Wood Cabinets

19th Century floor bookcases of rectangular form in satinwood with mahogany line inlay, terminating on four tapering square feet. The stepped top is raised...

Free-standing wooden cabinet with a single door for Dilmos Milano. The exterior is carefully hand painted, depicting a detail of Sybil, the seer, located in the Sistine Chapel...

Cabinet Gustavian Swedish original paint greenish yellow 18th century Sweden. A cabinet made during the 18th century in Sweden. Glassed doors ...

This elegant rosewood cabinet was designed by Josef Frank for Svenskt Tenn in the late 1930's. In the Svensk Tenn archive's furniture book, Estrid Ericson (the founder of Svenskt Tenn) has made a pencil sketch of the cabinet and written "designed for the King", Gustaf V, likely for his 80th birthday in 1938. So this particular model 792 also became known as the Gustav V model. The rare cabinet on offer here was produced by Svenskt Tenn in Sweden in the early 1950s. The model was usually produced in pyramid mahogany, only a few pieces were made in rosewood. The cabinet has double doors, veneered in mirorred rosewood, with a solid oak interior with a total of 10 pull-out drawers. Brass key and round brass door hinges...

The limited edition cabinet designed by Mimmo Paladino is entirly covered in a layer of gold leaf and then decorated by hand with various designs in black and white by the author. Th...

Luigi Saccardo, 'Topline' wall unit, laminated wood, metal, Italy, circa 1976. This impressive wall unit is designed by the Italian designer Luigi Saccardo as part of the ´Topline´...

English Regency mahogany breakfront cabinet with four lower cabinets with decorative wood inlay and four upper lattice glass cabinets with ...

Cabinet, anonymous, Sweden, 1950s. Brazilian rosewood and mahogany. Dimensions: H: 136 cm / 4' 5 1/2" W: 94 cm / 3' 1" D: 44 cm / 1' 5 1/4". This noticeable mid-century piece is a...

Pair of English Regency mahogany bow front form cabinets with 4 doors and ebonized banded geometric inlay of pediment top (Priced as pair).    

French Provincial-style (20th Century) carved oak display cabinet / vitrine with two display cabinets with mirrored backs and glass doors, ...

A Pair Napoleon III Gilt-Bronze And Porcelain-Mounted Ebonised Cabinets, 'Meubles à hauteur d'appui'. Each with 'D'-shaped inset white marble top ...

"Total Flightcase" is a large cabinet, designed by Diesel Creative Team and manufactured by Moroso, featuring a frame in extruded aluminum section bar...

It almost feels like a ritual. Sitting down, with soft light, and pressing play on your smartphone. Then letting vibrations do their thing. Caruso invites you to sit down, take a bre...

Elie red brass elephant bar storage cabinet by Matteo Cibic is a grand elephant with a lovable brass head and a smart red uniform. It opens up as a fantastic sculptural cabinet. “...

English Regency (1st quarter 19th century) rosewood side cabinet with a drawer over 2 brass grill doors and side panels having a silk cloth lining with reeded pilaster sides and rais...

Fantastic two-door pine sideboard made with rough-hewn planks. Of note, the very minimal hinges. This piece is most likely from the French Alps given its style and construction. Orig...

Oasis bar cabinet in caramel with black balls by Richard Hutten is a cabinet with a revolving shelf and brass details. It is covered with gleaming bl...

Fine walnut four-door cabinet by Jules Leleu with bronze medallion by Champreix For an illustration of an identical cabinet, see Mobilier et Décoration, no. 5. December 1946. F...

