Islamic Furniture

Antique 19th century Middle Eastern Persian Qajar Dynasty ( 1785-1924) tinned copper pitcher. The teardrop form ruffled mouth with a flat hand wrought handle, over a neck decorated with hand chased figures and geometric designs. Nice decorative old rustic hand-hammered ewer pitcher in the Mameluke Qajar style. Large tinned copper pitcher entirely engraved and plated with silver, tinned with incised scene of a figure seated. Persian Moorish Middle Eastern tinned copper water jug ewer. Middle eastern Arabic...

A very unique and rare gramophone made by a Seville jewller for the Gramophone Exhibition in Seville in 1925 in wich was awarded with a silver medal.It was...

Large pair of Moroccan glazed polychrome ceramic water jug with handle. Hand painted ceramic handcrafted by skilled Moroccan artisans in Fez Morocco...

Vintage Middle Eastern Persian Khatam Trinket Box with Miniature Art Painting. This hand-painted, lacquered wooden box features Moorish micro mosaic marquetry, perfect for holding sm...

19th Century Syrian oriental chest inlaid with mother of pearl. Handcrafted Middle Eastern wedding gift from parent to the bride. Great patina.

Marroquin forged steel dagger with sheath. Beautiful koummya dagger with a sheath from the region of Morocco, circa 1870. The blade was created with forged steel, mounted in wood and brass and embellished with silver parts decorated with chiseled and engraved motifs. The dagger is curved with a tick double edge blade, the handle is ornate with silver and wood. Like swords and daggers in most cultures, the Islamic dagger...

Modular Syrian game table veneered in precious woods, adorned with marquetry and inlays of mother-of-pearl and ivory on each side. Open, this Syrian game table features a trictrac or...

Lovely image by Edmund Dulac Lithograph. Published circa 1930 The measurement given is the paper size not the actual image.

Beautiful Moroccan Hammered Copper Lidded Jar Container Lotus motif unmarked 18 h x 18 w x 15 diameter Preowned vintage. Patina present Refer to images listed

Antique decorative Moroccan Arabian khoumaya or Jambiya, which is the name in Arabic Ornate with brass and silvered steel hammered element and wood handle. The decorative dagger is v...

A scarce fine quality antique silver-inlaid solid brass betel nut box (Lutuan), dating to the second half of the 19th / early 20th century, hand-crafted in Mindanao, Philippines. Boxes such as this were used to store the areca nut (also known as the betel nut) which would be wrapped in a betel leaf with lime paste and other ingredients, often tobacco, for chewing. Similar to the European tea caddy, these boxes often served as a way to impress while showing off ones wealth. Betel chewing was prevalent in the southern Philippines as in much of the rest of Southeast Asia. Wealthier Maranao families on Mindanao were able to afford elaborate silver-inlaid brass betel boxes such as this example. Such boxes were used to show off to guests and from which they were offered betel and the other component such as leaves and lime to make up the betel quid. Rare large size, most extant examples of such boxes tend to measure around 5 inches in length. At slightly more than 7.75 inches the example here is larger than most. The distinctive decorative box features a very heavy strong-box like rectangular shaped chest form with canted corners, copper handles, and a conforming hinged lid, lifting open to reveal an interior divided into three compartments covered by four hinged lids. Each of these doors is inlaid with silver in stylized orchid flower patterns. Exceptionally executed throughout, the arabesque silver inlaid exterior is decorated to the top with a large orchid motif within scrolling obid-obid (stylized rope) borders. The front, back and sides are inlaid with sets of stylized tail feathers of the sari-manok bird beneath which are unusual, highly stylized whimsical zoomorphic faces that appear like cat or tiger faces. (Such stylisation is accounted for by Southeast Asian Islamic preferences to avoid the overt and this potentially idolatrous representation of animal and human forms. Designs such as these are drawn from a local design repertoire that has its origins in wood carving. Although the spread of Islam in the Philippines began in the 14th century, mostly through the influence of Muslim merchants from the western Malay Archipelago, decorative arts in this design remain exceptionally rare. This lutuan represents a fine example of Islamic metalwork from the most eastern outreach of Islamic art and civilisation: Mindanao island being significantly further east than even China – artwork from Islamic Southeast Asia remains chronically under-represented in the world’s major collections of Islamic art. PROVENANCE / ACQUISITION Acquired from highly reputable auction house, Austin Auction Gallery, established 1983, Austin, Texas. References Brownrigg, H., Betel Cutters...

