Baroque Revival Furniture

Pair of stunning 17th century Baroque style andirons made in the mid 19th century in Belgium. Stunning details and scale with a timeless look to them that could be placed in nearly...

Having a geometrically shaped upper portion the reverse painted mirror depicting mounted soldiers in battle, the rectangular frame with slightly notched corners, the mirror plate is ...

Original Antique Venetian Baroque armchair in carved wood. This beautiful exemplary cream-colored lacquered armchair with golden threads is a Fine commentary on Venetian-style, cabri...

A Fine Italian 19th Century Florentine Pietra Dura Inlaid Table Raised on a Giltwood Carved Pedestal Stand. The circular pietra dura inlaid top centered with a bouquet of flowers inc...

An unusual, rare pair of hand painted floor standing ashtrays, probably Asian, mid/late 19th Century. Highly decorative with hand painted floral...

Early 19th century Swedish oak inlaid chest of drawers circa 1800. Rare Swedish period commode with a serpentine shaped front.   Fitted with 5 drawers in a 2 over 3 format, each dra...

Rare beautiful handpainted antique Cantagalli for Ardalt Daliso Lustro Italian Majolica Lamp. Signed at bottom. In great working condition. Ra...

- Late 19th-early 20th century lapis lazulli skull - Object of curiosity and wonder from a collector's cabinet of curiosities and wonder. Measures: 2" long, 1.75" high Cabinets o...

Having cast ring finials above height adjustable “oil” wells each with four lights, each retaining original tools, the shaped bases raised on cast brass paw feet, measured diameter i...

A Fine Anglo-Dutch 19th Century Baroque Style Ornately Carved Walnut Five Piece Parlor - Salon Suite, After Daniel Marot (French-Dutch, 1661–1752); comprising of a settee, two armchairs and two side chairs. The intricately pierced high-backs carved frames with scrolled and floral designs, curved armrests and cabriolet conjoined legs. Circa: 1890. Measures: Settee height: 54 3/4 inches (139.1 cm) Settee width: 70 3/4 inches (179.7 cm) Settee depth: 24 inches (61 cm) Armchairs Height: 52 inches (132.1 cm) Armchairs Width: 28 inches (71.1 cm) Armchairs Depth: 21 1/2 inches (54.6 cm) Side chairs Height: 50 inches (127 cm) Side chairs Width: 21 1/2 inches (54.6 cm) Side chairs Depth: 20 1/2 inches (52.1 cm) Seat height: 20 3/8 inches (51.8 cm). Daniel Marot or Daniel Marot the Elder (1661–1752) was a French-born Dutch architect, furniture designer and engraver at the forefront of the classicizing Late Baroque Louis XIV style. He worked for a long time in England and the Dutch Republic, where he was naturalised in 1709. Born in Paris, he was a pupil of Jean Le Pautre and the son of Jean Marot, who was also an architect and engraver. Marot was working independently as an engraver from an early age, making engravings of designs by Jean Bérain, one of Louis XIV's official designers at the Manufacture des Gobelins, where far more than tapestry was being produced. The family were Huguenots and were part of the wave of émigrés who left France in the year of the Edict of Fontainebleau and Revocation of the Edict of Nantes (1685) to settle in Holland. Daniel Marot brought the fully developed court style of Louis XIV to Holland, and later to London. In the end, the English style which is loosely called "William and Mary" owed much to his manner. In the Dutch Republic, Marot was employed by the Stadthouder, who later became William III of England; in particular, he is associated with designing interiors in the palace of Het Loo, from 1684 on. Though his name cannot be attached to any English building (and he does not have an entry in Howard Colvin's exhaustive Dictionary of British Architects) we know from his own engraving that he designed the great hall of audience for the States-General at the Hague. He also decorated many Dutch country-houses, introducing the “salon” and popularizing ornamented ceilings in The United Provinces/ Netherlands. State bed, designed by Daniel Marot, engraving, ca 1702 In 1694, he traveled with William to London, where he was appointed one of his architects and Master of Works. In England his activities appear to have been concentrated at Hampton Court Palace, where he designed the garden parterres, which were swept away in the following generation and have been restored at the end of the 20th century. His designs for the Great Fountain Garden survive. Much of the furniture, especially the mirrors, guéridons and state beds, in the new State Rooms readied for William at Hampton Court bears unmistakable traces of his authorship; the tall and monumental embroidered state beds, with their plumes of ostrich feathers, their elaborate valances and cantonnieres agree very closely with his later published designs. After William's death Marot returned to Holland where he lived at the Noordeinde 164 in The Hague from 1720 until his death in 1752. The house with his salon, kitchen, hallway and possibly some of his ceilings still exists. We owe much of our knowledge of his work to the folio volume of his furniture designs published at Amsterdam in 1712. Not surprisingly the designs show strong French and Dutch influences; what reads as their "English" look is more probably the result of Marot's court style on other London designers. Marot was a nephew of Pierre Gole...

