (19th Century) slat wood hutch cabinet with willow twig trim and weathered red painted plate supports on 2 upper shelves ...

Elevate your interior with this stunning Mid Century Modern Vintage Teak Corner Cabinet by the renowned British furniture maker, Turnidge of London. Expertly crafted in rich teak, th...

This Rosewood Bookcase, designed by Jorge Zalszupin (1922-2020) and manufactured by L'Atelier in the 1960s, is a great way to have the diversity of different tones of Rosewood in jus...

console table made of ash wood formed 2 modules with door with vasistas pening, 2 open modules and 2 drawers placed on the upper right. Solid ash wood foot. Door with vasistas openin...

Palisé - description: The surface of this beautiful, slim-legged home mini bar made of pearwood will charm and shock you at the same time. Kreatippci studio...

Pierre Cardin; French Design; Black lacquer; Teak drawer; Cabinet; Credenza; Pierre Cardin sideboard in black lacquered wood and teak. This item is provided with two doors on each...

Elegant Louis XVI cherrywood secrétaire cabinet.

This is an exceptional and truly rare pair of paint decorated solid satinwood side cabinets. They date to the 1890s era and are in good conditon for their age and have no issues beyo...

English Regency mahogany book case with an arched cornice, corner urn finials resting on oval floral satinwood inlaid plinths, centered satinwood in...

Made in Belgium in the 1960s, these mid-century cabinets combine clean lines, organic shapes and functional beauty. The teak wood is a durable and natural material, which has a warm ...

Enchanting pair of vintage Moroccan stands crafted in indigenous hardwoods with one drawer over a cabinet door with open fretwork and paint decorated in floral designs with distincti...

Svend Langkilde petite cabinet for Illums Bolighus. Produced by Langkilde Mobler, Denmark 1960's. The teak wood grain is bookmatched on all sides. The interior of this two-door ca...

Peter Hvidt & Orla Mølgaard-Nielsen design cabinets for Soborg Mobler, Denmark. Rare pair of solid teak cabinets with adjustable interior shelves and attractive sliding doors. Origin...

Gianfranco Frattini for Cantieri Carugati, cabinet, cherry, Italy, 1958 This piece of furniture is crafted with a solid design, characterized by clean, straight lines and angular sh...

An Early 20th Century Black Painted Sheet Music Cabinet. Measures 17.25" in width, 16.25" in depth and 40" in height.

Chinese Ming style hand painted red and brown lacquered cabinet with carved sides, drawer and doors. The piece features intricate hand carved details and an antique look patina. Behind its two doors is ample storage, including a single drawer. Exquisite Chinese altar elmwood cabinet features a rectangular top, sitting above an elegant façade, presenting a drawer fitted with teardrop pulls. Double doors below open to reveal a convenient storage space. The sides are accented with scrolled motifs. Raised on straight legs with carved apron, this Chinese altar dresser cabinet charms our eyes with its lovely patina and graceful lines, This early 20th century Chinese lacquered sideboard...

A pair of 19th century French serpentine commodes in the Louis XV manner. Each with a marble top above a frieze of one short drawer above a central door, the surfaces with scrub pai...

A masterpiece of Art Deco craftsmanship, this original 1930s French cabinet embodies the bold yet refined aesthetics of the era. Crafted from a s...

Elegant Louis XVI cherrywood secrétaire cabinet.

A French Art Deco Cabinet designed by Maison Dominique Paris. This cabinet is made in Macassar Wood with center doors in mottled Green Lacquer with a small gold Leaf sunburst detail ...

An exceptional and most unique Italian early 18th century Baroque period ebonized fruit wood and Pietra Dura marble and semi precious stone inlaid specimen cabinet. The small scale cabinet...