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Milo Baughman for Thayer Coggin Lacquer and Smoke Lucite Credenza
$6,800

About
Milo Baughman for Thayer Coggin white lacquered wood credenza with smoke Lucite slab legs. Color may be altered as price includes custom refinishing in a color of your choice. Interior with drawer for silverware and adjustable shelf. Want to see more beautiful things? Scroll down below and click "View All From Seller" or favorite our shop to get your 1stDibs on our new inventory.
Details
- CreatorMilo Baughman (Designer),Thayer Coggin (Manufacturer)
- DimensionsHeight: 36 in. (91.44 cm)Width: 64.5 in. (163.83 cm)Depth: 16 in. (40.64 cm)
- StyleMid-Century Modern (Of the Period)
- Materials and Techniques
- Place of Origin
- Period
- Date of Manufacture1970
- ConditionRefinished. Wear consistent with age and use. Price includes custom refinishing. Luicte in good condition, wood in fine structural condition but some wear to lacquer that will be addressed in refinishing.
- Seller LocationSaint Louis, MO
- Reference Number1stDibs: LU4235112828752
Shipping & Returns
- ShippingRates vary by destination and complexity. We recommend this shipping type based on item size, type and fragility.Ships From: St. Louis, MO
- Return Policy
A return for this item may be initiated within 3 days of delivery.
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About the Designer
Milo Baughman
Milo Baughman was one of the most agile and adept modern American furniture designers of the late 20th century. A prolific lecturer and writer on the benefits of good design — he taught for years at Brigham Young University — Baughman (whose often-scrambled surname is pronounced BAWF-man) focused almost exclusively on residential furnishings, having a particular talent for lounge chairs, perhaps the most sociable piece of furniture. Like his fellow adoptive Californians Charles and Ray Eames, Baughman’s furniture has a relaxed and breezy air. Baughman was famously opposed to ostentatious and idiosyncratic designs that were made to excite attention. While many of his chair designs are enlivened by such effects as tufted upholstery, Baughman tended to let his materials carry the aesthetic weight, most often relying on chair and table frames made of sturdy and sleek flat-bar chromed metal, and chairs, tables and cabinets finished with highly-figured wood veneers. Like his colleagues Karl Springer and the multifarious Pierre Cardin, Baughman’s designs are emblematic of the 1970s: sleek, sure and scintillating. As you will see from the furniture presented on these pages, Milo Baughman’s designs are ably employed as either the heart of a décor or its focal point.

About the SellerLocated in Saint Louis, MO
4.9 / 5
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