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Gio Ponti Double Dresser Low Chest Signed M. Singer and Sons Model 2161

$55,000

About

Gio Ponti double dresser / chest labeled singer and Sons Model 2161 An iconic and rare double dresser / cabinet. Designed by Gio Ponti in his signature style where the grips of the drawers form a highly modernist ornamentation. Production of studio-level quality carried out in the 1950s by M. Singer & Sons, New York, America. This Exceptional original vintage Gio Ponti designed chest bears the M. Singer and Sons Label on the interior. Having the signature Gio Ponti applied geometric wood accents and tapered legs. Beautifully grained. This comes with our complete lifetime guarantee which only exists at Greenwich Living Antique and Design in association with our strategic partnership with 1st dibs. Can purchase one or the pair if needed. ZELSX.

Details

  • Creator
    Gio Ponti (Designer)
  • Dimensions
    Height: 34.5 in. (87.63 cm)Width: 72 in. (182.88 cm)Depth: 19 in. (48.26 cm)
  • Style
    Mid-Century Modern (Of the Period)
  • Materials and Techniques
  • Place of Origin
  • Period
  • Date of Manufacture
    1950s
  • Condition
    Wear consistent with age and use. Minor fading.
  • Seller Location
    Stamford, CT
  • Reference Number
    Seller: 101-50181stDibs: LU863220835922

Shipping & Returns

  • Shipping
    Rates vary by destination and complexity. We recommend this shipping type based on item size, type and fragility.
    Ships From: Stamford, CT
  • Return Policy

    A return for this item may be initiated within 1 day of delivery.

1stDibs Buyer Protection Guaranteed
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About Gio Ponti (Designer)

An architect, furniture and industrial designer and editor, Gio Ponti was arguably the most influential figure in 20th-century Italian Modernism. Ponti designed thousands of furnishings and products — from cabinets, lamps and chairs to ceramics and coffeemakers — and his buildings, including the brawny Pirelli Tower (1956) in his native Milan, and the castle-like Denver Art Museum (1971), were erected in 14 countries. Through Domus, the magazine he founded in 1928, Ponti brought attention to virtually every significant movement and creator in the spheres of modern art and design.

     The questing intelligence Ponti brought to Domus is reflected in his work: as protean as he was prolific, Ponti’s style can’t be pegged to a specific genre. In the 1920s, as artistic director for the Tuscan porcelain maker Richard Ginori, he fused old and new; his ceramic forms were modern, but decorated with motifs from Roman antiquity. In pre-war Italy, modernist design was encouraged, and after the conflict, Ponti — along with designers such as Carlo Mollino, Franco Albini, Marco Zanuso — found a receptive audience for their novel, idiosyncratic work. Ponti’s typical furniture forms from the period, such as the wedge-shaped “Distex” chair, are simple, gently angular, and colorful; equally elegant and functional. In the 1960s and ’70s, Ponti’s style evolved again as he explored biomorphic shapes, and embraced the expressive, experimental designs of Ettore Sottsass Jr., Joe Columbo and others.

     His signature furniture piece — the one by which he is represented in the collections of the Museum of Modern Art in New York, Germany’s Vitra Design Museum and elsewhere — is the sleek “Superleggera” chair, produced by Cassina starting in 1957. (The name translates as “superlightweight” — advertisements featured a model lifting it with one finger.) Ponti had a playful side, best shown in a collaboration he began in the late 1940s with the graphic artist Piero Fornasetti. Ponti furnishings were decorated with bright finishes and Fornasetti's whimsical lithographic transfer prints of things such as butterflies, birds or flowers; the Montreal Museum of Fine Arts possesses a 1950 secretary from their “Architetturra” series, which feature case pieces covered in images of building interiors and facades. The grandest project Ponti and Fornasetti undertook, however, lies on the floor of the Atlantic Ocean: the interiors of the luxury liner Andrea Doria, which sank in 1956.

     Widely praised retrospectives at the Queens Museum of Art in 2001 and at the Design Museum London in 2002 sparked a renewed interest in Ponti among modern design aficionados. (Marco Romanelli’s monograph written for the London show, offers a fine overview of Ponti’s work.) Today, a wide array of Ponti’s designs are snapped up by savvy collectors who want to give their homes a touch of Italian panache and effortless chic.

About the Seller
4.9 / 5
Located in Stamford, CT

Greenwich Living Antique & Design Center, with expansive spaces in both Stamford, Connecticut, and New York City, is the largest single-owner facility of its kind. It deals in one-of-a-kind and custom-made furnishings, including Maison Jansen and Tommi Parzinger creations plus Louis XV and XV pieces. All come with lifetime guarantees a...

Diamond Seller
This distinction is for experienced sellers who continually surpass customer expectations.
Established in 1975
1stDibs seller since 2009
969 sales on 1stDibs
Typical response time: <1 hour
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