Folk Art Furniture

This sculpture by Breton sculpter Raymond Vaillant depicts the famed Saint George slaying the dragon, thereby demolishing an evil force that survived on human sacrifices. Here, we se...

Scatter size Persian Kilim from the 20th century with a bear playing with his banjo. Looks like a small bird is tweeting while he's playing! Tweet Tweet! How Sweet? This was origina...

Mexican artist, Sergio Bustamante wall sculpture or fireplace screen with a Garden of Eden menagerie of flora and fauna. Lions, giraffes, birds, butterflies, turtle, armadillo, rabbi...

Great image of a giant breve. Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Lithograph after Cpt. Brown with original hand color...

One of 52 antique French handmade ceramic tiles. Manufactured by Devres, circa 1920s. Colorful pattern in yellow, red and green. These tiles would be charming displayed on easels, fr...

Cuban contemporary landscape oil painting on canvas applied to particle board - unsigned - untitled - wood frame - bearing a numbered official seal of the Ministry of Culture of Cuba...

Vintage Folk Art Sea Horse Hooked Rug, circa 1960, featuring a family of three variously sized and colored sea horses swimming against a variegated bl...

This set of two vintage posters were produced in Vietnam in the early 1970s in protest of the Vietnam War and in particular President Nixon. These colo...

Made from found industrial objects, this face takes on different looks at every angle. A wedge, sprockets, gears are adhered to a found painted steel plate to complete this "Flatlay Face" Jim Rose Flatlay Face No. 06, 2021 found industrial objects 4.25h x 9.50w x 9.50d in 10.79h x 24.13w x 24.13d cm JR0300 Jim Rose b. 1966, d. 2023 Bio Born in Indiana, Jim Rose lived in Europe until he returned to the United States to attend college. After one year at Bard College, Jim transferred to the School of the Art Institute in Chicago (SAIC) where he graduated in 1988 with a BFA. His skillful interpretation of the Shaker design is a result of intense research and field study of Shaker furniture, architecture, culture and history. After over two decades of dedicated work, he has mastered the minimalism of the Shaker technique and created his own unique visual vernacular. The quilts of Gee's Bend have become a monumental influence taking this artist's work to new levels of unique interpretation and artistry. His selection of aged steel results in a patina directly related to that of aged wood while his colored strips beautifully mimic worn cloth. Each piece of furniture is masterfully made and intended for daily use. Jim Rose’s steel furniture is featured every year at SOFA Chicago for the past 25 years. Jim Rose b. 1966, Wisconsin Education 1989 B.F.A., Sculpture, The School of the Art Institute of Chicago, IL 1988 Student at Large, Welding Technology, Triton College, Chicago, IL 1985 Undergraduate Photography Bard College, Annandale-on-Hudson, New York Awards 2008 Wisconsin Arts Board Fellowship Award, Madison, WI. 2005 Elizabeth R. Raphael Founder’s Prize, Society for Contemporary Craft, Pittsburgh, PA 2003 Grant Recipient for Shaker Interpretations in Cast Iron, PA Arts Assoc / WI Arts Board 2003 Arts/Industry Residency Program for Visual Artists, John Michael Kohler Arts Center, Sheboygan, Wisconsin Solo Exhibitions 2017 New Work, Tory Folliard Gallery, Milwaukee, WI 2012 Simply Steel, Leigh Yawkey Woodson Art Museum, Wausau, WI 2007 Variation, Ann Nathan Gallery, Chicago, IL 2003 New Work, Ann Nathan Gallery, Chicago, IL 2001 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 2000 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 1999 Hands and Heart to Steel III, Ann Nathan Gallery, Chicago, IL National Exhibitions 2017-2018 SOFA Chicago – Gallery Victor Armendariz 2016 - 1995 SOFA Chicago, New York, Palm Beach - Ann Nathan Gallery 2011 - 2002 Art Chicago - Ann Nathan Gallery Group Exhibitions 2017 Coming Attractions: Inaugural Exhibition, Gallery Victor Armendariz, Chicago, IL 2017 Living with Art: The Newman Collection, 108 Contemporary, Tulsa, Oklahoma 2016 Form Follows Function: The Intersection of Art and Craft, The Hardy Gallery, Ephraim, Wi 2015 NEO, Chipstone Foundation, Milwaukee Art Museum, Milwaukee, WI 2015 ICFF, Furniture Society, Javits Convention Center, New York City, NY 2013 Vahki Revisited, The Enduring Spirit of a Craft Collection” Mesa Contemporary Arts, Mesa, AZ 2013 Fearless Furniture, Indiana State Museum and Historic Sites, Indianapolis, IN 2013 Inaugural Exhibition, Museum Wisconsin of Art, West Bend, WI 2012 Sitting Pretty: Furniture from RAM’s Collection, Racine Art Museum, WI 2011 Hiding Places: Memory in the Arts, John Michael Kohler Arts Center, WI 2010 Living with Art, Strohl Art Center, Chautauqua Institution, NY 2009 Summer in Wisconsin, Tory Folliard Gallery, Milwaukee, WI 2009 High Honors, James Watrous Gallery, Madison, WI 2008 Second Lives: Remixing the Ordinary, Museum of Art and Design, NY 2007 Transformation 5: Contemporary Works in Found Materials, Art Association, Jackson, WY 2007 Transformation 5: Contemporary Works in Found Materials, Houston Center for Contemporary Craft, Houston, TX (traveling exhibition) 2006 Show us Your Drawers, Herron School of Art, Indianapolis, IN 2006 Marriage of the Minds...