An important Islamic Khurasan bronze and silver-inlaid inkwell & cover, Eastern Persia, Circa 1200. The inkwell of cylindrical form and having a shallow dome top cover with a tall knopped finial and inlaid with a twin band of scrolled silver. The base of the dome and the rim of the cover having bands on interlaced silver inlay, the inkwell having three loop handles. The body of the inkwell having two bands of silver inlaid Naskh script, between the bands are twin panels...

Vintage oversize exquisite brass filigree pierced Moroccan chandelier in Alberto Pinto Moorish Andalusian style.This exquisite vintage brass Moroccan chandelier brings a touch of Nor...

Very fine Turkish pure silk Hereke prayer rug from the famous Ozipek workshop. Fine Hereke Silk Rug – Ozipek Workshop Signed 101 x 76 cm (3.31 x 2.49 ft / 39.8 x 29.9 in) Late 20th Century Origin: Hereke, Turkey Manufacture: Ozipek (Özipek) workshop Period: 4th quarter of the 20th century (circa 1975–1999) Signature: Yes, signed in cartouche Condition: Excellent, collectible condition This exquisite Hereke silk rug, handwoven in the famous weaving town of Hereke, Turkey, is a masterclass in elegance, symmetry, and artistic finesse. Measuring 101 x 76 cm (3.31 x 2.49 ft / 39.8 x 29.9 in), it is a signed work from the renowned Ozipek (Özipek) workshop, one of the most respected names in modern Hereke silk weaving. Historical Background – Hereke & Imperial Ties: The town of Hereke, located near Istanbul, rose to prominence in the mid-19th century when Sultan Abdulmecid I founded the Imperial Hereke Weaving Factory in 1843. The goal was to produce the finest carpets for the Ottoman palaces, using silk, wool, and gold threads. These carpets were not only for domestic splendor but also served as diplomatic gifts. In the late 19th century, Hereke carpets gained recognition across Europe — especially in Germany, where Kaiser Wilhelm II became an admirer. On his visits to the Ottoman Empire, the Kaiser received several Hereke rugs as official gifts and reportedly commissioned carpets for his palaces, including Neues Palais in Potsdam. This cross-cultural appreciation helped cement Hereke’s reputation as a producer of imperial-quality rugs. Ozipek Workshop: The Ozipek workshop (sometimes spelled Özipek), active from the mid-20th century onward, continued the Hereke tradition of ultra-fine silk weaving. They are known for their high knot density, refined drawing, and classical Ottoman-Persian motifs. Rugs from this workshop are often signed, as seen in this piece, and are highly valued by collectors. Design & Pattern: This Hereke silk rug features a classic central medallion surrounded by an elegant arrangement of floral motifs, birds and delicate arabesques, creating a perfect symmetry. The field is richly detailed with scrolling vines, lotus blossoms, and stylized palmettes. The border is framed by narrow guard bands with complementary floral accents, enhancing the refined structure of the composition. This type of design reflects a synthesis of Persian Safavid influence and Ottoman decorative aesthetics, which is typical of elite Hereke production. Dominant Colors (Pantone Approximation): Royal Red – Pantone 7621 C (Main field and floral accents) Champagne Gold – Pantone 7506 C (Medallion and border highlights) Midnight Navy – Pantone 2766 C (Outlines and field contrast) Ivory Silk – Pantone 7527 C (Background and border fill) Technical Details: Material: 100% natural silk (warp, weft, and pile) Technique: Hand-knotted (double knot / Turkish knot) Knot Density: Exceptionally fine – often 1,000,000+ knots/m² (up to 654 knots/in²) Use: Collector's item, wall hanging, or luxury décor Signed: Yes, within the border This signed Hereke silk rug by Ozipek is not merely a decorative piece but a testament to imperial textile heritage, offering a tangible connection to the grandeur of the Ottoman court and its European patrons. Its fine craftsmanship, intricate design, and luxurious silk composition make it a sought-after treasure for connoisseurs of fine textiles and classical Turkish weaving. Production method: Hand-knotted Shape: Rectangular Colors: brown-red, gold, beige, black Pile height: approx. 2 – 3 mm Knot density: per m² 1,000,000, kpsi 654 inch² A+ export quality Made in Hereke, Türkiye by the Özipek workshop Usage: Tapestry, Floor Carpet Sustainable: Yes, from natural products Fair Trade: Yes, Label Step Fair Trade Carpets, no child labor, ecologically compatible production. We are Label Step Fair Trade Partners. Hereke silk carpets have always been among the exquisite works of art in carpet production. Its origins go back to the Ottoman Sultan Abdülmecid I, who founded the Hereke Imperial Manufactory to produce all the textiles for his Dolmabahçe Palace on the Bosphorus. Due to the friendship between the German Empire and the Ottoman Empire, there were plenty of contacts between the oriental art of weaving and European customers. As is well known, a particularly great admirer of Hereke carpets was Kaiser Wilhelm II, who brought an impressive collection of exquisite carpets from Hereke with him in 1894. In the 20th century Hereke has developed into the most important production site for exquisite silk carpets. Floral carpets and prayer rugs in sizes 90 x 60 cm, 120 x 80 cm, 150 x 100 cm and 200 x 130 cm are common. Larger carpets are also available, but due to their high price these are much rarer. Simple qualities in wool on cotton warp start with a knot density of approx. 300,000 knots per m², particularly fine pieces reach fineness of over 4,000,000 knots per m². A floral drawing or floral repeat is typical. Well-known weaving masters or manufacturers are Ozipek, Derin, Han Hali. Turkish Hereke silk rugs are the most exclusive and highly priced rugs of all silk rugs...

