Glass Vitrines

Showcase made of chemical colored brass with glass and tip-on drawer. 3 dimensions possible : 53 cm, 72 cm, 88 cm.

A very fine 19th century French Louis XV kingwood and parquetry designed viewing cabinet. Lined with a gold silk . Fine gilt bronze mounts. Stamped Haentges Freres Paris

Lovely 19th Century Chippendale cabinet featuring wood fretwork, gallery top, four glass lift up doors, three drawers and Verde green silk moire lined inside back.

Burmese hand-carved Buddha temple shrine featuring gilded wood, glass panes, and a metal repoussé back.

Burmese hand-carved Buddha temple shrine featuring gilded wood, glass and a metal repoussé interior back. Please visit our other 1STDIBS storefront Moxie Interiors!

A French 19th-20th century Baroque Revival carved oak Bombé figural vitrine. The single front-door display cabinet with bowed front and side beveled glass panels, with two interior g...

Display cabinet with curved legs. It stands out for its curved shape and elegant glass doors that reveal a carefully designed interior. The dark wooden structure contrasts harmonious...

A very well made Sinuous French Vitrine Cabinet topped with a Colorful veined Marble in Pinks, Browns and White. The Cabinet has French type motifs of Bundled Reed corner supports ...

French Louis XV-style (19th Century) mahogany and bronze trimmed vitrine table with glass top and sides.

18th Century Swedish Neoclassical Painted Corner Vitrine ~ Curio Cabinet is the perfect choice to decorate and utilize what is usually dead space in a room ~ the corner! Hand-crafte...

Art Deco black vitrine or low board with around edges one glass shelf and black glass top.

Queen Anne style display case. Wooden structure and all glass sides provide ample internal visibility and elegantly highlight the objects on display. The mirrored back contributes to...

1930s Hanging Display Case in Turned Wood and Glass with Rounded Forms

Blonde wood framed cabinet with mirror back interior thick lipped edge shelves. Sides and top are glass with two sliding glass doors . One door is original one door is eighth inch gl...

Beautiful vintage wooden jewelry cabinet attributed to the great Gio Ponti, of fine Italian manufacture. The cabinet is made entirely of durabl...

Exceptional Pair of Early Viennese Biedermeier Walnut Vitrines, c. 1825 We are delighted to present this exquisite pair of early Biedermeier vitrines, crafted in Vienna circa 1825 —...

This antique French vitrine is presumed to have been made in the Edwardian time period and is intricately inlaid with various fruitwood panels, ...

Exuding the warm playfulness of Southern Europe, this authentic vitrine was hand-crafted in 19th-century Portugal. The traditional buffet cupboard structure is reimagined by integrat...

Delicate French vitrine in transition or Napoleon III style, circa 1870. solid wood. High-rise, one-door, cambered and three-sided glazed body. On curly feet scalloped out. Three-...

Two-body display cabinet. An imposing and functional piece characterised by the beauty of solid wood and the harmony between rusticity and elegance. The top is made up of two glazed ...

This is an attractive way to display objet d'art or small collectibles. This graceful display table is raised on cabriole legs well-carved with acanthus on hoof feet. The apron is de...

Originally purchased from the eponymous West Hollywood design shop Hollyhock. A two part cabinet in a carved castle form with overall linear brick pattern. The castle with twin turre...

The Mikado Collection is inspired by the game "Pick a Stick" we used to play in childhood. Tubes of black lacquered steel, which remind us of the Mikado sticks game, are cut at preci...

Showcase with hinged door and exposed shelves, lacquered wood and clear glass.

Pair of free standing displays with vitrine. Post modern influence for these solid wood stands.

French Art Deco palisander wood display vitrine cabinet with a glass door above a Pair of doors with bronze trim and geometric inlaid round column ...

Mario Sabot Showcase Refined display case made of chrome-plated steel and smoked glass. The display case features a chrome-plated steel frame with rounded corners, and the remainin...

