Ormolu Commodes and Chests of Drawers

Vernis Martin French Antique Commode Chest Marble Top Charming early 20th century French Louis XV style kingwood side cabinet in the ...

A stunning French Louis XV bombe marble-top chest of drawers commode from the 19th century, styled in the manner of Charles Cressent (France, 1685–1768), finished in luxurious Rocco ...

This is an impressive and rare antique French Régence wood and ormolu mounted commode, circa 1720 in date. The stunning breche violette marble top ...

A fine quality antique French Louis XV style marble top & ormolu mounted tulipwood & kingwood bombe shape commode chest, circa 1900. The serpentine shaped top having the original var...

A Rare Louis XV Ormolu-Mounted Tulipwood and Chinese Lacquer cabinet, c. 1750 (Regence Period) A truly magnificent, monumental, and one of a kind cabinet, painted throughout with gi...

A Fine and Impressive French 19th Century Louis XV Style Ormolu-Mounted Mahogany and Parquetry Commode a Vantaux, after the model Antoine Gaudreaux's 'Commode Médallier du Roi Louis ...

PRESENTING AN ABSOLUTELY OUTSTANDING 19C French Empire Style Style Complete Bedroom Suite/Set. HIGHLY, IMPORTANT AND UNIQUE Empire Style Bedroom Suite or Set from circa 1880. The Suite/Set is almost completely original, save the bed, which was originally twin size, but professionally commissioned to be customized and converted into a Euro King Size for modern practicality. The quality of the conversion matches the quality of the suite/set. All pieces have gilt bronze mounted fittings; beautiful patina, beautiful parquetry; beautiful carrara marble tops, simply stunning! About 10 years ago, I saw the ‘identical twin’ of the Commode in an Antique Store on Central Park in New York, however it had a less desirable green marble top (IMHO), and they were looking for 30k USD for the Commode, on its OWN! This Suite/Set is SO GOOD that it is the main exhibit in our rear Showroom. Not marked but under the marble top of the commode there are 2 signatures in pencil (1) M. Le Youters (?) and (2) M. Daneels. You will NOT find another complete suite/set like this ANYWHERE! AS A BONUS: We have curated and sourced (recently) a Pair of Monumental French Empire Wall Sconces which are a ‘PERFECT’ match for this bedroom set! (See pics) These sconces are being sold separately BUT they really COMPLETE the entire bedroom! The Suite/Set includes: European King Size Bed (Headboard, Baseboard, side panels and central support bracket). 2 Matching Bedside...

A fine matched pair of French 19th-20th century Louis XV style gilt bronze-mounted (Ormolu) tulipwood, kingwood and satinwood floral marquetry Bombé his and her's commodes with marbl...

Introducing a stunning and rare piece of furniture that embodies the elegance and sophistication of 18th century French design - the early 18th century French Commode with Rosewood I...

