21st Century Fragonard Sideboard with Hand-carved Base in Solid Beechwood

Fragonard line expresses Jumbo Collection’s design approach, where artisanal heritage, decorative and experimentation in the use of materials, techniques and processes meet. In the Fragonard cabinet, the base is highlighted by antiqued gold leaf finish, while the structure is enriched with Renaissance decorative elements recreated through an innovative engraving technique: the use of liquid metal gives an original embossed effect to the patterns. The piece of furniture features shelves and two drawers with inner upholstery in microfibre. Fragonard bar cabinet with structure in multilayer wood, with Renaissance decorative elements in liquid metal JG295. Interior with back in mirror, glass shelves, glasses rack...

Classic lines and elegant finishes: Etoile sideboard is a masterpiece of cabinetmaking. The walnut structure is enriched with natural maple inserts and details with antiqued and pati...

Portland is a delicate and refined line of furnishings, characterized by decorations that recall the world of Wedgwood ceramics. The ornaments with a classic charm are further enhanc...

The chest of drawers of the Brocart line is a piece of furniture with a refined and luxurious charm. The base, with hand-carved legs and antique gold leaf finishing in pure classic...

A cabinetmaking gem indulging in Baroque details, this sideboard is a fine example of Louis XVI-style designs. The shaped structure in first-rate cedar is decorated with 24K gold-pla...

A stunning, rare, and very fine quality French Transitional Louis XV - Louis XVI style mahogany inlaid marble-top chest after Jean-François Oeben / Jean-Henri Riesener. Exquisitely hand-crafted in France, born in the late 19th / early 20th century, exceptionally executed Parisian work, retaining the original shaped marble top with contoured molded edge, over conforming solid mahogany case extensively inlaid with rich floral decoration and geometric trompe l'oeil marquetry-work. Embellished with finely sculpted and chisled gilt bronze ormolu mounts, the case fitted with three high quality locking bar mounted cabinet doors, each adorned with matched ornate escutcheon and opening thanks to the original keys, revealing a mahogany finished interior with single shelf. Featuring rare and exotic woods inlaid, all rising on bronze mounted transitional cabriole legs, ending in the finest quality patinated bronze sabots. Its three doors do not interfere with its delicate marquetry with decorations of geometric cubes and beautiful flowers on gilt gold ground, its two flat uprights with cut sides inviting finesse and harmony, while its bronzes, with antique motifs indicate the return to refined classic taste. A fine example of the Transition style, this chest subtly combines Louis XV marquetry with shapes that are already more rectilinear. From the middle of the 18th century, certain French artists, at the head of which the architects Blondel and Contant d'Ivry as well as the painter Louis-Joseph Le Lorrain, rose up against the excesses of the rococo style and advocated a calming of lines by the use of classical or even ancient principles. If the "Greek" style was too categorical a response to these requests, the Transition style, soon launched by the Marquis de Marigny, brother of Madame de Pompadour and Minister of the Arts, was much more measured and appreciated. Dutch cabinetmaker Matthijs Horrix was also front and center, a leader a Transition style. Celebrated ebanista Jean-François Oeben was one of the leaders of this new taste, with Jean-Henri Riesener following in the 19th century. Oeben a genius with inlay, he gave birth to several patterns, both sober and elegant, such as the marquetry of bottomless cubes, which was adopted by many of his colleagues including Jacques Dautriche and Charles Chevallier. Jean-François Oeben was particularly known for his "Louis XV or Transition furniture, adorned with leaf veneers, flower inlays or geometric patterns", according to Pierre Kjellberg (Le Mobilier français du XVIIIe, éditions de l'Amateur, 1989). A small secretary in the Transition cabinet...

Art Deco sideboard in oak and embossed and gilded leather, circa 1940-1950.

An antique Italian style sideboard offers carved oak construction with shaped backsplash having central shell and foliate elements over demilun...