The Mikado Collection is inspired by the game "Pick a Stick" we used to play in childhood. Tubes of thick stainless steel, which remind us of the Mikado sti...

Pair of MD bookcases dating from the 60s in oak composed of three levels of storage. A drawer on the bottom and two doors including a glass door that slide into the furniture. Very g...

A fine and rare English 19th-20th century Chippendale style carved oak and parcel-gilt console vitrine. The narrow upper two-door vitrine crowned with a carved parcel-gilt peacock fe...

A very fine French Belle Époque 19th century tulipwood and gilt bronze-mounted Vernis Martin decorated Vitrine by Louis Majorelle (French, 1859-1926). The single door case with a hand-painted board depicting a garden courting scene surmounted with ormolu wreaths and a banded frame. The top with a pierced gilt bronze gallery above an ormolu royal tassel trim flanked by a pair of female masks above crossed torches and flames, cross flutes, a tambourine, a pan flute, ribbons and a tassel. Raised of four cabriolet legs with corner ormolu wreaths and leaves ending with hooves, Paris, circa 1990. The back bears the original Majorelle label that reads: "Louis Majorelle, Fabrique a Nancy, 3 Rue Girardel. Depot. 56 Rue de Paradis, Paris." Louis-Jean-Sylvestre Majorelle, usually known simply as Louis Majorelle, (26 September 1859 – 15 January 1926) was a French decorator and furniture designer who manufactured his own designs, in the French tradition of the ébéniste. He was one of the outstanding designers of furniture in the Art Nouveau style, and after 1901 formally served as one of the vice-presidents of the École de Nancy. The Majorelle firm's factory was designed by famous École de Nancy architect Lucien Weissenburger (1860 – 1929) and located at 6, rue du Vieil-Aître in the western part of Nancy. In the 1880s Majorelle turned out pastiches of Louis XV furniture styles...

Gorgeous asymmetrical 3-tier etagere' table in the style of Fontana Arte', circa 1960s. Chiseled green edge glass shelfs. Walnut dowels support legs topped with polished brass finia...

The Mikado Collection is inspired by the game "Pick a Stick" we used to play in childhood. Tubes of thick brass, which remind us of the Mikado sticks game, ...

The Mikado Collection is inspired by the game "Pick a Stick" we used to play in childhood. Tubes of thick stainless steel, which remind us of the Mikado sti...

The Mikado Collection is inspired by the game "Pick a Stick" we used to play in childhood. Tubes of thick brass, which remind us of the Mikado sticks game, ...

The Mikado Collection is inspired by the game "Pick a Stick" we used to play in childhood. Tubes of thick copper, which remind us of the Mikado sticks game,...

Milo Baughman Style Vintage chrome geometric diamond shaped étagère. The glass shelves will be custom-made prior shipping. Mid-Century Modern Classic ...

French Oak Hunt Display Cabinet Louis XIII Style This Neo-Gothic Oak Hunt Display Cabinet features prolific deep relief carving throughout.  On the top an arched pediment with a ce...

Year: 1930 Country: French We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the b...