19th century Mughal Indo Persian fine antique brass round tray hand chased with Islamic calligraphy in Mameluke style in the center. 19th cent...

Theodore Deck (1823 - 1891) An Iznik Style Enameled Faïence Rectangular Jardiniere Hand-painted with foliages, stylised leaves and flowers in turquoise, cobalt-blue and red outlined ...

A good antique cast & gilt bronze Islamic engraved lion shaped aquamanile or table lighter/lamp, circa 1860. The gilt bronze figure is finely modeled ...

Six large 20th century hand painted Persian tiles. Siliceous paste painted in polychromy under transparent colorless glaze. Each tile is 8 by...

This beautiful room-sized rug features a modern interpretation of the classic Serapi style, crafted from high-quality wool. It has a rich beige background with a blue border, elegant...

Antique Middle Eastern Islamic art Moorish brass bowl engraved with Thuluth Arabic calligraphy.The polished brass bowl is profusely chased with vines and vegetal motifs and inscribed with Islamic verses of the Holly Koran.This bowl has been professionally cleaned and polished.Measures: Diameter 7.25" x 4" height Mouth opening: 5".Great Middle Eastern brass metalwork decorative Islamic art objects.Handcrafted Moorish hand-etched Islamic metal brass bowl.Engraved, incised and hammered with very fine Arabic Islamic calligraphy writing and geometric designs on brass vessel.Very Intricate fine Middle eastern Moorish Islamic Art metalwork, museum quality artwork.Late 19th Century.Date of Manufacture: Circa 1880.Condition: Wear consistent with age and use. Islamic brass metalwork is an intricate and beautiful form of art that originated in the Islamic world. It encompasses a wide range of decorative objects made from brass or other metals such as copper, bronze, and silver. Brass trays, in particular, are highly regarded for their craftsmanship and intricate designs. Islamic brass metalwork has a rich history that dates back to the early Islamic period, with its roots in the metalworking traditions of ancient civilizations such as the Persians, Greeks, and Romans. However, Islamic artisans developed their own unique styles and techniques, blending elements from various cultures and creating distinctive motifs that reflected Islamic aesthetics and religious beliefs. The process of creating brass trays involves several steps, each requiring specialized skills. Here is a general overview of the traditional techniques involved: 1) Design: A skilled artist or calligrapher creates the design for the brass object. Islamic brass metalwork often incorporates intricate geometric patterns, arabesques, floral motifs, and calligraphy inspired by Quranic verses or poetry. 2) Metalworking: The object is typically made from a sheet of brass or another metal. The metal is cut into the desired shape and then hammered or pressed to create the object. Traditional techniques such as repoussé (hammering from the reverse side) or chasing (hammering on the front side) may be employed to shape the metal. 3) Engraving: The surface of the metal is often decorated with intricate engravings or etchings. Skilled artisans use chisels, gravers, or other specialized tools to create fine details and elaborate patterns. 4) Filigree and Inlay: Some brass trays feature additional decorative elements such as filigree or inlay work. Filigree involves shaping thin wires of brass into delicate patterns and soldering them onto the tray's surface. Inlay work, on the other hand, involves embedding contrasting materials such as silver or copper into the brass, creating intricate designs. 5) Surface Treatment: After the main decorative work is complete, the tray may undergo surface treatments to enhance its appearance. This can include processes like polishing, buffing, or applying various chemical patinas to create an aged or oxidized effect. While this bowl has certainly witnessed the passage of time, it remains in remarkably good condition, with only minor signs of age that add character to its appearance. The patina on the brass enhances its antique allure, making it a truly authentic and captivating collectible. Arabic Calligraphy: The Arabic writing on the bowl is a work of art in itself. The calligraphy showcases the mastery of the scribe's hand, with flowing curves and intricate details that form an elegant script. The script may include Quranic verses, blessings, or poetic verses, depending on the bowl's origin and purpose. The inscriptions are not only visually striking but also carry profound meaning, making this bowl a beautiful representation of Islamic heritage. Intricate Patterns: In addition to the Arabic calligraphy, the bowl features intricate geometric patterns and motifs that further enhance its visual appeal. These patterns are a hallmark of Islamic art and reflect the mathematical precision and artistic creativity that defined Islamic craftsmanship. This antique Islamic brass bowl...

