Louis XV Style Gilt-Bronze Mounted Table Vitrine by François Linke, circa 1900

A Louis XV Style gilt-bronze mounted bureau plat by François Linke. The rectangular top inset with a green leather writing surface with gilt-tooled border, within a gilt-bronze su...

A Louis XV Style Gilt-Bronze Mounted Table by François Linke. Signed to the bronze rim ‘Linke’. Linke Index Number. 593. This rare table can serve as a desk, dressing table or o...

A fine Louis XV Style gilt bronze mounted table Vitrine, by François Linke, the mounts designed by Léon Messagé. Index Number 131. This elegant tabl...

A fine gilt-bronze mounted mahogany table vitrine by Georges-Francois Alix. French, circa 1890. Stamped to the underside and to the reverse of th...

A beautiful and very fine French gilt-bronze mounted vitrine / display case table with elegant silk tufted interior, having a high quality solid wood frame, exquisitely finished in l...

A gilt-bronze and mahogany bois satine vitrine table by Francois Linke French, Late 19th/Early 20th Century Height 76cm, width, 70.5cm, depth 52cm This excellent piece was made around the turn of the twentieth century by the renowned and exceptional ebeniste Francois Linke, a leading maker of furniture in Paris...

A Lovely Early 20th Century Louis XV Style Gilt Bronze Mounted Parquetry Vitrine Table By François Linke François Linke The oval shaped table with a beveled glass top encircled by ...

A wonderful late 19th century gilt bronze Mounted Louis XV style Vitrine table by Joseph Zwiener Joseph Zwiener The oval shaped table with a beveled glass top encircled by a bronze frieze, above four side glass panels, the canted angles set with pierced foliate-cast clasps, standing on cabriole legs tapering to scrolled sabots. Born in Herdon, Germany, in 1849, Joseph Emmanuel Zwiener followed the tradition of some of the best ébnistes of the nineteenth century. He moved to Paris establishing a workshop at 12, rue de la Roquette, between 1880 and 1895. He produced a wide array of the very finest furniture, modeling in his own interpretations of the eighteenth century Louis XV Rococo style, veneered with the highest and finest quality marquetry and ‘Vernis Martin’ panels. Exhibiting at the Exposition Universelle, Paris, in 1889, Zwiener was awarded a gold medal for what the jury reported as ‘dè ses dèbuts à une Exposition Universelle, [il] s’est mi au premier rang par la richesse, la hardinesse, et le fini de ses meubles incrustés de bronze et fort habilment marquetés.’ Zwiener was closely associated with François Linke, and the two houses produced work which, at first glance, is remarkably similar and with occasionally identical mounts. The similarities are made more likely by the fact that the brilliant sculptor, Léon Messagé, worked initially for Zwiener and subsequently, upon Zwiener’s departure for Berlin to work on furniture commissioned by Freidrich Wilhelm II , he was employed in the workshop of François Linke. It appears that Zwiener, unlike Linke, did not sign all his work, although some stamped pieces with his name and/or his “Z” initial are documented. There is some uncertainty between the recorded stamp E. Zwiener and the work of a Julius Zwiener...