Colorful vintage acrylic painting of Haitian Harbor Scene of 3 huts and sailboats on canvas. Signed by Artist and made In Haiti in the 1970. Good vintage condition with signs of w...

Contemporary artisan oolitic limestone bowl or basin from England.

Made from found industrial objects, this face takes on different looks at every angle. A wedge, sprockets, gears are adhered to a found painted steel plate to complete this "Flatlay Face" Jim Rose Flatlay Face No. 05, 2021 found industrial objects 4.50h x 10.75w x 10.75d in 11.43h x 27.30w x 27.30d cm JR0299 Jim Rose b. 1966, d. 2023 Bio Born in Indiana, Jim Rose lived in Europe until he returned to the United States to attend college. After one year at Bard College, Jim transferred to the School of the Art Institute in Chicago (SAIC) where he graduated in 1988 with a BFA. His skillful interpretation of the Shaker design is a result of intense research and field study of Shaker furniture, architecture, culture and history. After over two decades of dedicated work, he has mastered the minimalism of the Shaker technique and created his own unique visual vernacular. The quilts of Gee's Bend have become a monumental influence taking this artist's work to new levels of unique interpretation and artistry. His selection of aged steel results in a patina directly related to that of aged wood while his colored strips beautifully mimic worn cloth. Each piece of furniture is masterfully made and intended for daily use. Jim Rose’s steel furniture is featured every year at SOFA Chicago for the past 25 years. Jim Rose b. 1966, Wisconsin Education 1989 B.F.A., Sculpture, The School of the Art Institute of Chicago, IL 1988 Student at Large, Welding Technology, Triton College, Chicago, IL 1985 Undergraduate Photography Bard College, Annandale-on-Hudson, New York Awards 2008 Wisconsin Arts Board Fellowship Award, Madison, WI. 2005 Elizabeth R. Raphael Founder’s Prize, Society for Contemporary Craft, Pittsburgh, PA 2003 Grant Recipient for Shaker Interpretations in Cast Iron, PA Arts Assoc / WI Arts Board 2003 Arts/Industry Residency Program for Visual Artists, John Michael Kohler Arts Center, Sheboygan, Wisconsin Solo Exhibitions 2017 New Work, Tory Folliard Gallery, Milwaukee, WI 2012 Simply Steel, Leigh Yawkey Woodson Art Museum, Wausau, WI 2007 Variation, Ann Nathan Gallery, Chicago, IL 2003 New Work, Ann Nathan Gallery, Chicago, IL 2001 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 2000 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 1999 Hands and Heart to Steel III, Ann Nathan Gallery, Chicago, IL National Exhibitions 2017-2018 SOFA Chicago – Gallery Victor Armendariz 2016 - 1995 SOFA Chicago, New York, Palm Beach - Ann Nathan Gallery 2011 - 2002 Art Chicago - Ann Nathan Gallery Group Exhibitions 2017 Coming Attractions: Inaugural Exhibition, Gallery Victor Armendariz, Chicago, IL 2017 Living with Art: The Newman Collection, 108 Contemporary, Tulsa, Oklahoma 2016 Form Follows Function: The Intersection of Art and Craft, The Hardy Gallery, Ephraim, Wi 2015 NEO, Chipstone Foundation, Milwaukee Art Museum, Milwaukee, WI 2015 ICFF, Furniture Society, Javits Convention Center, New York City, NY 2013 Vahki Revisited, The Enduring Spirit of a Craft Collection” Mesa Contemporary Arts, Mesa, AZ 2013 Fearless Furniture, Indiana State Museum and Historic Sites, Indianapolis, IN 2013 Inaugural Exhibition, Museum Wisconsin of Art, West Bend, WI 2012 Sitting Pretty: Furniture from RAM’s Collection, Racine Art Museum, WI 2011 Hiding Places: Memory in the Arts, John Michael Kohler Arts Center, WI 2010 Living with Art, Strohl Art Center, Chautauqua Institution, NY 2009 Summer in Wisconsin, Tory Folliard Gallery, Milwaukee, WI 2009 High Honors, James Watrous Gallery, Madison, WI 2008 Second Lives: Remixing the Ordinary, Museum of Art and Design, NY 2007 Transformation 5: Contemporary Works in Found Materials, Art Association, Jackson, WY 2007 Transformation 5: Contemporary Works in Found Materials, Houston Center for Contemporary Craft, Houston, TX (traveling exhibition) 2006 Show us Your Drawers, Herron School of Art, Indianapolis, IN 2006 Marriage of the Minds...