An extraordinary Louis XV period (1715-1774) French ormolu mounted tulipwood and kingwood marquetry bombé sauteuse commode by master Parisian ébéniste André-Antoine Lardin. circa late 1740s In our 40+ years we have not came across a chest of drawers that captures our attention like this one! Exquisitely hand-crafted in Paris in the mid-18th century, exceptionally executed in opulent and luxurious period King Louis 15th taste, featuring a curvacious serpentine-front bombe-form solid wood case fitted with two drawers, adorned with finely chased, chiseled and gilded bronze doré mounts, including rare and most distinctive sculptural fiolated scroll Rocaille handles, flanking ornate keyhole escutcheons with original key included. In absolutely stunning rare and exotic precious tulipwood and kingwood veneer work with striking warm rich highly figured grain patterns, elegant floral marquetry inlays and fascinating early sunburst panels. Topped with the original serpentine shaped Brèche de Médous marble-top with stepped molded edge. The Breccia de Médous is extracted in the towns of Médous and Asté, near Bagnères-de-Bigorre in the Hautes-Pyrénées. This dramatic breccia is composed of angular elements of contrasting colors ranging from black to yellow to gray creating a bold but subdued visual display. Signed, retaining the original LARDIN blind stamp to top proper-right rear post underneath marble. André-Antoine Lardin (1724-1790) is a celebrated Master Cabinetmaker, earning maître in 1750, and particularly respected for his extraordinary woodworking veneer - marquetry work. - PROVENANCE / ACQUISITION: From the important collection of Loyd-Paxton, Dallas, Texas. Property from the magnificent Estate of Mr. and Mrs. Robert Morris Graham Sr., El Paso, Texas, but also with homes in Dallas, Texas and Pebble Beach, California. Acquired from the highly reputable auction house Heritage Auctions, Dallas, Texas. 2024 Furniture & Decorative Art Featuring The Collection of Mrs. Henry Ford II Signature Auction Catalog #8167 Loyd Paxton Gallery, Dallas, Texas. With one of the finest collections in the world and prominent customers to match, including Sir Elton John, Truman Capote, Saudi Prince Faisal, and the Sultan of Brunei. Rare French antiques from Loyd-Paxton made their way into Versailles when it underwent renovations, and the Metropolitan Museum of Art in New York purchased furnishings, including a dazzling Louis XIV Boulle desk that had been owned by the Sun King himself. Betty Jo Graham might not hold celebrity status but her remarkable life and many contributions to American history and the arts community of El Paso, Texas, make her deserving of the limelight nonetheless. Affectionately known to her friends as BJ, led a remarkable life that intertwined a deep passion for music with significant contributions to her community and country. BJ embarked on her vocal journey at the age of 12, studying under the esteemed Mini Ferguson Owens at the University of Wichita. Her pursuit of musical excellence continued in the same institution, where she later attended college. BJ's life was not solely dedicated to music; she also played a vital role in American history. During the tumultuous times of World War II, she contributed her skills to the Cessna AT-17 training program, a crucial effort in preparing pilots for combat. She worked as an electrical wiring diagram analyst for Boeing Engineering Development on the iconic Enola Gay project in 1956. BJ's heart always remained with music. She continued to refine her vocal skills with notable figures such as Maude Douglas Tweedy in New York City and John Charles Thomas in Apple Valley, California. Her love story with Robert Morris Graham Sr., whom she married in 1975, was filled with shared adventures and travels across the globe, living in places from Dallas, Texas, to Pebble Beach, California, and El Paso, Texas. As a trustee of the El Paso Symphony Orchestra and a board member of the El Paso Symphony Youth Orchestra and El Paso Pro-Musica, she played a pivotal role in nurturing the musical landscape of her community. Her support extended to various causes, including the El Paso Opera, Holocaust Museum, Museum of Art, and many more, showcasing her belief in the transformative power of art and culture. Betty Jo Graham's journey through life reflects a profound dedication to her passions, community, and the arts. Her legacy, marked by her music, history, and philanthropy contributions, inspires and impacts many, ensuring that her melodious spirit will be remembered and cherished for future generations. After traveling the globe and living in cities across the country, Graham and her husband, Robert Morris Graham Sr., eventually settled in El Paso, where she served as a trustee of the El Paso Symphony Orchestra and a board member of the El Paso Symphony Youth Orchestra and El Paso Pro-Musica. Though Graham had a lifelong passion for music and played a pivotal role in nurturing the musical landscape of her community, her philanthropy extended to various causes, including the El Paso Opera, El Paso Holocaust Museum and El Paso Museum of Art, showcasing her belief in the power of art and culture. A patron of the arts, Graham was also a collector of fine jewelry, with a particular fondness for eye-catching, statement-making rings, necklaces, earrings and more, and Heritage was honored to present Property from the Estate of Mrs. Betty Jo “B.J.” Graham as part of its Spring Fine Jewelry Signature Auction. Inscription to placard on reverse: FROM THE COLLECTION OF LOYD-PAXTON DALLAS, TEXAS Signatures: Original blind stamped LARDIN to top of rear post. Bronzes not removed to inspect for foundry marks. - DIMENSIONS: (approx) 33" High, 42" Wide, 20.75" Deep - CONDITION REPORT: Overall a superb example, especially considering its nearly 300 years old. Beautifully aged warm patina, antique wood glow and lustrous sheen. Strong, sturdy, stable, structurally sound. Evidence of restorations, likely by Loyd-Paxton, including high-quality bespoke upholstered drawer lining. Typical wear commensurate with age, use, handling and exposure, including minor nicks to edge, age splits scattered throughout body, expected antique character and charm. Marble top is in great shape. Accompanied by two working keys. Overall outstanding presence, delivered cleaned, waxed, with hand rubbed polished patina, ready for immediate use and generational enjoyment! - INTERESTING ADDITIONAL INFORMATION: This elegant commode typifies the fashion for furniture mounted with exotic and rare woods, exquisite marquetry-work, and decadent Rococo bronzes. Andre Antoine Lardin, also known as N.B. Lardin was born in 1724 and died on 10 August 1790. He held his master's title from 1 July 1750 and was particularly respected for the exceptional quality of his veneering / marquetry. A well known and regarded maître ébéniste, Lardin’s career is somewhat thinly documented, most likely due to the upheaval and record destruction during the Revolution, notably when the guilds in Paris and elsewhere were abolished in 1791. Lardin worked for various marchand-mercier (furniture dealers) and probably also for a private clientele. He ran his workshop first in the Rue de Charenton and from 1770 in the Rue Saint-Nicolas. His two sons, André Antoine II and Louis François, worked with him for some time and the second-named became his successor in the Rue Saint-Nicolas. Lardin is known to have worked for the marchands André-François Carré, this superb commode having almost most certainly been commissioned through the intervention of one of these fashionable dealers. The marchand-mercier André-François Carré, is recorded rue Froidmanteau, "Magasin de glaces, porcelaine ébénisterie et curiosités pour les cabinets d'histoire naturelle." Carré also worked with two vernisseurs (vernis Martin): Porchon and Prévost. All of Lardin's furniture is classic in form and decor, well crafted and mostly veneered in rosewoods or violet wood. Lardin worked in the taste of the time with geometric patterns, cartouche fields and simulated fluting. Furniture with elaborate inlays such as birds, trophies, urns, landscapes, or flowers and sunburts such as this stunning example appear more rarely. The stamp JME stands for Jures Menuisiers Ebeniste and notes the guild affiliation of the master. The Corporation des Menuisiers-Ébénistes was a French craft guild which was concerned with the profession of woodworking. Some JME stamps are worn down from the marble slab over the years and no longer apparent, but in this case lacking the JME stamp is likely indicative of work made prior to reaching maître ébéniste (master cabinetmaker), denoting an early and exceedingly scarce example. Eighteenth century French furniture...

