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Place of Origin: Singaporean
Large and impressive Teak Executive Desk by D-Scan
By D-Scan
Located in South Charleston, WV
39 1/8 deep, 72.5" wide and 28.25" tall. A large, well-crafted, and impressive 1970s danish modern teak executive desk by D-Scan. This is a very heavy desk. Clean Danish modern-inspired design distinguished by 3.75” wide solid teak legs with exposed finger joinery in the style of Niels Bach or Peter Hvidt. Expansive top features very handsome highly figured grain. Finished on all sides, allowing for flexible room placement. Five drawers with flush-mount solid brass hinged ring pulls. Top right drawer locks, though key is no longer extant. Bottom right drawer has rails for hanging file folders. Privacy panel is inset 14” from the back, providing plenty of room for opposing chairs...
Category
1970s Mid-Century Modern Vintage Singaporean Desks
Materials
Teak
Macassar Ebony Executive Desk by Bodil Kjaer
By Bodil Kjaer
Located in Dorchester, MA
Bodil Kjaer designed the prototype for this impressive modernist desk in 1959 for the Massachusetts Institute Technology. This iteration of her work desk, a small reissue in 2007-200...
Category
21st Century and Contemporary Mid-Century Modern Singaporean Desks
Materials
Stainless Steel
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The desk has four large drawers on the right, which can be simultaneously locked with a single key. The interior on the left features six drawers and additional storage, and can be locked altogether as well. Particularly noteworthy are the four cleverly incorporated pull-out shelves of different dimensions creating additional space: two on the front, one on the right side and one large shelf on the back side. The desktop is executed in dark stained oak and features a dark grey leather insert.
in 1932, the prosperous Van Stolk & Reese company commissioned Spanjaard to design the interior and furniture of their offices located on the Ceintuurbaan in Rotterdam. This custom desk was most likely designed for the office of the company’s director, which was designed by Spanjaard in a radically modernist way, combining his own sumptuous designs with the functionalist tubular steel furniture made by W.H. Gispen.
Between 1925 and 1935 the work of Spanjaard was strongly connected to the Haagse School movement of which he’d become a main proponent. This style was not so much inspired by the Classic European Art Deco capitals such as Paris and Vienna but more by other national and international architectural developments such as the work of Frank Lloyd Wright. The influential magazine Wendingen published a series of articles on Wright still relatively unknown at the time in 1925 and the renowned architect Jan Wils also played an important role in the orientation towards Wrights work in The Netherlands.
In its particular application of geometric shapes, primary colours and its sophisticated cubist division of the surface, the Haagse School designers were also aware of De Stijl movement, lead by contemporaries such as Gerrit Rietveld and Piet Mondriaan. At the same time the geometry, the harmonious proportions and the understated decorations were primarily based on the rationalist design principles of H.P. Berlage, who would later become one of Spanjaard’s clients himself. Design had to meet the functional demands of the user but purely utilitarian ideas were certainly not the most important. Due to his frequent travels to Germany, Spanjaard was also familiar with the designs of Marcel Breuer and Mies van der Rohe, especially appreciating the simplicity and purity of their designs.
Biography
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H 29.93 in W 78.75 in D 31.5 in
1968 Executive Desk
By Warren Platner
Located in Hanover, MA
SATURDAY SALE
Executive desk formerly belonging to noted architect George M. Notter, (1933–2007) of the Boston firm Anderson Notter Finegold (now known as Finegold Alexander Architects).
Current institutional memory at the firm suggests it was a special order from Herman Miller for the then new New York offices of MGM, however Herman Miller's archivist was unable to confirm.
Styling, particularly the distinctive slim milled aluminum tracks through which the entire drawer carriage glides is clearly similar to Warren Platner's designs for Lehigh-Leopold which were then among the most costly of executive office furnishings. The bent flat bar chromed steel base with its distinctive pigeon toe splay is somewhat similar to a table base in Stow Davis' Electa Series, designed by Alexis Yermakov circa 1971. Walnut laminate top is very clean with no issues. One one corner edge shows a small separation.
The only identifying markings are within the milled aluminum channel:
G.P.
F.I.
2
And the date Dec. 20, 1968.
See image 18.
Between the rectangular laminate top and the chrome base is a heavy blackened steel plate. Underneath the bent chrome pigeon toe feet are bars of a thick phenolic material which act as floor protector.
We can have keys made to fit the two locking drawers.
Tim Anderson...
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