Made from found industrial objects, this face takes on different looks at every angle. A wedge, sprockets, gears are adhered to a found painted steel plate to complete this "Flatlay Face" Jim Rose Flatlay Face No. 07, 2021 found industrial objects 3.25h x 8.25w x 8.25d in 8.26h x 20.95w x 20.95d cm JR0301 Jim Rose b. 1966, d. 2023 Bio Born in Indiana, Jim Rose lived in Europe until he returned to the United States to attend college. After one year at Bard College, Jim transferred to the School of the Art Institute in Chicago (SAIC) where he graduated in 1988 with a BFA. His skillful interpretation of the Shaker design is a result of intense research and field study of Shaker furniture, architecture, culture and history. After over two decades of dedicated work, he has mastered the minimalism of the Shaker technique and created his own unique visual vernacular. The quilts of Gee's Bend have become a monumental influence taking this artist's work to new levels of unique interpretation and artistry. His selection of aged steel results in a patina directly related to that of aged wood while his colored strips beautifully mimic worn cloth. Each piece of furniture is masterfully made and intended for daily use. Jim Rose’s steel furniture is featured every year at SOFA Chicago for the past 25 years. Jim Rose b. 1966, Wisconsin Education 1989 B.F.A., Sculpture, The School of the Art Institute of Chicago, IL 1988 Student at Large, Welding Technology, Triton College, Chicago, IL 1985 Undergraduate Photography Bard College, Annandale-on-Hudson, New York Awards 2008 Wisconsin Arts Board Fellowship Award, Madison, WI. 2005 Elizabeth R. Raphael Founder’s Prize, Society for Contemporary Craft, Pittsburgh, PA 2003 Grant Recipient for Shaker Interpretations in Cast Iron, PA Arts Assoc / WI Arts Board 2003 Arts/Industry Residency Program for Visual Artists, John Michael Kohler Arts Center, Sheboygan, Wisconsin Solo Exhibitions 2017 New Work, Tory Folliard Gallery, Milwaukee, WI 2012 Simply Steel, Leigh Yawkey Woodson Art Museum, Wausau, WI 2007 Variation, Ann Nathan Gallery, Chicago, IL 2003 New Work, Ann Nathan Gallery, Chicago, IL 2001 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 2000 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 1999 Hands and Heart to Steel III, Ann Nathan Gallery, Chicago, IL National Exhibitions 2017-2018 SOFA Chicago – Gallery Victor Armendariz 2016 - 1995 SOFA Chicago, New York, Palm Beach - Ann Nathan Gallery 2011 - 2002 Art Chicago - Ann Nathan Gallery Group Exhibitions 2017 Coming Attractions: Inaugural Exhibition, Gallery Victor Armendariz, Chicago, IL 2017 Living with Art: The Newman Collection, 108 Contemporary, Tulsa, Oklahoma 2016 Form Follows Function: The Intersection of Art and Craft, The Hardy Gallery, Ephraim, Wi 2015 NEO, Chipstone Foundation, Milwaukee Art Museum, Milwaukee, WI 2015 ICFF, Furniture Society, Javits Convention Center, New York City, NY 2013 Vahki Revisited, The Enduring Spirit of a Craft Collection” Mesa Contemporary Arts, Mesa, AZ 2013 Fearless Furniture, Indiana State Museum and Historic Sites, Indianapolis, IN 2013 Inaugural Exhibition, Museum Wisconsin of Art, West Bend, WI 2012 Sitting Pretty: Furniture from RAM’s Collection, Racine Art Museum, WI 2011 Hiding Places: Memory in the Arts, John Michael Kohler Arts Center, WI 2010 Living with Art, Strohl Art Center, Chautauqua Institution, NY 2009 Summer in Wisconsin, Tory Folliard Gallery, Milwaukee, WI 2009 High Honors, James Watrous Gallery, Madison, WI 2008 Second Lives: Remixing the Ordinary, Museum of Art and Design, NY 2007 Transformation 5: Contemporary Works in Found Materials, Art Association, Jackson, WY 2007 Transformation 5: Contemporary Works in Found Materials, Houston Center for Contemporary Craft, Houston, TX (traveling exhibition) 2006 Show us Your Drawers, Herron School of Art, Indianapolis, IN 2006 Marriage of the Minds...

