Walnut Wardrobes and Armoires

Mid-Century Modern wardrobes - Vintage Italian wood armoires - Architectural Walnut Cabinets Presented for sale is a beautiful and attractive war...

Wooden Cabinet - Sideboard - Storage Unit 1960's 1970's Very nice, vintage Mid-Century Modern modular wardrobe in walnut with elegant and refined black details (hinges, knobs, base...

Giuseppe Rivadossi for Officina Rivadossi, wardrobe, Italy, 1980s A beautiful and grand wardrobe by Italian sculptor and designer Giuseppe Rivadossi, showcasing exquisite woodworkin...

Guglielmo Ulrich, wardrobe, walnut, mirrored glass, maple, Italy, 1940s. This large wardrobe designed by Guglielmo Ulrich convinces visually through its geometrical shapes and grap...

19th Century French Empire period armoire. With stunning book matched walnut veneer to the two long doors flanked by two columns. Original restra...

Belle Époque elegant 1910s Baroque Revival Venetian wardrobe cupboard with mirror in hand-carved walnut and burl walnut applied. Attributable Vincenz...

Pair of French Double Brass Lattice Carved Doors Storage Cabinets Dressers Bachelor Chests Drawers MINT!

French Provincial Walnut two door hinged armoire with scrolled floral & shell carving , original polished steel hardware, brass escutcheons, and terminating on cabriole feet. Late 18...

Designed by Luciano Frigerio, wardrobe with eleven doors in brass and walnut wood, Macassar ebony is a precious essence that is widely used in cabinet making, fine carpentry, turning...

Austrian Biedermeier Burl Walnut & Mahogany cask with carved molded edge cornice, flanking book matched hinged doors, tulip wood inlays, satinwood inlays, original steel engraved loc...

19th century Spanish cupboard or buffet constructed from walnut. Features a two parts with four doors . This massive cabinet made in Spain features beautiful walnut grain and showcas...

Modernist Wardrobe designed by Hermann John Hagemann and manufactured by Thonet or Mücke-Melder, circa 1930. The wardrobe is made of chrome plated tubular steel and walnut veneered w...

French Provincial 18th century walnut carved armoire with double scroll top and 2 doors with carved border.

Small Biedermeier Wardrobe Austria Walnut Biedermeier circa 1830 Dimensions: H x W x D: 165 x 91 x 45 cm Description: Very small, single-door cabinet from the Austrian Biedermeier...

Often mentioned alongside Paolo Buffa and Gio Ponti as one of the most relevant furniture designers of the Italian Mid-Century Modern era, Vittorio Dassi designed many different piec...

Biedermeier Walnut Armoire, 1820-30 Biedermeier armoire, South German 1820, walnut veneer. Classic Biedermeier design with beautiful veneer grain. The armoire is professionally refin...

Discover a unique and exquisite Baroque Armoire originating from Zurich, Switzerland, dating back to the year 1750. This remarkable piece boasts a stunning walnut veneer grain adorne...

Beautiful restored original Biedermeier Armoire / Wardrobe / Cabinet in Walnut Veneer with a convex front and fluted full column from Vienna, Austria circa 1825 Walnut veneered on so...

Modernist two door wardrobe designed by Hermann John Hagemann and manufactured by Thonet or Mücke-Melder, c. 1930. The wardrobe is made of chrome plated tubular steel and walnut vene...

A lovely French armoire in walnut with arched bonnet, fluted astragal between the two paneled doors with parquetry decorating the middle panel of each, and resting on carved escargot...

Lane Staccato Mid Century Walnut Brutalist Armoire Dresser This armoire measures: 38 wide x 19.25 deep x 64 inches high All pieces of furniture can be had in what we call restored ...

An impressive quality, Art Deco 1930's burr walnut compact wardrobe Featuring a pull out rail to one side and shelves to the other The handles are chased silvered

Carabottino is a collection made of a clever play of textures and transparencies, that makes these objects the centerpiece of any environment. A storage unit, a mirror or a table that establishes a dialogue between inside and outside. A wooden grating in a two-dimensional form traditionally made with wooden slats, carabottino is considered to be an accessory element of relative importance, similar to window and door...

Giuseppe Rivadossi for Officina Rivadossi, bedroom divider or wardrobe unit, walnut, glass Italy, 1980s This exceptional piece by Italian sculptor and designer Giuseppe Rivadossi is a testament to his exquisite woodworking skills. This monumental wardrobe displays...

Giuseppe Rivadossi for Officina Rivadossi, wardrobe, Italy, 1980s A beautiful and grand wardrobe by Italian sculptor and designer Giuseppe Rivadossi, showcasing exquisite woodworkin...