19th C. Islamic Textile Ottoman Empire Silver Metallic Threads Antique Fragment. Early 19th century antique Islamic Ottoman Empire metallic threads embroidered silk textile. Antique oriental byzantine textile depicting embroidered flowers depicting branches filled-in with silk floss threads creating an intricate embroidered pattern. On two of the corners, the antique textile...

Sensational image by Albert Letchford From Captain Sir R.F Burton's " Arabian Nights " Photogravure Published by H.S Nichols, London On good quality wove paper Unframed. The si...

Large Moroccan glazed ceramic urn with lid from Fez. Moorish style ceramic handcrafted and hand-painted with Arabic calligraphy writing. This kind of Art Writing looks calligraphic ...

French Persian-inspired ceramic bowl by Édouard Cazaux (circa 1930s). Master ceramicist, Édouard Cazaux was inspired by antiquities, religion and animal life in his creations. This m...

Mughal dynasty gold and gem encrusted Spinach jade dagger having a dark green pistol grip, inlaid with gold, ruby and sapphire applied rosettes to either s...

20th Century Asian Islamic Philippine Wedding Vessel or Gador or Mindanao Maranao cast brass urn. Beautiful condition, keeping in mind that this is vintage and not new so will have s...

Polychrome alloy bronze garniture. Orientalist style, 1860. Machine clock signed 1570.

These pistols have been beautifully decorated with finely chased and engraved silver, and gold-damascened work. They were crafted in South-Eastern Europe in the 19th century. The pis...

Circular brass coffee tray with a broad and flat rolled edge rim surrounding a suppressed flat center. The surface is engraved with traditional interlocking geometric designs centeri...

Presenting a stunning 19C Middle Eastern Damascene Charger of medium proportions. In beautiful original condition made of brass and inlaid with silver and copper in Islamic themes w...

A good antique 18th century Iznik Kutahya pottery "Surahi" or water bottle, Turkey, circa 1720. The body raised on a circular slightly flraed foot rising to a baluster shaped body ri...

PRESENTING a rare Saudi Arabian Camel Saddle with it’s camel whip. A real conversation piece from the mid-20th Century, circa 1960-1980. Made of oli...

Brass Copper Tray Inlaid with Islamic Koranic Calligraphy. Antique Islamic Mughal Style Rectangular Copper Metal Tray table. Large Moorish Mughal Raj rectangular brass and copper tra...