Petite Italian bombe nightstand, circa 1940s. A serpentine form made from walnut a with lattice inlaid geometric parquetry design. The commode features two drawers, long cabriole leg...

A very fine French 19th century finely chased ormolu-mounted kingwood, tulipwood, and satinwood marquetry and parquetry commode with original Breche Violette marble-top. With three l...

French Louis XV commode, circa 1725-1730, beautifully kingwood veneered with ormolu accents, stamped by Maitre Nicolas-Jean Marchand with a "Regence" feel, in extraordinary original ...

A very fine pair of French 19th century Louis XV style gilt-bronze mounted floral marquetry Bombé commodes with marble top. The serpentine two-drawer commodes, with rosewood, king-wo...

A French Louis XV style ormolu-mounted and end-cut floral and fruit marquetry two-drawer serpentine-shaped bombé commode by François Linke (1855-1946), Index number 720, the mounts d...

An elegant early 20th century Louis XV Style Chinoiserie Commode designed in the mid 18th century style with marble topped ebonized ...

A fine and large French late 19th century Louis XVI style mahogany, kingwood bandings and fruitwood marquetry armorial commode with Sycamore Marquetry...

A fine French palatial 19th-20th century Louis XVI style mahogany and ormolu-mounted "Marie Antoinette Style" medallion commode with a Fleur de Pêche marble top, after a model by Ben...