This gorgeous multi-level shelving system was designed and manufactured by the Brazilian design icon, Jorge Zalszupin and his company, L’Atelier. When it comes to Zalszupin’s line of modular pieces (Modulados Compiníveis), simplicity and clarity are the main characteristics. Similarly to Danish production, treating the wood with special care was a core concept for Zalszupin. The versatile industrial design of these pieces offers a variety of typologies and combinations of modules that can be creatively combined to satisfy every need and interest. The pieces include drawers as well as diverse consoles with doors that feature locks. These modular pieces made by L’Atelier follow the idea of Louis Sullivan: “form follows functions”, which is exemplified by this piece. The modules are made of the Brazilian wood ‘caviuna’ with a beautiful finish in wood-block collage. The six wooden legs support the units in an understated way, leaving the units to be the main visual pieces. The pieces feature “inverted” handles in pairs, that are distinctive of Zalszupin, and contribute to the elegant and modern look of this shelving system. Condition: In good vintage condition. Wear consistent with age and use. Some modules have some small scratches and marks. Dimensions: 98.42 in W x 15.95 in D x 104.33 in H 250 cm W x 40.5 cm D x 265 cm H About the designer: Jorge Zalszupin was born in Warsaw, Poland, in 1922. He graduated as an architect in Romania in 1945. His importance for Brazilian design has been articulated in several publications so far. In addition to being the owner of the l'Atelier furniture factory of modern furniture, Zalszupin led a unique initiative: he coordinated a team of designers working for four different factories in the same business group, the Forsa Group. Zalszupin immigrated to Brazil in 1949 and after a brief stay in the capital, he settled in São Paulo, a city that was then entering a cycle of great industrial growth and great cultural transformations. In the first half of the 1950s, he opened an architecture office, having José Gugliota as a partner. When he got tired of designing exclusive furniture manufactured for his clients' homes, he decided to join a group of woodworkers and started to produce smaller series. This was how l'Atelier came into being, which eventually began to manufacture office furniture and went from a carpentry shop with handcrafted products to an industry with serial production. The first piece in this series was an armchair nicknamed 'Danish' by employees. It was first created in 1959. In the early 1970s, because of serious financial problems, l'Atelier was sold to a business group. The sale was finalized with Zalszupin's 'pass' as director of product research and development. Thus, Zalszupin expanded the team of designers - which already had Oswaldo Mellone - incorporating Paulo Jorge Pedreira and Lílian Weimberg permanently. The designers named the new group Forsa, and started to act as a sort of creative laboratory. The technical possibilities offered by four distinct industrial plants were enhanced by the team of designers. In this way, Hevea, which produced plastic commodities, won a very sophisticated product line in design and established a brand: Eva, for household items, sold in supermarkets. L'Atelier itself started using injected plastic, producing partition panels...

Antique gilt bronze and porcelain mounted dressing and writing cabinet French, late 19th century Measures: Height 100cm, width 44cm, depth 38cm This elegant cabinet functions as both a vanity and a writing table. The cabinet features a rectangular upper section finished with fine veneered wood. Each side of the top is centred with an oval porcelain plaque portraying flowers, while the corners feature gilt bronze figure mounts. The top of the cabinet hinges...

Rare cabinet designed by Svante Skogh. Produced by Seffle Möbelfabrik in Sweden.

‘Partu’ (2020) is the Walmajarri word for ‘skin’ and is Johnny Nargoodah and Trent Jansen's latest collaborative project experimenting with this combination of disparate sensibilitie...

Frenh Art Deco period mahogany cabinet secretary by André Arbus and Vadim Androussov decorated with a bronze patinated bronze cartouche of a female figure. France: circa 1940 Provena...