Late 19th century Mughal Indian Raj Style Silvered Traditional Anklet Bracelet from India repurposed as a vide poche, catchall, bowl ashtray or just as a beautiful collectible decorative object from India. Antique silver coin and brass heavy metal Dhokra ethnic tribal ankle bracelet that has been repurposed with a brass inner plate that was later added to use the bracelet as a small ashtray or decorative vanity jewelry bowl. The closure was a push pin mechanism that was closed. Dhokra art old ethnic tribal brass traditional ankle bracelet from India, handcrafted of a hollow band of heavy brass decorated with chevron repoussé banding and lost wax granulation. Measures: Height : 1.5 inches. Length : 7.5 inches. Width : 7.5 inches. Diameter: 7.5 inches Brass silver plated. Rare collectible decorative bowl, catchall, ashtray, Mughal Raj style, North India, Rajasthan. Circa 1900's Weight= 2 Lb 6.9 oz Anklets were important components in a suite of jewels worn by women in India. These very heavy examples are fabricated in two pieces, and tightly secured with a near-invisible pin. Some legends suggest that heavy anklets like these could weigh up to 20 pounds and were used to prevent brides from running away from their new families. How it is made: "Dhokra is an ancient folk art tradition prevalent in India in the eastern states of West Bengal, Odisha, Jharkhand and Chhattisgarh. Dhokra craft objects are made through the process of non-ferrous metal casting using the lost-wax casting technique, which is one of the earliest and most advanced methods of metal casting known to human civilization. Its roots can be traced back 4500 years to the ancient city of Mohenjodaro in the Indus Valley Civilization. The name Dokra or Dhokra was used to indicate a group of craftsmen of nomadic type from the Dhokra Damar tribe, scattered over the regions of Bengal, Orisa and Madhya Pradash, whose wares were identified by their beautifully shaped and decorated metal products. The enchanting Dhokra art objects have motifs inspired by indigenous folk...

It does not come with an insert but a bag made to the size to accommodate insert materials. Linen in the back. Zipper closure. Dry cleaning is reccommended. Antique Ottoman sar...

Large heavy crescent and scimitar Masonic Shriners cast metal emblem wall plaque freemasonry. Crescent and scimitar Masonic Shriners cast metal emblem wall plaque freemasonry. Large ...

Fine antique circa 1920-1940s Middle Eastern Persian Brass Tray Polished Collectible Islamic Metalwork Platter. The Islamic polished brass metalwork, antique brass tray is a remarkable piece of artistry that embodies the rich cultural heritage and skilled craftsmanship of Islamic metalwork. This stunning round tray showcases intricate designs and meticulous attention to detail, making it a true testament to the mastery of Islamic artisans. Beautiful Middle Eastern Moorish decorative tray vide poche catchall. Unique, one of a kind, very collectible. Dimensions: 10 inches diameter. Hand made Circa 1940's. Restored, polished. The tray is made from high-quality brass, a durable and malleable metal that lends itself well to the creation of intricate patterns and designs. The surface of the tray is adorned with a variety of motifs inspired by Islamic art, such as geometric patterns, arabesques, calligraphy, and floral designs. Islamic brass metalwork, including brass trays, is an intricate and beautiful form of art that originated in the Islamic world. It encompasses a wide range of decorative objects made from brass or other metals such as copper, bronze, and silver. Brass trays, in particular, are highly regarded for their craftsmanship and intricate designs. This polished Middle Eastern Asian brass tray is a stunning piece of traditional craftsmanship that showcases the rich artistic heritage of Morocco. It is meticulously handcrafted by skilled artisans who specialize in metalwork and imbue each tray with intricate designs and meticulous attention to detail. The tray typically features a circular or rectangular shape, with a slightly raised rim to prevent items from sliding off. The brass material is carefully worked to achieve a smooth and shiny surface, which is then polished to a lustrous finish, enhancing the natural beauty of the metal. One of the distinguishing features of a polished Moroccan brass tray is its exquisite engraving and filigree work. The artisans skillfully carve intricate patterns, geometric motifs, or elaborate floral designs onto the surface of the tray. These designs are often inspired by traditional Moorish architecture, Islamic art, or nature, and reflect the cultural and artistic influences of the region. The tray's design may also incorporate delicate perforations, allowing light to pass through and casting beautiful patterns when the tray is placed in the sunlight. This adds an extra element of visual interest and elegance to the overall aesthetic. In addition to the craftsmanship, the tray is often adorned with decorative elements such as brass studs, metal handles, or ornate feet, further enhancing its visual appeal and functionality. These embellishments are carefully integrated into the design, creating a harmonious and balanced composition. Polished Islamic brass trays are not only decorative but also serve practical purposes. They can be used as serving trays for food and drinks, as decorative display pieces on tables or walls, or as centerpieces for special occasions or gatherings. Their versatility and timeless beauty make them a popular choice for interior design, adding an exotic touch to a wide range of settings. Overall, a polished Moorish brass tray is a testament to the skill and artistry of the artisans metalwork craftsmen. Its combination of intricate designs, polished surfaces, and decorative elements creates a captivating piece that embodies the rich cultural heritage of the Middle East and serves as a stunning focal point in any space. Great to add to your Moroccan room or Islamic decor.