A fine and rare Italian 19th century Baroque style carved oak figural single-door vitrine cabinet. The upper surmounted on each side with a figure of a young fisherman holding a fish...

A pair of French Baroque Revival 19th century giltwood fragments made into modern table lamps wired for the USA. Infuse a sense of regal antiquity into your space with this pair of F...

Unusual French Brass Stick Stand or Umbrella Stand A charming piece, and it has a very unusual shape, with a rectangular base and decorative brasswork back and front to hold both W...

Beautiful brass picture frame, France, circa 1860. Picture size: 10 cm x 14 cm.

The pattern depicting a pair of love birds either side of a stylised artichoke and a pair of peacocks flanked by a pair of cypress trees. Generous hem, not lined. Each Curtain Heig...

Oval with oxidized patination. Gadrooned body and animal head ring handles.

Black Forest planter from the late 19th century. Made of richly carved walnut wood. The four feet, like the supporting shaft, are carved in the guise of twisted branches on which ivy...

A late 19th century Italian or Spanish carved oak octagonal center table, the top with beautifully inlaid specimen marble top decorated with cast brass scallop shells and flower head...

Baroque chest of drawers from around 1810! AFTER RENOVATION Very good condition, after professional renovation. Wood: cherry Dimensions: height: 91 cm width: 122 cm depth: 65 cm

A German bronze model of the medieval Brunswick lion, mounted on a black marble plinth, late-19th century, The German prince, Henry, Duke of Saxony an...

This set of 3 Dutch 19th-Century Bronze Sconces – Handcrafted Baroque Revival elegance bring timeless sophistication to your interior with this set of three 19th-century Dutch bronze...

With a circular top supported on a barley twist support joined by a circular base carved with leaf tips. Carved paw feet.

A beautiful pair of 19th Century Italian Venetian tole lanterns. Hand-forged of wrought iron, the lanterns are embellished with acanthus leaves and flower blooms, supported by a twis...

19th-Century Baroque Revival Armchair With Floral Upholstered Seat A wooden armchair in the Baroque Revival style with a softly upholstered backrest, armrests, and a spring-supporte...

A French Baroque Revival crystal six-light chandelier from the mid 19th century, with black patinated bronze armature, pendeloques, rosettes and monograms. Found in a French church, ...

19th Century Italian hall bench was sculpted from fine walnut, and features an elaborately scrolled design including a boldly arched seatback embell...

Pietro Gabrini (Italian, 1856-1926) a very fine and large oil on canvas "Three Singing Italian Beauties on The Road" depicting three cheerful Village young maidens walking through a ...

An elegant late 19th century Baroque style tabletop vitrine. The vitrine marvelously carved and richly gilt in the Baroque manner, with beautiful foliate scrollwork and polychrome de...

Having a slighlty convex or "cushion" form, the frame painted with an inscription in Latin which translates to "Don't Abandon Us, Lord", other details include a technique resembling ...

This rare 19th century white parian sculpture in the round features the goddess being attended by maidens and cherubs. From the base up, every living creature is in mid-action, creat...

Measures: Mortar height 5.5cm Mortar width 10.2cm Mortar depth 10.2cm   Pestle: 10 x 2.5cm just purchased more information to follow or on request.     

Antique statuary carrara marble bust of John Milton. Circa 1880 John Milton (9 December 1608 – 8 November 1674) was an English poet and civil servant for the Commonwealth of En...