An Important Louis XV Style Gilt-Bronze Mounted Lacquer Commode, by Maxime Secrétant, Paris. Of bombé outshape with Portor marble top. The front with two deep drawers and applied w...

French Louis XV style (circa 1880) transitional style gilt bronze mounted kingwood & satinwood 3 drawer commode with floral inlaid design and a fleur de peche...

Regence chinoiserie marble-top commode, fitted with three chinoiserie ormolu-mounted long drawers. Some old repairs are evident, structurally sound,...

An Important Louis XVI Style Marquetry Inlaid Marble-Top Commode by Paul Sormani. Stamped twice beneath the marble top 'SORMANI Paris'. The lockplate engraved 'P. Sormani Paris 10 ...

A fine and large French late 19th-20th century Louis XVI style mahogany, Kingwood Bandings and fruitwood marquetry armorial commode with Sycamore Marq...

This handsome Louis XV style commode circa 1800 or earlier. A fantastic charcoal marble top with a molded edge, shaped in the same fashion as the body. A bank of three drawers featur...

A French 19th/20th Century Louis XV Style Gilt-Bronze Mounted Kingwood, Amaranth, Satinwood and Tulipwood Bois Satiné and Bois de Bout Floral Marquetry Two-Drawer Commode of bombé serpentine...

1900s Italian Empire mahogany chest of drawers with gilt bronze ormolu, keys and black marble top.

Antique French Louis XVI style ormolu-mounted commode after Benneman French, Early 20th Century Height 93cm, width 179cm, depth 69cm This outstanding commode à vanteaux is after a ...

A beautiful antique French marble top chest. This was made in France and dates from around the 1950’s. It is of great quality and is a lovely size, perfect for use as a bedside ches...

A very fine French 19th century Louis XV style ormolu mounted plum pudding mahogany veneer, mahogany and Vernis Martin decorated vitrine à Deux Corps, probably by François Linke (1855-1946). The lower structure fitted with finely chased gilt-bronze mounts with female masks, musical instruments, floral drapes, bows and acanthus, centred with a frieze drawer and a cupboard door with three painted panels. The centre front painted panel with a Romantic courting park setting scene amongst sheep and a sculpture fountain of Putti; the side panels both with parks scenes of a resting lion sculpture and fountain flanked by grassing sheep. The lower cabinet interior with three drawers, the upper vitrine case with two glass shelves, a bowed beveled front door and sides, crowned with a fine gilt-bronze wreath mount with ribbons, all raised on four cabriolet legs with cast lion paw mounts. Unsigned, Paris, circa 1890-1900. The style of this cabinet is closely related to those produced in the Paris furniture making trade in the Faubourg Saint-Antoine in the 1880s and as such, without a signature or identifying mark, is unattributable. However, there are similarities with the firm Raoux et Brunet, some of whose mounts were designed by Léon Messagé and later used by François Linke. Indeed many of the mounts on this cabinet, whilst not exclusive to him, are very similar to the work produced in his early years in Paris in the 1880s. At this time Linke was making furniture to order...

A very fine French Belle Époque 19th-20th century Louis XV style superb quality ormolu-mounted kingwood bombé commode with a Brêche d'Alep marble top, attributed to François Linke an...

A fine French 19th-20th century Louis XV style gilt bronze mounted satinwood and tulipwood Bois Satiné and Bois de Bout floral Marquetry two-drawer commode of bombé serpentine form, ...

A FINE GEORGE III BOIS SATINE AND ROSEWOOD BOMBE COMMODE ATTRIBUTED TO PIERRE LANGLOIS, CIRCA 1760. With a quarter-veneered top above three drawers. Retains all its original gilt-br...

Superb Louis XV commode in the style of Charles Cressent, in floral marquetry in rosewood frames; exceptional ornamentation of very finely chiseled gilt bronze; beautiful veined whit...

A Magnificent Rococo Style Gilt-Bronze, Bois Satiné and Mahogany Commode. By Rosel, Brussels, After The Celebrated Model By Johann Melchoir Kambli. Of curvaceous bombé form surmoun...

