German Cupboards

18th Century painted Bavarian pine cupboard hand painted in red, tan, and blue black. Four framed yellow squares depicting bouquets of flowers and two panels on the edges depicting m...

Builder's cupboard Bavaria-Germany, probably Bad Tölz, "1794", coniferous wood, coloured painting, two doors, inside compartmentalisation, doors with heart of Mary resp. heart of J...

German hand carved wooden cupboard with fruit and angel scenes.

A 18th century German cupboard from the lower Rhine area. Two-door oak corpus with projecting moulded cornice. Doors and pilasters partially ca...

German baroque cupboard. Probably Westphalia, around 1760. Narrow two-door oak corpus on sled feet with sloping pilaster strips, plinth drawer and profiled cornice. The two doors are each hung on 2 large handmade iron fittings. Dimensions: 189 cm high / 74.4 inch high, 109 cm wide / 42.9 inch wide, 50 cm deep / 19.7 inch deep Restored condition ready for living (among other things, new skirting board...

Baroque top commode Brunswick Walnut Baroque around 1750 Dimensions: H x W x D: 202 x 119 x 53 cm Description: Slim, well-proportioned ...

A 18th century German Baroque sideboard made of solid oak. Probably from the Rhineland area. Body with beveled, slightly rounded corners and matching cover plate. Double curved cut-...

Classicistic oak cabinet Germany (Moselle region) Oak Louis XVI circa 1780 Dimensions: H x W x D: 238 cm x 165 cm x 71 cm   Armoire standing on ball feet in solid oak. ...

This provincial painted pine cupboard or cabinet is retainng its original gren and red paint and features foliate scrolls around the door, inscription above the door and door panels ...

An Exceptional, Museum Quality, Mannerist, German, Façade Cabinet or Fassadenschrank in three sections The ultimate status symbol and feat of mannerist cabinetmaking, this Fassadenschrank incorporates layers of inlay of different woods prized for their colour and beautifully figured grains to simulate different materials used within a mannerist architectural façade creating a striking, visual display, inviting conversation, curiosity and wonder. The success lies in the virtuoso of the cabinet maker in balancing proportions, combining carving with layers and different shapes of inlaid and banded, intricate ornament, selecting of woods of different colours with finely, figured graining to create a jewel-like, statement piece which, when new, would have been very bright and the contrast between the woods particularly the ebony and fruitwood would have been dramatic and dazzling. It is very unusual to find a piece from this period retaining the original metalware which is of characteristically high quality beautifully chased. This cabinet is too elaborate to be a church piece. It would have been in a substantial household, most likely used by the owner, its religious iconography suggesting that it was placed in a private family room possibly for storing devotional objects as well as clothing which the shelf holes and shelves indicate and was customary. It incorporates a large amount of versatile storage space and is sturdy and usable. The deep, moulded, oak cornice has with a generous, walnut veneered frieze below incorporating striking, geometric inlay. The central and end panels with ash with ebonised and fruitwood banding within an ebonised oak frame with two large panels interposed each with a burr walnut hexagon with ebonised and fruitwood banding and long panels of finely, figured elm with ebonised and fruitwood banding either side. The sides veneered with walnut. The cupboard section with deep, oak moulding above a pair of large, walnut veneered and crossbanded doors incorporating many intricate inlays and carved ornamentation simulating niches or windows with a mannerist facade. Each door is surmounted with a central pediment, above an ebony pillar containing a circular fruitwood panel, one inlaid with the cypher ‘HIS’ and the other ‘MRIA’ with large, oak, scrollwork oak aedicula either side. IHS’ a monogram of the first three letters of Jesus in Greek (ΙΗΣΟΥΣ) is inlaid on the left door roundel. ‘MRIA’ probably a monogram of Mara Regina Angelorum, meaning Mary Queen of Angels’, is inlaid in the left door roundel. The large oak pediment...

German corner in pine wood with doors at the top.

A very rare German Baroque cupboard with open bottom shelving below open dish rack offering enormous opportunity for showcasing a porcelain, glass collection or kitchenalia. Has a lo...