This highly important secrétaire-cabinet was crafted for and specially ordered by King George I for the British Ambassador to Russia. From its craftsmanship and materials to its exceptional artistry, it is a work of royal and historic significance that exudes power in each and every detail. The broken pediment at its apex features the simplified royal coat of arms bearing the king’s crown, while the interior is adorned by portraits of the British Royal Family. Placed within the ambassador’s St. Petersburg home, this entirely unique piece of furniture would have been a potent reminder of England's grandeur and political importance. Relations between England and Russia during this period were at an all-time high. Peter the Great had traveled to England in 1698 as part of his widely known “Grand Embassy” tour, wherein he attempted to gain foreign support against the Ottoman Empire. He spent a period of nearly four months there, meeting with King William III and his court on numerous occasions. Noted academic Arthur MacGregor wrote concerning the impact of the trip, “For two decades following Peter's visit, British influence in Russia reached a peak. It manifested itself in social custom, in craft practice and in ships and naval organization... it reached a significant sector of the population before relations cooled once again and the two nations pulled back from this era of unprecedented cordiality.” First and foremost, however, it is a reminder of British might and influence. By the reign of King George I, England had come into its own as a world power. Unique in its design, this cabinet is a reflection of the country’s might. It is crafted from the highest-quality solid walnut and burr walnut adorned by gilded lock plates and engraved hinges. The presence of ormolu at its apex and lining the doors was a rarity for this period, and its addition makes manifest the importance of the design. The outer doors open to reveal multiple interiors, including fifteen separate drawers around a central cupboard; the cupboard doors each bear mezzotint portraits of George I and his father, Ernest Augustus, Elector of Hanover. An etching after the portrait of George I dating to circa 1716 is in London’s Royal Academy. A second, inner pair of doors are adorned by mezzotints of the Prince and Princess of Wales (later Queen Caroline and George II), which are both after portraits by Sir Godfrey Kneller dated 1716 in the Royal Collection. A final portrait is revealed on the very interior of the cabinet, where a mezzotint of Frederick, Anne, Amelia and Caroline, children of the Prince of Wales, resides. An etching (circa 1715-1720) after this portrait can be found in the National Portrait Gallery (London). Apart from its abundance of royal portraiture, the cabinet features stunning painted decoration, including floral designs as well as clouds, birds and trees in a bucolic motif reminiscent of Eden. Its lower portion is a study in both form and function, featuring a fitted secrétaire-drawer above three additional drawers for storage. The cabinet appears in The Shorter Dictionary of English Furniture by R. Edwards from 1964, a text that is regarded as the bible of British furniture design. Edwards describes it as a “writing cabinet...given by George I to the British Ambassador at the Russian court.” The cabinet was likely made for the 18th-century German diplomat and writer Friedrich Christian Weber, who represented English interests at the Russian court from 1714 until 1719. Although Weber’s tenure as ambassador was relatively short, while in St. Petersburg, he authored his account entitled Das veraenderte Russland (The Present State of Russia), which was published in three volumes in 1721, 1739 and 1740. It may, however, also have been made for George Douglas, 2nd Earl of Dumbarton, who served as ambassador alongside Weber in 1716. Diplomatic relations ceased between the two countries in 1721. In 1928, the cabinet appeared for sale at the International Exhibition of Antiques & Works of Art in Olympia. It had previously been in the collection of the Woltner family of Bordeaux, the celebrated vintners who owned the estate Château Laville Haut-Brion and produced wine of the same name. According to the family, Monsieur Woltner was given the cabinet as a gift from an aunt who lived in Russia for many years. After leaving the Woltner collection, the cabinet was acquired by William Berry...

The Progetti Compiuti chest of drawers, designed by Shiro Kuramata, includes an array of furnishing elements with drawers. The frame of the side 1 ch...

Early 20th century French giltwood display cabinet French, early 20th century Measures: Height 175cm, width 130cm, depth 40cm This beauti...

Vittorio Valabrega, console with drawer, walnut, leather, metal, Italy, 1940s This console by the Italian designer Vittorio Valabrega is sculptural and elegant. Note the details i...

These cabinets merge bold, modern geometries with traditional craft. The wood is hand-sawn and lacquered with a distinctive textured pattern to give a sophisticated finish to a simpl...

An Important Napoleon III Exhibition-Quality Ormolu-Mounted Carved Cabinet By Maison Guéret of Paris A tour-de-force glazed boxwood cabinet celebrating the art of woodcarving, the monumental vitrine of slight breakfront proportions, with rounded corners, all surfaces carved with the most exquisite designs and refined detail with ormolu banding, the base of tripartite design, the central cupboard door with a carved roundel depicting a triumphant muse, flanked by two doors with carved musical trophies enclosing a single adjustable-shelved interior, the frieze incorporating a further three drawers with slides above; the superstructure with three glazed casements separated by carved and fluted pilasters with ionic capitals; enclosing a red velvet-lined and shelved interior; the tripartite pediment each with rounded cornices, the central tympanum carved with laurel leaves and instruments of the arts & wisdom topped with a carved finial and a draped lambrequin below, the flanking entablatures with cartouches depicting Bacchus and Ariadne below urn finials with carved Vitruvian scrolls and ribbon-tied cascading bunches of laurel leaves, the symbol of triumph. Signed on the cartouche "Guéret Frères...

Narciso cabinet in wood by George J. Sowden by Post Design/Memphis The product is purchased with authenticity certificate and guarantee stamp. Additional Information: Cabinet ...

These cabinets merge bold, modern geometries with traditional craft. The wood is hand-sawn and lacquered with a distinctive textured pattern to give a sophisticated finish to a simpl...