This monumental Boulle commode was crafted by Robert Blake, one of the finest and most important English cabinetmakers of his time. It is modeled after the legendary pair of commodes...

A Magnificent Gilt-Bronze Mounted Parquetry Commode, After Antoine Gaudreaux's 'Commode Médallier'. The serpentine Vert Maurin marble top above a conforming case set with two cupbo...

One of only three of its kind, this commode was crafted by the famed and highly celebrated ébéniste François Linke. Blending the stunning marquetry of the Louis XV and XVI styles with the elegance of Art Nouveau, the commode exemplifies Linke's skilled craftsmanship. Inspired by François Alix's iconic "Meuble Soleil" design, Linke's creation showcases his signature genius in every aspect of the commode's construction. The superior quality of the breche marble shelves and top, marquetry and ormolu that form the undulating body of the cabinet serve as a testament to Linke’s unwavering dedication to perfection. The craftsman spared no expense, investing significant time and utilizing only the finest materials to create this work of art. Tens of thousands of hand-wrought chisel marks are visible within the ormolu frieze of scrolling foliage. The breathtaking marquetry landscape on the front is perhaps the commode's greatest feature, depicting a radiant sun bursting from behind trees, elegantly enhanced by Linke's unmistakable signature on the lower right molding and on the inside of the inner cabinets. For Linke, winning the coveted Gold Medal at the 1900 Paris Exhibition Universelle confirmed his already solid reputation as France's leading ébéniste. His work had long been admired for its exceptional quality and unique interpretation of the Louis XV style. Born in Bohemia in 1855, Linke moved to Paris in 1881 where he established his now-famous workshop and showroom. Word of Linke's superior work spread quickly through France, and he soon eclipsed even the finest furniture houses in Paris. Today, Linke is counted among the most important furniture makers of the late 19th and early 20th centuries, and his work is dearly coveted by collectors. As one of the most masterful furniture designers and bronziers of his time, François Alix would only supply designs and bronze pieces to the most skilled of his contemporaries. Linke chose this unique design personally and only produced three versions of this remarkable piece, with the first one crafted in 1910. A similar commode is housed in the Royal Collection Trust...

Russian Neoclassical (Early 19th Century) ormolu, & white marble mounted ebonized & mahogany secrétaire commode with top drawer desk and upper section.

A monumental Danish chest of drawers commode from the 19th century. The magnificent, handcrafted Scandinavian antique having molded cornice, over case fitted with five drawers, all w...

French mahogany marble top chest with graduated book matched drawers, original gilt floral ormolu mounts, and terminating on rounded block feet. Early 19th Century

A sensational and extremely high quality French 19th century Louis XV st. Tulipwood, Kingwood, Ormolu and Breche D'Alep marble commode, signed F. Durand. This stunning two drawer San...

A Very Fine Marble Top Marquetry and Gilt-Bronze Commode by Emmanuel Zwiener. The keyhole escutcheon stamped with the ‘ZN’ mark from the bronze master model. The back of the bronze...

An important French mid-19th century gilt-bronze mounted kingwood, satiné and parquetry bombé commode after the model by Charles Cressent attributed to Maison Millet, Paris the serpentine Brocatelle Violette d'Espagne marble top above two long drawers centred by a flaming urn, flanked to each side by a child holding oak branches and headed by courting doves, the front angles with a bust of a boy and a girl each holding a dove, each bombé side with intertwined oak branches, on oak tree trunk supports and foliate-cast feet. The original model for the present commode dates from the 1730s and is the work of Charles Cressent (maître in 1720; d. 1768). Entering the collection of the Dukes of Hamilton after the French revolution, the commode was sold at the celebrated Hamilton Palace sale (lot 1806) in 1882. It was purchased by Ferdinand Rothschild and is now in the collection at Waddesdon Manor, Buckinghamshire. This impressive Régence style commode is reminiscent of the work of François Linke, however none of the mounts appear to be stamped or recorded in his oeuvre. Maison Millet was an active client of François Linke and it is believed that this commode with its distinctive high quality mounts and construction are characteristic of the production of this celebrated Parisian cabinet maker. Maison Millet was established by Théodore Millet in 1853, and continued until 1902 from premises at 11, Rue Jacques-Coeur, Paris before relocating to 23, Boulevard Beaumarchais. Maison Millet was a highly regarded furniture company that was described as producing 'meuble et bronze d'art, genre ancien et moderne'. The firm won several awards in the series of exhibitions in London and Paris, such as the gold Medal in the 1889 Paris Exposition Universelle. In 1902 Maison Millet was authorised by the director of the Palais de Versailles to replicate Marie-Antoinette's celebrated Grand Cabinet à bijoux. Literature: Sir Anthony Blunt...