French three doors cabinet. A bevelled mirror on the central door. Mahogany veneer and brass. 11 drawers in the two part sides. Two of the little drawers can be locked. Made circa 1...

Wardrobe from the second half of the 20th century. Year: around 1960 Origin: Western Europe Dimensions: height. 216 cm wide 178 cm depth 50 cm

Magnificent Louis XV period wedding cabinet in molded and carved walnut, opening two beautiful triple-paneled doors in scalloped burl walnut, a large drawer with lock in the lower pa...

This bonnetiere/armoire is made of burled walnut and fruitwood It has long full length hinged door that opens to two Shelves. Shelves are easily removable if you prefer To add a rod...

809/C sideboard, from the “Ovunque” series, designed by Gianfranco Frattini, and produced by the Italian manufacturer Bernini in 1981. Made of walnut. Excellent vintage condition. ...

Often mentioned alongside Paolo Buffa and Gio Ponti as one of the most relevant furniture designers of the Italian Mid-Century Modern era, Vittorio Dassi designed many different piec...

Armoured amore in Canaletto Walnut, matte finish, gold plated brass accessories. Safe can be anchored to the wall with metal screws that are supplied. Opening with digital touch keyp...

Discover the luxurious practicality of American mid-century modern furniture with this rare and exquisite wardrobe designed by Jack Cartwright for Founders Furniture. Realized in war...

An Art Deco 1930's burr walnut compact wardrobe Featuring a pull out rail and shelves

Beautifully carved 18th century. Walnut armoire.

Collection Jean Thuile Around the mid-sixteenth century French furnishing evolves in its conception and ornamentation. The start of major archi...

An Art Deco walnut wardrobe - circa 1930's Fitted out with two clothes rails and a shelf Featuring decorative metal handles The wardrobe does separate into two halves

A beautiful original Art Deco figured walnut compactum wardrobe. This was made in England, it dates from the 1930’s. It is of superb quality...

Beautifully carved walnut armoire from the Normandy region of France.

Elevate your space with the luxurious Florentino Black Cabinet. Expertly crafted from premium figured maple, white oak, and walnut woods, this hand made armoire is a stunning piece o...

This wardrobe was produced in Italy, in Cantù (small village in the north of Italy, next to Milan), by Paolo Lietti & Figli and designed by Gio Ponti. It features a mirror manufactur...

Constructed entirely of solid walnut and having a fitted cornice atop a conforming case with two doors each with three panels, the feet carved into the front and side panels, entirel...

Italian Art Deco five-door Armoire produced around the 1950s in Cantù. Structure completely covered in parchment, profiles and details in fine maple wood. The central door features a...

This elegant antique fruitwood "Armoire Provencale," is truly exceptional. Crafted in France, circa 1760, this tall cabinet stands on escargot feet decorated with acanthus leaves at the shoulder, over a scalloped and pierced apron embellished with a weaved floral basket flanked with laurel and wheat leaf motifs. The bonnet top features exquisite carvings including a neoclassical urn surrounded with a laurel crown floral basket at the pediment. Both doors are decorated with hand carved floral and branch motifs, and are decorated. The inside reveals all the original shelving with set of drawers, and the cabinet is dressed with original lock, key, cremaillere and heavy forged hardware. The tall and wide armoire...

Important and Extremely Rare William and Mary Pollard Oak and Walnut Chest of Drawers, Circa 1680-1700. England This Is an important and extremly rare chest of drawers from the Will...

Mid-Century Modern Tiki Brutalist armoire or cabinet. Unusual cabinet featuring sculpted panel doors, four large cubbies and four drawers, handsome bras...

1930s English Burl Walnut Armoire with Bookmatched Veneer and Original Keys This exquisite English armoire from the 1930s is a stunning example of craftsmanship and elegance. Made f...

Art Deco- streamline 3-door wardrobe designed by Arch. Hana Kucerová-Záveská (Czech, 1904–1944) and manufactured by Robert Slezák Company, circa 1935. The outstanding form of this wa...

Paul McCobb for Calvin Irwin Collection Mid Century Walnut Gentleman's Chest Dresser This gentleman’s chest measures: 48 wide x 19 deep x 50 inches high All pieces of furniture can...

Polished walnut contemporary armored armoire. Matte finish, 4-karat gold-plated accessories. Round handle with biometric opening device and emergency key integrated. Inside pull out necklace...

Very stylish Art Deco walnut chest of five drawers originating from England and dating to the 1930's. It has stunning walnut veneers with original Art Deco handles...

