Glass Vitrines

This bookcase is a very rare Swedish piece from the early 20th Century. It is in excellent condition, and has its original glass. It is a beautiful and unique piece that would make a...

An Exceptional Early 20th Century Louis XVI Style Gilt Bronze Mounted Parquetry Vitrine By François Linke François Linke – Index no. 458 The fleur de pêcher marble top above a scro...

This pair of vitrines (display cabinets) are characterized by a restrained design typical of late period French Art Deco design. The vitrines sit on dark wooden bases. Wood is found ...

A handsome and most impressive French 19th century Empire st. ormolu cabinet vitrine. The vitrine is raised by striking paw feet with luxuriant pierced palmette designs. Above the st...

A wonderful late 19th century gilt bronze Mounted Louis XV style Vitrine table by Joseph Zwiener Joseph Zwiener The oval shaped table with a beveled glass top encircled by a bronze frieze, above four side glass panels, the canted angles set with pierced foliate-cast clasps, standing on cabriole legs tapering to scrolled sabots. Born in Herdon, Germany, in 1849, Joseph Emmanuel Zwiener followed the tradition of some of the best ébnistes of the nineteenth century. He moved to Paris establishing a workshop at 12, rue de la Roquette, between 1880 and 1895. He produced a wide array of the very finest furniture, modeling in his own interpretations of the eighteenth century Louis XV Rococo style, veneered with the highest and finest quality marquetry and ‘Vernis Martin’ panels. Exhibiting at the Exposition Universelle, Paris, in 1889, Zwiener was awarded a gold medal for what the jury reported as ‘dè ses dèbuts à une Exposition Universelle, [il] s’est mi au premier rang par la richesse, la hardinesse, et le fini de ses meubles incrustés de bronze et fort habilment marquetés.’ Zwiener was closely associated with François Linke, and the two houses produced work which, at first glance, is remarkably similar and with occasionally identical mounts. The similarities are made more likely by the fact that the brilliant sculptor, Léon Messagé, worked initially for Zwiener and subsequently, upon Zwiener’s departure for Berlin to work on furniture commissioned by Freidrich Wilhelm II , he was employed in the workshop of François Linke. It appears that Zwiener, unlike Linke, did not sign all his work, although some stamped pieces with his name and/or his “Z” initial are documented. There is some uncertainty between the recorded stamp E. Zwiener and the work of a Julius Zwiener...

A very interesting late 19th century gilt bronze mounted transitional style vitrine pedestal The square rouge marble top above a frieze, a single central door opens to a red velve...

A stunning and large scale Italian 19th century Venetian st. giltwood cabinet vitrine. The most impressive and uniquely shallow vitrine is raised by a bombée and scalloped shaped bas...

French kingwood parquetry and ormolu-mounted vitrine. In the Louis XV-XVI Transitional style, of kingwood and tulipwood crossbanding and o...

A Wonderful Late 19th Century Louis XV Style Gilt Bronze Mounted Vitrine by Joseph Zwiener Joseph Zwiener The serpentine-shaped brèche d’ alep marble top above a single centered glass door, flanked to each side by a conforming panel, the mirrored interior fitted with three adjustable glass shelves, the canted angles set with pierced foliate-cast clasps, above a bombé shaped apron, on cabriole legs with scrolled-acanthus sabots. The quality of the cabinetry and solid wood frame, along with the quality and design of the mounts, is characteristic of Zwiener’s oeuvre. Similar flower-filled cornucopia chutes can be found on other Zwiener models. Born in Herdon, Germany, in 1849, Joseph Emmanuel Zwiener followed the tradition of some of the best ébnistes of the nineteenth century. He moved to Paris establishing a workshop at 12, rue de la Roquette, between 1880 and 1895. He produced a wide array of the very finest furniture, modelling in his own interpretations of the eighteenth century Louis XV Rococo style, veneered with the highest and finest quality marquetry and ‘Vernis Martin’ panels. Exhibiting at the Exposition Universelle, Paris, in 1889, Zwiener was awarded a gold medal for what the jury reported as ‘dè ses dèbuts à une Exposition Universelle, [il] s’est mi au premier rang par la richesse, la hardinesse, et le fini de ses meubles incrustés de bronze et fort habilment marquetés.’ Zwiener was closely associated with François Linke, and the two houses produced work which, at first glance, is remarkably similar and with occasionally identical mounts. The similarities are made more likely by the fact that the brilliant sculptor, Léon Messagé, worked initially for Zwiener and subsequently, upon Zwiener’s departure for Berlin to work on furniture commissioned by Freidrich Wilhelm II , he was employed in the workshop of François Linke. It appears that Zwiener, unlike Linke, did not sign all his work, although some stamped pieces with his name and/or his “Z” initial are documented. There is some uncertainty between the recorded stamp E. Zwiener and the work of a Julius Zwiener...

An Exceptional Quality Late 19th Century Gilt Bronze Mounted Louis XVI Style Vitrine The marble top above ormolu frieze and scro...

A most elegant and extremely decorative pair of French 19th century Louis XVI st. Napoleon III period, ebony, bone, giltwood, ormolu and glass cabinet vitrines. Each striking vitrine is raised by charming bun feet. Leading up each side are striking square and circular columns with ormolu foliate plinths and capitals, fine inlaid bone fillets and beautiful giltwood flutes. The door retains its original glass pane and is framed within a lovely beaded ormolu band. The ebony frame has fine inlaid bone fillets and intricately carved giltwood rosettes, which is repeated at each side of the cabinet. Inside are three upholstered shelves...

Lovely little display case for precious objects or jewelry. It is in gilded and chiseled bronze. The board lifts. The glasses are beveled. French work from the beginning of the 19th ...

A fine vitrine in the manner of Francois Linke Constructed in kingwood, with gilt bronze mounts, in the Louis XVI Transitional style; rising from bronze foliate sabots, with gent...

An Interesting Late 19th Century Louis XVI Style Gilt Bronze and Wedgwood Mounted Parquetry Vitrine The breakfront marble top above a scrolled frie...

Medical cabinet from the 1930s. The cabinet is produced in Hungary and is made of thick iron and glass. The lock and handle are original and functional. The cabinet has recently bee...

French salon vitrine in Louis 16th classicist style. Piano black polished veneer on solid pinewood. Oval one- drawered combered and four-sided glassed body on high, Brasse-painted fo...

Lyn small grey black cabinet by Pulpo Dimensions: D60 x W45 x H110 cm Materials: glass; powder coated steel Also available in different colours. Studio Visser & Meijwaard des...

Form 5 by Radu Abraham A limited series of 10, currently at nr. 2 Materials: Ash wood, glass Dimensions: 25 x 25 x 82 cm Massive cube-shaped block of ash ...