Very fine Louis XVI style ormolu-mounted marquetry commode French, Early 20th Century Height 95cm, width 162cm, depth 59cm After an important model by Jean-Henri Riesener (French, 1734-1806), a highly renowned ebeniste of great standing, this exceptional commode is of outstanding quality, and fully embodies the quality of craftsmanship and great artistic style of the Louis XVI period and the original piece, which is currently housed in the Chateau de Fontainebleau, France. Riesener was a leading exponent and supplier of pieces in the Neoclassical Louis XVI style, and this design conveys the regal feel and presence of his manner, most notably in terms of the beautiful marquetry decorative panel to the front. It consists of a white marble top, above front facing drawers, with a lower door opening; curved sides that are extensively decorated with intricate geometric designs, and a central panel that depicts, in inlay...

A spectacular and grand scale French mid 19th century Louis XVI style flamed mahogany and ormolu mounted Commode de Chateau after a model by Guillaume Beneman, Joseph Stöckel and att...

18th century inlaid walnut bombe commode circa 1790. Fine quality Swedish rococo revival commode with the typical bombe shape of bulging out in the middle and curving in at the base...

Delaitre Louis, Parisian cabinetmaker received master on November 19, 1738. Exceptional chest of drawers from the Louis XV period ...

A fine French Louis XVI style mahogany and gilt-bronze mounted two-door and two-drawer server commode with a brêche violette marble top, in the manner of François Linke (1855-1946). The twin front doors, concealing a single shelf interior, each centered with an applied spray of flowers and hummingbirds...

Indulge in the timeless allure of this exquisite 18th century French Louis XV Bombe Commode, a true embodiment of opulence and sophistication. Elevated on gracefully curved legs ado...

Pair of French antique Vernis Martin commodes by Durand French, c. 1880 Height 95cm, width 131cm, depth 49.5cm This exceptional pair of 19th ce...

A very fine late 19th Century French Louis XVI Style Commode mounted with ornate ormolu bronze fittings along the edges of drawers and sides. Features three small drawers over two la...

A most elegant and high quality pair of Italian 18th century Louis XVI Period Amaranth wood, Ebony, Ormolu and white Carrara marble chests. Each handsome two-drawer chests is raised ...

A magnificent 19th century French Louis XV style Chinoiserie ebonized lacquered gilt bronze-mounted commode. Of serpentine bombé form with a marble top, containing two drawers, the f...

A very fine French, 19th century Louis XVI style ormolu-mounted mahogany and tulip wood commode with a brèche violette marble top, after the model by Jean-Henri Riesener (1734-1806)....

A fine French 19th century Louis XVI style ormolu-mounted mahogany, fruitwood and sycamore marquetry and parquetry commode with a Brèche Violette marble-top, after the model by Jean-Henri Riesener (1734-1806), circa 1880. The finely detailed commode with rounded sides three apron drawers with wreath ormolu pulls and an acanthus plate...

A beautiful and most unique Continental 18th century Louis XV st. Rosewood, Kingwood, Maple, and ormolu commode. The three drawer chest is raised by elegant legs with scrolled feet c...

A stunning, finely detailed transitional Louis XV - Louis XVI style, mahogany inlaid chest of drawers commode. Born in France durning the second half of the 19th century, the wonderf...

An Exceptional French Ormolu and Vernis Martin Kingwood Commode, Attributed to Henry Dasson, C. 1870 This remarkable commode cabinet epitomizes the elegance and craftsmanship of the...