19th Century Biedermeier Wardrobe Austria Walnut Biedermeier around 1830 Dimensions: H x W x D: 196 x 135 x 57 cm Description: Large antique wardrobe or hall cupboard from the Bie...

French Art Nouveau walnut and inlaid floral design 3 door armoire cabinet with shelf on bottom and top with spindle sides. (signed: LOUIS MAJORELLE).  ...

Early 18th century French walnut bonnetiere or small wardrobe armoire. Beautiful patina of walnut, original finish, one door with nice original carvings. Great size.   

This antique armoire is made from beautiful hardwood and burled walnut veneers. Easy to move and assemble, it is constructed from six separate pieces that stack together. There are two tall wardrobes on each side flanking the center sections. The wardrobe sections have dowels for hanging clothes and small drawers at the bottom. The top center section has locking doors which open to a single compartment. It is large enough to hold a small sound system or tv, and there is a small hole cut in the back for wiring. The lower center section consists of five 5 large graduating drawers. The top drawer has 2 dividers to create 3 sections. All drawers are lined with gilded multi-color Florentine paper...

This is a superb, ENTIRELY ORIGINAL Milk-painted distressed finish (time-worn) with no damage or issues beyond 200 years of age and patina. Look at the incredible chippy creamy white...

As soon as 1540 France's second Renaissance is in the making, intimately linked to the rediscovery of the Antique world. The development of the printing and engraving industry allows the spread of artworks and models in many cities and countries. The Italian influence can be perceived in every artistic field. While the French king entrust the most talented Italian artists with major projects such as Il Rosso or Primaticcio in Fontainebleau, French artists also travel to Italy to form themselves to this new style. In Italy they get acquainted with the work of Leo Battista Alberti the first to theorize perspective (De Pictura, 1435-36) and architecture (De re oedificatoria, 1541). Those two publications would have a revolutionary impact on arts. Furniture is marked by the work of the most famous Italian architects of the time as well as French architects. Indeed Philibert de l'Orme competes with Alberti and by the end of his life publishes several treaties including one devoted to a theory of architecture (1567). Unfortunately he would not live to complete the second volume. In this treaty he expresses his interest for mathematical norms applied to architecture, copied from the Antique. His journeys in Italy allowed him to accumulate the most sophisticated references. Jean Bullant, another architect of great talent also theorizes his practice. He establishes rules characterizing Greco-Roman art staying faithful to Vitruvius. Following this new inspiration the structure of furniture evolves. From then on appear columns, capitals, cornices, friezes and architraves. The ornamentation uses this inspiration as well with egg-and-dart, palm leaf and rose adorning the most beautiful pieces. In Lyon, crossroad where meet merchants from everywhere those new experiments are welcomed. Lyon florishing printing industry allows the spreading of models and treaties essential to the artist's work. Thus the first publication of Vitruvius' De Architectura in France would be printed in Lyon in 1532. Artists from Lyon rediscover and familiarize themselves with the Antique knowledge very early. They adopt those new ideas and use them in their own creations. Lyon cabinet-makers re interpret Antique architecture and Italian Renaissance palaces to give their pieces a pure and harmonious architectural structure. Grooved pilasters are particularly favored. They are topped by capitals of diverse orders always respecting the sequencing with simpler ones for the lower levels and the richest ones on the higher levels. As for the ornamentation, one of the great distinctiveness of Lyon workshops remains the architectural perspective illusions, drawing inspiration from Tuscany. True masterpiece of the Second French Renaissance this important cabinet illustrates Lyon workshops' taste for fine Italian architecture inspired by Antiquity. An architectural perspective of great quality is treated in symmetry on each panel. This two-bodied cabinet without recess stands on four rectangular feet. The base comprises a molding, a palm leaf frieze and is bordered by a braid. The lower body is divided by three grooved pilasters with Tuscan capitals framing two door-leaves. The two panels are encircled by a moudled frame with palm leaves. They are finely carved with a decor of fantasized architecture depicting an Italian Renaissance palace erected symmetrically on each side of a grooved pilaster. On the ground floor a door opens through a stilted arch while the stories are opened with mullioned windows, dormers and occuli. Two large pegged-boss cladded pillars support the entablature enriched by a palm leaf frieze upon which stands an arch whose coffered intrados is centred by a rose. Behind this arch a pyramid appears, standing in front of a second facade with a window topped by a broken curvilinear pediment under a cul-de-four with a shell. The checker flooring gives depth to the low-reliefs creating vanishing points structuring the panels and guiding the eye of the observer. A thin laurel braid highlights the belt of the cabinet where are located two drawers. Their facades are adorned by palm leaves in hoops. The upper body is encircled with palm leaves. The same ternary division as in the lower body appears. However, the pilasters are topped by Ionic capitals with volutes and egg-and-dart. The door-leaves are framed with flowers. On the panels the artist has designed another architectural decor. On the foreground open two arches on top of grooved pilasters with rectangular capitals adorned with palm leaves. The arches are enriched with braids and the coffered intrados bears a decor of roses. The spandrels also bear a flower decor. In the background another arcature hosts a fluted grooved column topped with double basket acanthus capital, characteristic of Corinthian order. The triangular pediment is interrupted by a choux bourguignon. A large cornice crowns the cabinet. It stands on pilasters and forms an entablature comprising a palm leaf frieze and an egg-and-dart, triglyph and palm leaf cornice. The cabinet's sides have also been carefully considered. The lower body's panels are enriched with an arch rising above a broken pediment portico hosting a twisted column. Flowers garnish the spandrels. An architectural facade completes the decor. The upper body's panels present two arches supported by a facade opened with dormers and mullioned windows as well as cartouches (one bears the inscription 1580 dating the cabinet) suggesting the interior of an Italian Renaissance palace, confirmed by the chandeliers. The flooring leads our gaze to a second arch with a broken curvilinear pediment where stands a flower vase. This arch opens onto a perspective of another facade along a road. Inside the cabinet, on the lower body door-leaves appear two designs. On the right door is depicted a Crucifixion. Saint Mary and Saint John flank the Christ on the cross. In the bottom part is inscribed « Dure uiator abis nihil haec spectacula curas / Pendenti cum sis unica cura Deo. / Tota suo moriente dolet natura Magistro. / Nil qui solus eras caussa dolenda doles. ». The signature [Christoff Swartz Monachiensis pinx[it] / Ioa[nnes] Sadeler sculp[it]] tells us it was made by Johan Sadeler I (1550-1600) after Christoph Schwartz (1548-1592). This engraving belongs to an ensemble depicting the Passion of Christ Johan Sadeler executed in 1589 after an altar piece painted by Christoph Schwartz for the private chapel of Renée of Loraine, wife of Duke William V of Bavaria. This altar piece made of nine copper panels has been destroyed during the 19th century. The Crucifixion panel once in the centre of the altar piece is the only one that survived and is today kept in Munich's Alte Pinakothek. On the left door appears Saint Francis receiving the stigmata. The inscription says : « Signastidomine Servum Tuum. Franciscum. Signis Redemptionis Nostrae ». This Renaissance cabinet with an architectural decor appearing as much in the structure faithful to Antique rules...

