Mother-of-Pearl Cupboards

Original, fully restored Art Deco Bar-Cabinet in lacquered Macassar Veneer, with Mahogany interior and Nickel fittings from France circa 1930. Beautiful book-matched Macassar ebony...

A Chinese Mother of Pearl and Hardstone Decorated Lacquered Side Cabinet. Protective glass top. Adjustable shelf. Measure 24" in width, 12" in width and 32 in height.

A William IV cabinet attributed to Town and Emmanuel Constructed in a strongly grained olivewood and dressed with gold brass inlays and an etched and engraved brass panel; rising from a plinth base, the lockable single door having an inset panel in the manner of Jean Berain, enclosing a shelved interior, and flanked by narrow vertical conforming panels; the apron being dressed with three bronze rosettes, and the Jura Jaune marble is dressed with a three quarter arcaded brass gallery, circa 1830 The cabinet is illustrated and discussed in Christopher Payne’s “British Furniture 1820 to 1920” published in 2023. Payne singles out the rarity of the olivewood timber used as well as the necessity for hand cutting the large marquetry panel. Literature: Payne, Christopher. British Furniture 1820 to 1920 : The Luxury Market. ACC Art Books, 2023, pp. 38-39 (illus. fig. 1.33). Town and Emanuel Recorded in the 'Dictionary of English Furniture Makers 1660-1840', published by the Furniture History Society, as being situated at 103 New Bond Street between 1830 and 1840, and apart from being manufacturers of furniture, also dealt in 'curiosities and antiques'. The late renowned connoisseur Christopher Gilbert records in his 'Pictorial Dictionary of Marked London Furniture' London 1997, also published by the Furniture History Society, a writing table in the Transitional manner with similar plaques. Their label reads 'Town and Emanuel, manufacturers of Buhl Marquetrie, Resner (sic) & Carved Furniture, tripods, screens & c. of the finest and most superb designs of the Louis 14th. Splendid cabinets and tables inlaid with fine Sevres and Dresden china...

This extraordinary cabinet is made of the finest watered oak in the tradition of the Dutch Renaissance during the “Dutch golden age” It is a four-door cab...

A charming primitive antique cabinet in pine, made with wooden fittings. Handcrafted by a Swedish cabinetmaker in the late 18th century. A great vintage cupboard with a lovely patin...

A late 19th century floral marquetry two-door cabinet with Carrera marble top and gilt bronze mounts, French, circa 1880.

Welcome the new cabinet from The Natura collection in the colours of the Black Sea. A continuation of the ode to resources and nature of our land. The cabinet is handmade and inlaid ...

Exceptional pair of mirrored single door cabinets. Beveled, antiqued mirror covers piece, with silver leaf wood trim. By William Lyons Design Craft of NYC, 1975

Beautiful Chinese cabinet in mainly black and red lacquer with red decorations. Contains several shelves and four drawers, all with original brass hardware.

Elegant midcentury Chinese black lacquer two-door cabinet with hardstone and mother-of-pearl inlay. Carved hardstone in relief throughout depicts a pavilion garden scene with courtl...

A very fine late 19th century gilt bronze-mounted Louis XV style Vernis Martin cabinet. By Joseph Zwiener. The central section finely decorated door panel displaying an allegorical 'Vernis Martin' scene, within a gilt bronze banded frame. With finely cast acanthus and figurative gilt bronze mounts. Stamped ‘NZ’ for Zwiener on the back of the escutcheons and reverse of the bronze mask to the base. Born in Herdon, Germany, in 1849, Joseph Emmanuel Zwiener followed the tradition of some of the best ébnistes of the 19th century. He moved to Paris establishing a workshop at 12, rue de la Roquette, between 1880 and 1895. He produced a wide array of the very finest furniture, modelling in his own interpretations of the 18th century Louis XV Rococo style, veneered with the highest and finest quality marquetry and 'Vernis Martin' panels. Exhibiting at the Exposition Universelle, Paris, in 1889, Zwiener was awarded a Gold Medal for what the jury reported as 'dè ses dèbuts à une Exposition Universelle, [il] s'est mi au premier rang par la richesse, la hardinesse, et le fini de ses meubles incrustés de bronze et fort habilment marquetés.' Zwiener was closely associated with François Linke and the two houses produced work which, at first glance, is remarkably similar and with occasionally identical mounts. The similarities are made more likely by the fact that the brilliant sculptor, Léon Messagé, worked initially for Zwiener and subsequently, upon Zwiener's departure for Berlin to work on furniture commissioned by Freidrich Wilhelm II, he was employed in the workshop of François Linke. It appears that Zwiener, unlike Linke, did not sign all his work, although some stamped pieces with his name and/or his "Z" initial are documented. There is some uncertainty between the recorded stamp E. Zwiener and the work of a Julius Zwiener...

A vintage Art Deco French cabinet with a lustrous ebonized black finish, enhanced by detailed brass décor in good condition. The tall polished cupboard is composed with two doors, co...