1834 'Knowledge' Sampler by Ann Kelk. The sampler is worked in silk on a linen ground, in a variety of stitches. Simple embroidered border. Colors black, crea...

Dolores Porras Enríquez is widely known throughout Mexico and the world for being the creator of a technique rooted in the land of Oaxaca: pottery in natural color, glazed and decora...

Great image of a kittiwake and a common tern Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Lithograph...

Dolores Porras Enríquez is widely known throughout Mexico and the world for being the creator of a technique rooted in the land of Oaxaca: pottery in natural color, glazed and decora...

Terrific oil on canvas of a harbor with a medieval structure at the crest of a small hill, buildings and mountains in the distance, with two figures headed in opposite directions pau...

Saul Mamakeesick, Protection, 1980 Acrylic on art paper Number 181/295 The work signed by the artist's signature. Has individual number, title and date. Sheet dimensions 53/68 The wo...

'Thar She Blows' a fabulous rare shop/trade sign of great scale, hand made in riveted zinc and hand painted. This superb piece sits on an iron stand and would have spun outside of a ...

A beautiful collection of golden pig lucky charm figurines. Made from china porcelain. Such items are given away as good luck charms on New Year's Eve. Nice...

Salum Mussa, Tanzania, 1970s Oil painting on board Work signed by the artist Work dimensions 61/61 Unframed work Salum Mussa Mzee Lumumba (1926-1999) was one of Edward Saidi Ting Ti...

Set of three original hand-carved letterpress made by the Neal Walters Poster Company. Fantastic carnival midway scene. Games, carnival rides and acrobats. Carved with incredible detail, please see photos. The colors are the original ink used during the three color posted printing process. Circus and...

This is an amazing set of Dutch blue handmade tiles. A beautiful and color. With 6 different stylized designs. We offer 20 tiles from the same design. In total 120 tiles...

This is a good papier mâché, rectangular shaped black lacquered lidded box, hand enamelled and gilded, made in Asia, possibly Japan during the mid 20th Century. This rectangular s...

Set of six decorative blue, green and white glazed terracotta ceramic bowls Spanish Fajalauza from the 20th century made and hand painted. Fajalauza is a style that originates in th...

Vintage Thai Temple charcoal rubbing. Hand crafted temple scenes at the Wat Pho temple located in Phra Nakhon district in Bangkok Thailand...

British sailor's woolwork of three royal navy ships Circa 1885 The British sailor woolwork depicts an unusual scene of three different types of Royal Navy Ships which are all flying the White...

A rare Christmas ornament set of three. Each is made from mouth blown glass, this would be a great addition for your Christmas or feather tree. Clown Head is approx. 3 1/4" high and 1 3/4" at the widest point, think it is approx. 1940s or older. Lantern is approx. 2 5/8" high (1910s) and the little Santa...

A remarkable example of folk art sculpture influenced by the stylization of 1930s Art Deco, this bas relief sculpture depicts a man aiming a long harpoon toward his prey below, his b...

A gorgeous beer stein, made in Germany. This beer stein has been made in Germany, circa 1900s. Absolutely gorgeous piece still in great condition, without damage. Lid works properly. It is a 1 Liter...

2 Antique childhood dolls in Plexiglass shadow boxes Offered for sale is a set of two early 20th century antiques childhood dolls that have been mounted in custom matching plexigl...

Stunning large vintage Dutch Holland Delfts blue and white decorative plate. Beautiful charger, the painting depicts a fisherman smoking a pipe. It is signed by the artist, "Volen...

Unique shooting target made from cut steel and iron in the shape of a pig. The piece is quite rusty and weathered from all it's years in use.