Introducing a remarkable 19th-century Catalan Spanish Baroque wardrobe, skillfully hand-carved from solid walnut and featuring Tuscan-inspired ...

Three drawers, golden bronze handles, walnut wood, elegant shapes and line make this chest of drawers an interesting piece able to be used in different kind of interior decoration pr...

This beautiful and grand "Armoire Lyonnaise" from France was carved, circa 1760. The antique fruit wood cabinet stands on scroll feet over a scalloped apron, the cabinet features a d...

A very handsome 17th century Armoire from Northern Italy. Beautifully constructed from walnut and chestnut woods with 2 doors, center style, interior shelving, very handsome hardwar...

Great two door over two drawer chifforobe dresser, made by Dillingham, design possibly Milo Baughman, or Merton Gershun, circa 1960/1970's. The chest features an upper section, with...

Very elegant, strict and original neoclassical early Biedermeier Armoire from South Germany, circa 1815-1820. Wonderful book-matched walnut veneer on softwood, hand-polished with shellac (French polish). Two doors and one-drawer above. The veneer is very beautifully running thought the whole front and bottom part. Ebonized half-columns with newly gold-plated Corinthian capitals and bases. Horn inlays around the key holes. Elegant conical square tapered ebonized legs. Original iron lock and old key...

This elegant, antique fruitwood "Armoire Lyonnaise" was carved in France, circa 1760. The tall, impressive cabinet sits on escargot feet over the scalloped apron. The piece is dresse...

A freestanding double door teak wardrobe from Uniflex - designed by Gunther Hoffstead Made during the 1960s Fitted out with two clothes rails and shelves The style of this wardrobe...

Mid-Century Modern wardrobes - Vintage Italian wood armoires - Architectural Walnut Cabinets Presented for sale is a beautiful and attractive war...

For your consideration is this fabulously styled Art Deco wardrobe dating to the 1930's. Small and well proportioned this wardrobe has stunning Walnut grain with book paged veneers w...