Carved Credenzas

Paolo Buffa (1903-1970) architect, designer Paolo Buffa was the son of artist Giovanni Buffa, long-considered a modern innovator of early 20th century applied arts. The elder Buffa was renowned for his studio works in stained glass, often collaborating with Eugenio Quarti and other important architects. After graduating in 1927 from Politecnico di Milano, Paolo began training in the studio of Gio Ponti and Emilio Lancia. The following year he opened his own studio with the architect Cassi Ramelli, designing private villas and residential buildings with a strong focus on fine furniture done in the neoclassical style of the Milanese School and its luminaries: Ponti, Lancia, Buzzi, Marellin, and Albini. His designs (which included lighting and textiles) were characterized by perfect execution, for homes of the wealthy middle class with a taste for modern design, that blended functionality and comfort with quality materials. His pieces were primarily executed by the highly skilled artisans of the Mario Quarti studio in Milan, by Serafino Arrighi, and later by the Angelo Marelli workshop. In 1930 Buffa and Cassi Remelli participated in The International Exhibition of Decorative Arts,which would later become the Triennale di Milano. At this time he also began his first collaboration with Gio Ponti's Domus magazine, to which he would contribute many writings in the years to follow. The 1933 Triennale, "Mostra dell Arredamento," presented a solo exhibition on Buffa, as well as a group show that featured his textile designs alongside works by Buzzi, Albini, and Pollini in the display hall of the government institution National Crafts and Small Industries (ENAPI). By the time of his participation in the 1936 VI Triennale, Buffa was considered one of the elite arbiters of modern taste and style. The painter Roberto Aloi, director of “L’Arredamento Modern” (the Hoepli periodic review of modern design) dedicated more space to Buffa in his publication than to any other Italian architect in future editions. 1940 saw an intense collaboration with the acclaimed Mario Quarti furniture studio in Milan, in which Buffa created the furnishings for the Royal Palace of King Zog, in Tirana, Albania. In 1945 Ico Parisi organized the exhibition "Prima Mostra dell Arredamento" in Como. Together he and Buffa designed 12 environments, displayed as real rooms in a home. The following year the show travelled to Milan as “Mostra Mercato per la Reconstruzione” (Exhibition of Reconstruction). In addition to Buffa and Parisi, among the participants were Cassi Ramelli, Gio Ponti, and Guillermo Ulrich, all working under an objective to foster a profound collaboration between architect and expert craftsman. In 1947 Buffa was invited by esteemed textile designer Fede Cheti to participate in the exhibition “Lo Stile nell Arredamento Moderno” (The Style of Modern Furniture), celebrating the rebirth of quality execution and technical perfection in the reinvention of classic Italian furniture...

Found in Italy, this circa 1960s teak sideboard is attributed to Gianfranco Frattini. Unusual two tier design with the tallest section consisting of a cabinet with a fold down door a...

1980’s goatskin parchment lacquered credenza by Karl Springer. In amazing vintage condition shows minor wear consistent with age. Constructed of wood covered with a grayish tan g...

The buffet is the first item of the collection Una (Articolo Indeterminativo) by the Italian woodworker Stefano Marolla. The title refers to the indeterminate article in the Italian grammar, as these pieces trick the eye playing on the ambiguity of the matter: A sturdy element like wood, hand-curved and levigated, looks like a light tapestry. The curves and the soft drapery of the wood are inspired by a long and attentive study on the usage of drapery in art’s history, going back from the ancient Greece to Bernini’s sculptures...

Large Vittorio Dassi Credenza in Wood, Glass and Brass from Italy, ca the 1950s. This is a true eye-catcher. It has five doors with shelves behind it and three original keys availabl...

Sideboard or credenza, stained mahogany, Belgium, 1970s. This cabinet features a clear rhythm and flow established by means of a well-thought-out lay out that is utterly well-balanc...

Beautiful walnut buffet with two fluted columns and the top finely inlaid. There two doors and a drawer. Inside of the drawer there is a linen coating. With certificate of authent...

Step into the world of vintage luxury with our French Art Deco Buffet, a true marvel of historical craftsmanship brought back to its former glory. Expertly handcrafted from the fines...

An alternation of rounded shapes and geometrical lines, reassuming discipline and freedom, a composite, multiethnic plan in which each component and each material contributes to the ...

A very good quality 19th century French Boulle serpentine fronted credenza, having shaped glazed doors to either end with shelves within. The central door with classical scrolling fo...

Mid-Century Modern credenza sideboard buffet by H.P. Hansen in rosewood, circa 1960s. Features solid sculpted pulls and space saving sliding doors that offer hidden storage with adju...

Fabulous Mid-Century Modern to Modern narrow walnut buffet console cabinet with bi-fold doors, 1 adjustable shelf, and antiqued brass handles. Beautiful condition, keeping in mind that this is vintage and not new so will have signs of use and wear. Please see photos and zoom in for details. We attempt to portray any imperfections. Circa, Late 20th century. Well, Well, Well, What have we here? This is a fantastic mid-century modern to modern narrow console cabinet...