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Vintage Italian Geometric Dry Bar by Giovanni Offredi for Saporiti, Italy

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Exceptional Gaston Poisson & Robert Pansart Cabinet Lacquered Mahogany, Art Deco
By Gaston Poisson, Atelier Pansart
Located in Paris, France
This splendid and rare large furniture piece includes three doors with engraved signed keys from the artist Gaston Poisson, “GP”. This circa 1937 cabinet is made of green lacquered* mahogany and contains 12 interior shelves (three doors each with 4 shelves), each shelf featuring beautiful marquetry detail. The centerpiece of this beautiful cabinet is the large exterior mirror by Robert Pansart. This is made of "églomisé" glass with a polychrome geometric ribbon-like decor. Églomisé glass is a technique used often for mirrors that creates intricate decoration using golden leaves and silver. *THE LACQUER IS NOT ORIGINAL, THE CABINET HAS BEEN REFINISHED LATE 20 CENTURY Gaston Poisson, a cabinetmaker from Lille, France, is a renowned Renaissance designer best known for his modernist work. He has a unique taste for pure clean lines, mostly from the 1950s-1960s, which is exemplified in this particular piece. The square and diagonal motifs visible on the facade of the cabinet as well as the ornate marquetry on the interior shelves show that this piece was highly specialized, a well thought out piece made with incredible care. Robert Pansart is a French glassmaker and decorator who specialized in his unique technique of etching and oxidizing with “églomisé” glass. One of the most highly regarded glassmakers of his time, he mainly worked from post war years to the 1960s, and his work is reminiscent of a world based on fairy tales – evocative of the 1940s-1950s taste. His mirrors tend to appear in the antique art market and are valued as highly collectible pieces. Pansart mirrors were auctioned at very high prices at auctions at Artcurial and other major auction houses (see the last picture) Different works of the artist: Berliz Cinema in Paris Municipal Theater of Poitiers (see last picture) Theater of the Paquebot France
Category

Mid-20th Century French Cabinets

Materials

Mirror, Mahogany, Pearwood, Lacquer

Vintage Large Barovier Murano Glass Flower Anemone Ceiling Light, Italy, 1970s
By Vetreria Artistica Barovier & C.
Located in Paris, France
Beautiful Barovier and Toso ceiling light with four sockets and pink anemone flower in Murano glass handmade enhanced with gold, gilt f...
Category

Late 20th Century Italian Chandeliers and Pendants

Materials

Murano Glass

Umbrella Stand Holder by Fontana Arte, Italy, circa 1940
By Fontana Arte
Located in Paris, France
Very rare and beautiful 1940s umbrella stand by Fontana Arte, with a brass frame and four sheet of glass etched with a delicate umbrellas engraved on the glass. A gilded metal base...
Category

Mid-20th Century Italian Umbrella Stands

Materials

Brass

Vase Ball French Ceramist J. Suzor Geometric Pattern, Craqueling Glazelongwy
Located in Paris, France
Jacqueline SUZOR de PANAFIEU (1903 – 1981) Numbered vase signed J. Suzor, circa 1970 geometric pattern, in Art Deco's style, cracked ceramic, creation Desert Occidental, collection "Rouge-Gorge" "Hand made in France, Faiencerie des Recollets". White craqueling glazed, very beautiful pattern and bright colors. Superb vintage condition, no repairs. Born in 1903 in Paris, Jacqueline studied drawing as a teenager. From the 1920s to 1935, she began a promising career as a painter. From Kiki to J.S. de PANA-FIEU, through Suzor, JSP or Pana (more than 6 signatures for one artist!), Jacqueline Suzor de Panafieu assumed several personalities during her life as a Parisian artist. Her signatures bear witness to a woman's life and career made up of ruptures and twists. Curious about everything and everyone, Jacqueline Suzor surrounded herself with artists, writers, filmmakers, actors and photographers who met at her table. She also met Dali and Giacometti. Jacqueline freed herself from the cubist influence, she defined herself in the 1930s, an aesthetic that came from her passion for the Far East, developed through contact with the objects brought back by her ambassador father during his distant travels. Two artists inspired her during the period from 1957 to 1962: Bernard Buffet and Georges Matthieu. From one she borrowed the black lines; from the other she owed her passage to abstraction. Her numerous exhibitions in the 1970s brought her recognition in France and abroad. It was also a time of commitment within the Union of Women Painters and Sculptors (UFPS), of which she became vice-president. MAIN EXHIBITIONS : 1933 - Salon de la Société Nationale des Beaux Arts, Grand Palais, Paris. 1959 - Gallery Mourgue, Paris. Personal exhibition (EP). 1961 - Salon Comparaisons. 1962 - Gallery Hoche, Paris. 1970 - Town hall of Montrouge. M.J.C., Montreuil. Athanor Gallery, Pana Interior Museum, le Véşinet...
Category

Vintage 1970s French Vases

Materials

Ceramic

Large Vase French Ceramist J. Suzor geometric pattern, Craqueling GlazeLongwy
Located in Paris, France
Jacqueline SUZOR de PANAFIEU (1903 – 1981) Numbered Large vase signed J. Suzor, circa 1970 geometric pattern, cracked ceramic, creation Desert Occidental, collection "Santal" "Handmade in France, Faiencerie des Recollets". White-grey craqueling glazed, very beautiful pattern . Superb vintage condition, no repairs. Born in 1903 in Paris, Jacqueline studied drawing as a teenager. From the 1920s to 1935, she began a promising career as a painter. From Kiki to J.S. de PANA-FIEU, through Suzor, JSP or Pana (more than 6 signatures for one artist!), Jacqueline Suzor de Panafieu assumed several personalities during her life as a Parisian artist. Her signatures bear witness to a woman's life and career made up of ruptures and twists. Curious about everything and everyone, Jacqueline Suzor surrounded herself with artists, writers, filmmakers, actors and photographers who met at her table. She also met Dali and Giacometti. Jacqueline freed herself from the cubist influence, she defined herself in the 1930s, an aesthetic that came from her passion for the Far East, developed through contact with the objects brought back by her ambassador father during his distant travels. Two artists inspired her during the period from 1957 to 1962: Bernard Buffet and Georges Matthieu. From one she borrowed the black lines; from the other she owed her passage to abstraction. Her numerous exhibitions in the 1970s brought her recognition in France and abroad. It was also a time of commitment within the Union of Women Painters and Sculptors (UFPS), of which she became vice-president. MAIN EXHIBITIONS : 1933 - Salon de la Société Nationale des Beaux Arts, Grand Palais, Paris. 1959 - Gallery Mourgue, Paris. Personal exhibition (EP). 1961 - Salon Comparaisons. 1962 - Gallery Hoche, Paris. 1970 - Town hall of Montrouge. M.J.C., Montreuil. Athanor Gallery, Pana Interior Museum, le Véşinet...
Category

Mid-20th Century Vases

Materials

Ceramic

Italian Brass and Murano Amber Glass Tear Drop Chandelier by Paolo Venini, 1960
By Paolo Venini
Located in Paris, France
A beautiful original vintage Italian chandelier designed by Paolo Venini in the 1960s in brass and Murano glass, this pendant is surmounted at the top by a crown of curved brass rods...
Category

Mid-20th Century Italian Chandeliers and Pendants

Materials

Brass

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