MARGHERITA cabinet in wood by George J. Sowden by Post Design collection/Memphis The product is purchased with authenticity certificate and guarantee stamp. Additional Informat...

Tommi Parzinger Ceruse Finish credenza A great early form on a sophisticated Plynth base. Original lacquered interior. The home this was in was featured in a 1956 House beautiful ...

88 Secrets Pink Sideboard with Gold Trims by Nika Zupanc is an elegant pink cabinet in sensuous, feminine lines with luxurious metal trims in gold. A statem...

These cabinets merge bold, modern geometries with traditional craft. The wood is hand-sawn and lacquered with a distinctive textured pattern to give a sophisticated finish to a simpl...

Very rare master cabinet designed by Carl Malmsten. Produced by Hjalmar Wikström Möbelsnickare in Sweden.

Forest tree bar storage cabinet with brass inlay by Marcantonio, is a stupendous cabinet resembling a tree. It is richly designed with brass details and styli...

Oasis bar cabinet in white with brass balls by Richard Hutten is a novel pure white cabinet with vibrant scarlet interiors. It is covered in gleaming...

An incredible and important pair of Art Deco marquetry encoignures (corner cabinets) by famed French Art Deco designer and maker Leon Jallot, circa 1920s Paris, France. We just compl...

A very large George IV plum pudding mahogany side cabinet, the shaped top above a moulded frieze with five cupboard doors interspersed between scrolling acanthus columns, the three central doors glazed with pleated fabric linings opening to reveal a double cupboard...

Classic French Art Deco cabinet by Henri Rapin, 1925, in cherry, rosewood, burled mahogany, ebony, and silvered metal. Finished interior with shelves. 31.5...

A set of bedside cabinets / tables / nightstands. Designed and produced in Denmark, 1970s. In solid pine. Other designers working in similar style and materials include Axel Einar...

Cabinet with wooden structure and glass mosaic tile decoration.

Rare cabinet designed by Carl-Axel Acking. Produced by Nordiska Kompaniet in Sweden.

Constructed in kingwood, with gilt bronze mounts; rising from bracket feet, the cabinets, a true left and right pair, have central doors dressed with well executed floral marquetry p...

There is a strong connection between Capellini and the art world, as confirmed by the presence of the Homage to Mondrian cabinet in the catalogue. Thi...

88 Secrets Green Bar Cabinet with Gold Trims by Nika Zupanc is a rich, deep green bar cabinet in sensuous, feminine lines with luxurious metal trims ...

Three reasons why Dalila is the sideboard of your life: it has very thick copper handles, elegant carved lines on the doors and is wider than the Mary Poppins bag. In short, it is sp...

Chhau Donna multi-color bar storage cabinet by Elena Salmistraro, splendid in a riot of colors is inspired by the female Chhhau dancers of India. Italian contemporary forms and exqui...

"Total Flightcase" is a small cabinet, designed by Diesel Creative Team and manufactured by Moroso, featuring a frame in extruded aluminum section bar...

Cabinet, anonymous, Denmark, 1950s. Oregon pine. This charming piece is an exquisite example of Danish cabinetmaking. The visible corner joints and the stretcher’s through mortise...

Rare Knoll leather tab storage case, can hang on wall or sit on bench. Walnut, with original faux laminate top.

A Louis XVI style table Ambulante By Francois Linke The master ébéniste using kingwood and tulipwood to great effect, with foliate ormolu mounts, rising form hoof-foot and acanth...

A Napoleon III Gilt-Bronze and Hardstone Inset Ebonised Pier cabinet. The bronze mounts stamped to the reverse 'PA'. This impressive side cabinet has fine gilt-bronze mounts set against an ebonised case, further enriched with hardstone panels...

American Victorian 19th-20th century golden oak carved buffet cabinet with a mirrored upper section.

Very rare bar cabinet designed by Tove & Edward Kindt-Larsen. Produced by Gustav Bertelsen in Denmark.

Antique Chinese hardwood bar cabinet with a paneled exterior and brass-hinged top and doors that open to reveal ample storage for glassware, slide-out bottle trays, two drawers and S...

Lacquer and gilt bronze cabinet in the Japonisme style by Rosel Belgian, late 19th century Measures: Height 185cm, width 94cm, depth 43cm The ...