A rare pair of carved brownstone American Folk Art lions, in recumbent pose with full manes and tails curled to opposing sides, their expressive...

Great image of a fern presented in a distressed antique lime-washed pine frame. Lithograph with original color. Published, C.1850 Free shipping.  

Experience the exquisite artistry of Moroccan craftsmanship with this Handmade Mustard and Cream Color Moroccan Rug. Measuring 101.5" x 137", this generous...

Enchanting oil painting on canvas depicting a serene Haitian village with trees, flowers, birds, and playful figures executed in a naive folk style. Sign...

A gorgeous chocolate mold. Made of metal, marked Anton Reiche, Dresden. Beautiful and ready to use or display, with nice patina. The 1890s to 1920s were ...

American Copper full bodied pig directional weathervane resting on squared iron stand, late 19th century.

Vintage Mexican Tonala hand painted pottery dove Folk Art. Rita Tilleya Yelapa Mexico hand painted ceramic bird dove. Warm earth tone polychrome color...

Circa 1940, we offer this pair of antique handmade water bottles.

Great image of bugs or beetles. Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Lithograph after Cpt. brown with original hand col...

This mortar was found in sweden. It was handcrafted around 1900. It was definitely used as you can see some traces. Made of dark green / grey marble. Perfect as mortar, planter or de...

Unusual set of seven midcentury modular triangle shaped chrome candle holders by BMF. Made in Germany in the 1970s. The candleholders can be stacked in whichever design you wish with...

A gorgeous chocolate mold. Made of metal, not marked. Beautiful and ready to use or display, with nice patina. The 1890s to 1920s were the golden age of Chocolate production and consumption throughout Europe. Many cities and towns had competing chocolate shops with wonderful window displays filled with intricate, molded solid chocolate figures to entice hungry passersby. By this time, they had perfected the art of molding chocolate by using metal molds. The most known and best Manufactory for this kind of molds was the famous Anton Reiche...

This is a amazing and unique set of 511 antique French handmade ceramic tiles. Manufactured by Devres, circa 1910s. Stylized design. Each patte...

Great image of a shag and a teal Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Lithograph heightened with gum Arabic. Origina...

Great image of a whaling scene Copper-plate engraving Published C.1800 Unframed.

A gorgeous chocolate mold. Made of metal, not marked. Beautiful and ready to use or display, with nice patina. The 1890s to 1920s were the golden age of Chocolate production and consumption throughout Europe. Many cities and towns had competing chocolate shops with wonderful window displays filled with intricate, molded solid chocolate figures to entice hungry passersby. By this time, they had perfected the art of molding chocolate by using metal molds. The most known and best Manufactory for this kind of molds was the famous Anton Reiche...

350 drawings made during the artist's travels, in his usual satirical and witty style.Presentation copy from the artist, inscribed on the half-title page: ''Pour Ga' Jean & Pegeen , ...

Great set of 12 sporting prints Copper-plate engravings after the original drawings mainly by Gilpin Published by Bunney & Gold, London Unfra...

Beautiful and original wall art in the shape of the US depicting the American Flag along with all it states. This piece of Americana dates from the 1990s and the artist is unknown. T...

A gorgeous chocolate mold. Made of metal, not marked. Beautiful and ready to use or display, with nice patina. The 1890s to 1920s were the golden age of Chocolate production and consumption throughout Europe. Many cities and towns had competing chocolate shops with wonderful window displays filled with intricate, molded solid chocolate figures to entice hungry passersby. By this time, they had perfected the art of molding chocolate by using metal molds. The most known and best Manufactory for this kind of molds was the famous Anton Reiche...

A pretty piece of studio pottery. Unglazed and unpainted, this pitcher is created from clay and has no signature. It would be a beautiful piece for display on a shelf or table. Dim...

A small textured decorative bowl or trinket dish by American artist Simon Pearce. Crafted from glass, this dish features a wonderful texture on the outsid...

Lovely spongeware dish Probably Welsh Wonderful naive decoration  

American pottery still bank in the shape of a pig, used for saving coins (usually pennies) to encourage children the importance of thrift. Pottery still banks are somewhat scarce since the typical way to remove coins was to smash the bank open, albeit, with this particular example, perhaps a knife was used for coin removal (note the wear to the coin slot---see images) or perhaps the additional wear is also from many coins having been deposited. The bank is in good all original condition , from an unknown potter (unmarked) circa 1880's, and probably a variant of #633 "Two Toned Pig" in Andy Moore's "The Penny Bank Book" written in 1984 when collecting pottery banks...