A fine French 19th-20th century kingwood and tulipwood marquetry and gilt-bronze mounted vitrine, in the manner of François Linke (1855-1946). The slender single door display cabinet with a red-velvet backing and bowed glass panels surmounted with acanthus and floral gilt-bronze mounts in the style of Léon Messagé (French, 1842-1901), the serpentine shaped front door with an ornate marquetry and ink colored panel depicting wreaths, ribbons and tied acantus leaves, all raised on four cabriolet legs ending with gilt-bronze paw-feet, Paris, circa 1900. Linke was born on 17 June 1855 in the small village of Pankraz, in what is now the Czech Republic. Records show that Linke served an apprenticeship with the master cabinet maker, Neumann, which he completed in 1877. Linke’s work book or Arbeits-Buch records that he was in Vienna from July 1872 to October 1873 at the time of the International Exhibition held there in 1873. He subsequently travelled to Prague, Budapest & Weimar before finally arriving in Paris in 1875. It is documented that he obtained employment with an unknown German cabinetmaker in Paris, and stylistic similarities, photographs and geographical proximity have led some to suggest that Emmanuel Zwiener was the most likely candidate. After a period back in his home town of Pankratz, he returned once and for all to Paris in 1877. In 1878 Paris hosted the third great International Exhibition, a remarkable success for a country ravaged by war only seven years earlier. It is known that the fledgling Linke workshops were active in the Faubourg St. Antoine as early as 1881, during this time he supplied furniture for other more established makers such as Jansen and Krieger. By 1889 another World’s Fair, as they were often referred to in America, took place in Paris. Monsieur Eiffel erected what has become the most iconic building in Paris for the exhibition and the atmosphere of wealth and confidence may well have encouraged Linke to think that he could contribute an important part to the next great exhibition. As early as 1892 this was decreed to take place at the end of the century, in an attempt to pre-empt Berlin from staging the last great show of the century. In 1892, Victor Champier (fr) one of the commissioners for the 1900 Paris Fair had appealed, “Create in the manner of the masters, do not copy what they have made”. It was an appeal against mere reproduction and Linke rose to this challenge in an unparalleled way with his unique display that was to include the Grand Bureau. Determined to outshine the competition at the Exhibition, Linke had set about creating the most ambitious pieces he could envisage, and more extravagant than had ever been displayed before. The items he exhibited marked a transition from the historicist interpretation of Louis XV and Louis XVI styles, an interpretation that was the mainstay of his nearest rivals, to something startlingly new and vital in its immediacy. [6] Together with Léon Messagé he developed a new style for the 1900 Exhibition that paid homage to the Louis XV rococo in the fluidity of its approach, but an approach fused with the lively flowing lines of the contemporary and progressive 'art nouveau'. The Art Journal reported in 1900 on Linke's stand: "The work of M. Linke ... was an example of what can be done by seeking inspiration amongst the classic examples of Louis XV and XVI without in any great sense copying these great works. M. Linke's work was original in the true sense of the word, and as such commended itself to the intelligent seeker after the really artistic things of the Exhibition. Wonderful talent was employed in producing the magnificent pieces of furniture displayed". Linke's stand would have appeared refreshingly new to contemporary onlookers, the traditional designs of the eighteenth century melting seamlessly into an exuberant naturalism. The 'Revue' described Linke's style as 'entièrement nouveaux' and noted "This opinion is universally accepted. Linke's stand is the biggest show in the history of art furniture in the year 1900". It is perhaps the most extraordinary and remarkable aspect of Linke’s personal history that he produced such expensive and luxurious furniture of exquisite quality for the 1900 exhibition without any commission or any potential buyer in mind. [9] At a time when other more established furniture businesses such as those of Beurdeley and Dasson were closing down, he made a huge investment in his stand and the furniture he supplied for it. Linke recognised that to move his business forward he needed to appeal to a more International clientele and the new emerging rich who were at this time amassing fortunes on an unprecedented scale. For this reason he gambled everything he had on his display for the 1900 exhibition. Had this not succeeded he would almost certainly have succumbed to bankruptcy. Linke’s notebook records visitors to his stand from England, Europe, the Americas, Egypt and Japan and including; the King of Sweden, three visits from the King of Belgium, Prince Radziwill, the Prince d’Arenberg, the Comte Alberic du Chastel, Miss Anna May Gould, the American heiress, distinguished furniture makers and the President of France Emile Loubet. This risky endeavour was a resounding success, and with his reputation established, La Maison Linke became the pre-eminent furniture house until outset of the Second World War. The technical brilliance of his work and the artistic change that it represented was never to be repeated. His showrooms expanded into prestigious premises in Paris, in the Place Vendôme as well as the Faubourg St. Antoine where his workshop had been established. He embarked on many important commissions in the years up to the outbreak of the First World War, making and designing furniture for leading international industrialists and bankers. After the 1914-1918 World War, Linke undertook the extraordinary commission to furnish the Ras al-Tin Palace in Alexandria for King Fuad of Egypt, possibly the largest single furniture commission ever conceived, eclipsing even Versailles. Linke flourished and remained active until the middle years of the 1930s and died in 1946 Léon Messagé (1842-1901) was a French sculptor, best known for his sculptural collaboration with François Linke for the 1900 Paris Exposition Universelle. Messagé was also responsible for much of the design and creative work for Roux et Brunet...

