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Louis Süe - Rare Vitrine en Fer Forgé et Placage de Merisier (vers 1948)

About the Item

Rare Vitrine en Fer Forgé et Placage de Merisier (vers 1948) Type : Vitrine en fer forgé et placage de merisier Date de création : Vers 1948 Dimensions : H : 169 cm L : 104 cm P : 28 cm Caractéristiques : Piètement similaire aux modèles créés pour les salons des coiffeurs Guillaume, avenue Matignon Bibliographie : Les Décorateurs des Années 40, Bruno Foucart et Jean-Louis Gaillemin - Norma Éditions, p. 282 Cette rare vitrine en fer forgé et placage de merisier, réalisée vers 1948, se distingue par son piètement finement travaillé, rappelant les modèles conçus pour les salons des coiffeurs Guillaume, avenue Matignon. Son design élégant s'inscrit parfaitement dans le renouveau du mobilier décoratif d’après-guerre, où l’association du métal et du bois noble était particulièrement prisée. Contexte Historique : La Compagnie des Arts Français, fondée en 1919, connaît des difficultés financières et est rachetée en 1922 par Gaston Monteux, un industriel et fabricant de chaussures. Ce dernier, grand habitué de la Closerie des Lilas, fréquente les cercles artistiques de l’époque aux côtés de Claude Debussy, André Gide, Pierre Bonnard, André Mare, et Roger de La Fresnaye. De nombreux artistes, notamment Dunoyer de Segonzac, Charles Dufresne et Paul Véra, s’associent à ce mouvement et marquent l’Exposition Internationale des Arts Décoratifs et Industriels Modernes de 1925. André Mare et Louis Süe, figures majeures de cette période, participent activement à la création de pavillons et décors prestigieux, notamment pour : La Maison de l’Art Contemporain, Les décors de la pièce Robert et Marianne à la Comédie-Française en 1925, La décoration du théâtre du Palais de Chaillot en 1937. Influence et Héritage : En tant qu’architecte et décorateur influent, Louis Süe travaille également pour des grandes maisons comme Jean Patou, pour lequel il dessine des flacons de parfum, et la cosméticienne Helena Rubinstein, pour qui il conçoit l’immeuble du 24, quai de Béthune à Paris entre 1934 et 1937. En 1928, il s’installe au 22, avenue de Friedland à Paris, poursuivant ses collaborations artistiques. Associé à son neveu Gilbert Olivier Süe, il participe à de nombreux projets d’architecture et de design. ---------- Rare Wrought Iron and Cherry Veneer Display Case (circa 1948) Type: Wrought iron and cherry veneer display case Creation Date: Circa 1948 Dimensions: H: 169 cm W: 104 cm D: 28 cm Features: Legs similar to models designed for the salons of hairdresser Guillaume, avenue Matignon Bibliography: The Decorators of the 1940s, Bruno Foucart and Jean-Louis Gaillemin - Norma Editions, p. 282 This rare display case, crafted in wrought iron and cherry veneer around 1948, stands out for its delicately worked legs, reminiscent of models created for the salons of hairdresser Guillaume, avenue Matignon. Its elegant design reflects the post-war decorative furniture revival, where the combination of metal and fine wood was particularly sought after. Historical Context: The Compagnie des Arts Français, founded in 1919, faced financial difficulties and was acquired in 1922 by Gaston Monteux, an industrialist and shoe manufacturer. Monteux, a regular at Closerie des Lilas, mingled with leading artistic figures of the time, including Claude Debussy, André Gide, Pierre Bonnard, André Mare, and Roger de La Fresnaye. Numerous artists, such as Dunoyer de Segonzac, Charles Dufresne, and Paul Véra, became part of this artistic movement and played a key role in the 1925 International Exhibition of Modern Decorative and Industrial Arts. André Mare and Louis Süe, major figures of this period, contributed to prestigious designs, including: The House of Contemporary Art, The stage set for Robert et Marianne at the Comédie-Française in 1925, The foyer decoration of the Palais de Chaillot theater in 1937. Influence and Legacy: As a prominent architect and decorator, Louis Süe also worked for Jean Patou, designing perfume bottles, and for cosmetics magnate Helena Rubinstein, for whom he designed the building at 24, quai de Béthune in Paris (1934-1937). In 1928, he settled at 22, avenue de Friedland in Paris, continuing his artistic collaborations. Later, he partnered with his nephew Gilbert Olivier Süe, engaging in numerous architectural and design projects.
  • Creator:
    Louis Sue (Artist)
  • Dimensions:
    Height: 66.54 in (169 cm)Width: 11.03 in (28 cm)Depth: 40.95 in (104 cm)
  • Materials and Techniques:
  • Place of Origin:
  • Period:
  • Date of Manufacture:
    1948
  • Condition:
    Wear consistent with age and use.
  • Seller Location:
    NEUILLY-SUR-SEINE, FR
  • Reference Number:
    1stDibs: LU9892240411162

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