Milo Baughman Tall Cabinet from his Directional Line

Milo Baughman was one of the most agile and adept modern American furniture designers of the late 20th century. A prolific lecturer and writer on the benefits of good design — he taught for years at Brigham Young University — Baughman (whose often-scrambled surname is pronounced BAWF-man) focused almost exclusively on residential furnishings, such as chairs, sofas and benches. He had a particular talent for lounge chairs, perhaps the most sociable piece of furniture.

Like his fellow adoptive Californians Charles and Ray Eames, Baughman’s furniture has a relaxed and breezy air. He was famously opposed to ostentatious and idiosyncratic designs that were made to excite attention. While many of his chair designs are enlivened by such effects as tufted upholstery, Baughman tended to let his materials carry the aesthetic weight, most often relying on seating and table frames made of sturdy and sleek flat-bar chromed metal, and chairs, tables and cabinets finished with highly-figured wood veneers.

Like his colleagues Karl Springer and the multifarious Pierre Cardin, Baughman’s designs are emblematic of the 1970s: sleek, sure and scintillating.

As you will see from the furniture presented on 1stDibs, Milo Baughman’s designs for the likes of Drexel Furniture, Glenn of California and — for five decades — Thayer Coggin are ably employed as either the heart of a décor or its focal point.

The Grand Rapids, Michigan-based company Calvin Furniture opened its doors in 1953 and became a sought-after contract manufacturer for the day’s top furniture designers and brands. Its appealing mid-century modern and Hollywood Regency offerings — nightstands, dressers and more — graced the showrooms of department stores all over North America during the 1950s and 1960s.

Calvin’s relationship with the work of Massachusetts-born designer Paul McCobb is well known to enthusiasts of mid-century modern furniture. McCobb, whose unadorned and efficient storage pieces, seating and desks drew on Shaker simplicity and Bauhaus minimalism, wasn’t exactly a designer for Calvin — in partnership with New York furniture salesman B.G. Mesberg, McCobb set up the Directional Furniture Company in Manhattan in 1949, and Calvin was one of the manufacturers contracted to produce the furniture he designed for Directional (and later, for pieces designed under his own name). 

Among McCobb’s most acclaimed lines made by Calvin Furniture were the Calvin Group and the Irwin Collection. The travertine-topped sideboards and mahogany nightstands of those lines as well as the other Calvin-produced dressers, bookcases and chests of drawers designed by McCobb were elegant and spare, free of unnecessary embellishments. 

Calvin also manufactured the very popular American Design Foundation line of furniture that Kipp Stewart and Stewart MacDougall designed. The Pennsylvania-born, California-raised MacDougall enjoyed a postwar collaboration with West Coast native Stewart that resulted in great success with manufacturers such as Glenn of California and Drexel Furniture. The duo’s celebrated Declaration line for the latter featured streamlined credenzas, dressers and more made in walnut with comely porcelain hardware. The dining chairs, tables and coffee tables manufactured by Calvin flaunt the pair’s signature clean lines, gentle curves and organic shapes. 

In the late 1950s and early ‘60s, Calvin Furniture continued its business relationship with B.G. Mesberg National Sales and Directional Furniture. Calvin finally closed their doors during the early 1970s, but their legacy can be found in enduring pieces of modern furniture that remain popular today.

On 1stDibs, find a selection of vintage Calvin Furniture tables, credenzas, chairs and more.