A fine 19th century Louis XV style country French - Provincial carved white-washed walnut bombé credenza vitrine. The slender and tall carved single-door...

A distinctive patina gives this vintage vitrine a romantic air of nostalgia. Made in France in the 20th century, glass windows on all four sides of the case maximize natural light, i...

A fine French, 19th-20th century Louis XV style mahogany and gilt bronze-mounted Vitrine by Haentges Freres. The single door cabinet surmounted with or...

Very nice Dutch walnut cabinet, designed by A.A. Patijn for Zijlstra Joure in the 50’s. This high quality cabinet is composed by 2 modules. ...

Antique English Satinwood Tabletop Vitrine, Circa 1880.

Display Cabinet/Secretary/Licquor Cabinet From the Late 20th Century A piece of furniture from the 1980s in the French style, consisting of two parts: a two-door base on high curved...

Rare large pair of early XXth century wooden vitrines. Perfect to display collections (jewels, coins, drawings etc..) or menus for a restaurant? Very decorative and rare!

Showcase, pine, glass, metal, Europe, 1950s. This sizable showcase is over 200 cm (6.5 feet) tall and wide and is made in Europe in the 1950s. With all glass sides and due to its la...

Pair of Exhibit style display cases, set of 2, 1980s Elegant and essential, Lacquered wood frame, glossy black with 2 shelves in glass and top end shelf in Carrara marble ...

Imitation palisander Made in Czechoslovakia Made of wood, glass Original condition.

Very nice Scandinavian vitrine from the 60's attributed to designer Henry Walt Klein, edited by Bramin. Structure in solid teak and veneer. It is composed of two sliding glass doors ...

A reinterpretation of 17th-century French Style glass display cases of countryside Chateaux, the Palatino Slim Display Cabinet is an elegant storage piece whose lines easily capture ...

This Italian vitrine from 1852 is actually four separate parts, it towers over you at ten feet high, and is absolutely majestic. It features a dove in flight on top of a cameo of foliage and garlands that rest upon the upper cabinet. This upper section is adorned with a large rams head in the center of the upper band. The front has two glazed door with etched glass flanked by Acanthus scrollwork and two corner shelves. Two gorgeous hand carved grotesques in the form of Wolfhounds support the upper case. The base cabinet has two hand-scalloped drawers separated by a large bull-calf’s head...

Hollywood Regency marble and glass cabinet, 1970s.

Showcase with varnished aluminum profiles, available in metalized champagne or Vulcan grey finishes. Base in 6 mm thick tempered and back lacquered extra light glass of the same prof...

Showcase with elegant linear design. The exterior structure is embellished with dark Tay (VE49B) upholstery and rounded corner detail. The interior features fine details, leather-cov...

Art deco walnut showcase in very good original condition.

Louis XV Period Walnut Vitrine with moulded arched bonnet top, paneled sides and hinged glazed door with original steel hardware. The apron is delicately carved with a basket of flo...

Mid-Century Modern Italian gilt aluminum étagère or bookcase with smoked glass shelves. The central part of the bookcase is equipped with a compartment accessible by a smoked glass ...

Elegant French Ornamental display case, gilded bronze, Louis XV Solid wood decorated with gold-plated bronze fittings. Arched shape, below on three sides lavishly painted Watteau pa...