A very fine and rare German, 19th century figural porcelain liquor dispenser fountain. The two-part allegorical Baroque style fountain depicting a sta...

Leon Berthaud (French, 19th century). Pair of French porcelain plaques of Musketeers, each depicting a standing Musketeer in his 18th century c...

Late 19th century dark brown lacquered mirror, molded and stepped borders, in Baroque style.

A fine and large circular 19th century Baroque Revival style gilt-bronze figural mirror. The ornately pierced foliate scrolled surround gilt-bronze frame decorated with allegorical m...

Viennese baroque sewing table, around 1860. Solid walnut and veneered, as well as other various precious woods. Transverse oval top with musical marquetry motif consisting of a...

✓ High-quality marble top ✓ French elegance ✓ Restored Dimensions: W: 99cm H: 85cm D: 48cm Item: Chest of drawers with marble top Item no.: 886 Epoch: France around 1900 Materia...

17th Century Wouterur Verschuur original oil painting of 2 horses and man greeting woman and child. Signed lower left. Oil on board in what appears to be the original frame. Procur...

The turned baluster shaped candlesticks with C-scrolls applied to tripartite base.

Our extraordinary German cup and cover in the Baroque style, circa 1880s, is crafted from gilt brass and features extensive use of rock crystal, including cabochon and faceted circular jewels. Apparently unsigned. Provenance: Koopman Rare Art, London. Regilded and in excellent condition. There is a soldered repair to the female's spear. Founded in London in 1952, Koopman Rare Art is one of the world’s most admired dealers specializing in antique silver, gold and objects de vertu.

A beautiful Trumeau 19th Century mirror painted and with gilded parceling, rectangular mirror in a greenish-gray rectangular frame and stucco decoration in gold leaf, rococo motifs a...

An Italian carved walnut vitrine. Constructed in carved walnut, rising from a serpentine ogee edged plinth base with a mirror back, having a central mythological winged figure flank...

This large pair of 19th-century Danish Baroque Revival candlesticks exemplifies the grandeur and opulence characteristic of the Baroque Revival period, seamlessly blending historical...

French handcrafted gold color candle holders in gilt bronze with high-quality decoration, each with a Baroque Revival bronze base elegantly decorated with open fretwork and fitted wi...

A fine pair of Portuguese 19th century carved walnut high back side chairs. The ornately carved backrests with scrolls and floral design, raised on four cabriolet legs conjoined with...

- Attractive armchair injecting period character into any interior - Sturdy and suitable for regular use - This model of chair was made in plentiful numbers in the mid-17th century...

19th century bronze decorative or jewelry box with putti in relief.

An Hispano-Portuguese 19th century oil on board depiction of "The Crucifixion". The baroque icon style painting depicting the Crucifixion of Jesus Christ outside the city walls of Jerusalem, north of Mount Zion...

Pedestal, 2nd half 19th century, walnut, dark stained, carved, partially gilded, finished with marble top, restored condition, shellac wax polish Height: 149 cm, width 50.5 cm, dept...

19th century Venetian painted mirror features a bold heraldic crest atop the gracefully arched crown, flanked by cascading floral and foliate spr...

Mid 19th Century French Elaborate Painted & Gilded Trumeau Mirror Gorgeous mirror purchased in France. Age appropriate wear, see detailed photos. Message us with any questions.

Classic heavily detailed flush mount made of brass and glass. The fixture is casted in a French lily motif and the heavy glass shade is cut in a geometric pattern. This causes many...

A beautiful pair of 19th Century Italian Venetian electrical torchères. Hand wrought iron, with bronze and gold gilding and a blackened finish. The shade is a pearly mica encased in...

19th century small chest of drawers or side table with two drawers. Carved legs with shell ornaments wall nut black and white marble top.

Carved French Boudoir Floor Lamp This is a large and imposing piece, the lamp is in gold and with its elaborate silk brocade shade, very attractive and all working The lamp is 71” t...

A fine and large and impressive Italian 19th century Baroque Revival style giltwood carved mirror frame. The ornately carved rectangular shaped fr...

O/8331 - Rare elegant set of NINE antique coat hangers in gilded wood, ready to be wall mounted. I prepared them after many requests from my cust...