Al Thani collection, a Mughal Indian square white jade inkwell cover, circa 1800 Purchased from the Al Thani collection, Christies New York, Sal...

77218 Vintage Turkish Hereke Silk Prayer Rug, 04’00 x 06’00. Effortless beauty meets timeless appeal in this vintage Turkish silk Hereke prayer rug. The stylish levels of complexity and refined color palette woven into this piece work together evoking worldly sophistication. This hand knotted vintage Turkish silk Hereke prayer rug, inspired by the renowned Zareh Penyamin and the intricate artistry of Koum Kapi...

Beautiful late 19th century Turkish ottoman embroidery with nice design and green field color, entirely hand embroidered with golden metal on silk foundation. ✨✨✨ "Experience the ep...

Indo Persian steel and brass Khula Khud Helmet. Central Asia, Indo-Persian culture, circa early 20th century. A fine hammered metal steel and brass Islamic khula khud helmet of a domed form with an additional brass top finial. The top features radiating striations etched across the exterior and a tall brass spike finial with hammered line the lower periphery of the helmet, and a contiguous swath of chain mail hangs down to protect the wearer's neck. Dimensions: 22 in height total x 8 diameter. top hat is 8 in. x 7 in h to top finial. Metal base is 6.5 in. x 6.5 in. Indo Persian reproduction of an antique Islamic Helmet...

From a small collection of five Persian hand painted pottery vases is this stylish earthenware five-sided (Polygon shaped) bottle shaped vase hand painted with stylized leaf panel pa...

Beautiful antique Kerman hand-knotted wool rug featuring a beige field. This Persian rug showcases blue, red, and tan accents in a stunning all-over medallion botanical design. Thi...

This wonderful collection of Bohemian glass objects was created in the late 19th Century for the Persian market. The set—which includes three vases, one huqqa base...

A pair of Turkish 19th century antique Ottoman embroideries Turkey, 19th century Small: height 31cm, width 37cm, depth 0.5cm Large: heigh...

Turkish Oushak Rug 11'6" × 15'4" Taupe, Cream & Sage – Handwoven Wool Rug This expansive 11'6" × 15'4" Turkish Oushak rug is a stunning handwoven piece crafted from 100% high-quali...

Handcrafted Moroccan Moorish footed glass perfume bottle or rose water sprinkler with raised embossed silvered metal floral design over amber yellow pai...

Presenting an amazing set of 6 Mindanao brass silver betel boxes, Philippines. Betel chewing was prevalent in the southern Philippines as in much o...

This room-size antique Hamadan hand-knotted wool rug features a dark blue field. It showcases a stunning allover floral pattern in the Persian style with blue and orange rust accents...

A Fine & important French bronze statue 8 day clock garniture in the Orientalist style, circa 1880. The 8 day clock with a time and strike mechanism, sounding the hours and half hours on a pleasant mellow sounding bell. The clock is house in a lavish bronze case heightened with silver gilt, to the top is an engraved 'Minaret' shaped finial and below a gallery of silvered and gilt bronze leaves. The white enamel clock dial having black Arabic numerals, the center of the dial with a bas relief of palm trees and figures below the sun and a fort to the background. The front of the clock is shaped like a Mihrab (a niche in a mosque), to the base is another bas relief an East Indian scene with gilded bronze figures holding muskets and spears, with an elephant and tiger...

Large Moroccan glazed ceramic vase from Fez. Moorish style ceramic handcrafted and hand painted with Arabic calligraphy writing. This kind of Art Writing looks calligraphic is call...

Large silver damask copper basin decorated with scrolls, arabesques and foliage, encircling thuluth writing ledges. An attachment has been welded at the back to allow the hanging. Eg...

Ottoman / 1850 / cachepot / copper / Ottoman / Rustic / Antique A magnificent 18th century Ottoman copper bowl engraved with Arabesque floral and animal decorations. This large bow...

Magnificent Antique Ottoman Cover Finest quality Dark Pinky Red silk (some photos make it look too pink) Hand embroidered throughout with exceptional quality Gold and Silver metal...

Mid 20th Century Persian Isfahan Silk Carpet ( 3' 2" x 5' 6" - 97 x 167 cm )

This Bakshaeish Persian hand-knotted rug showcases a striking brown field enhanced by multicolored accents, intricately woven into a captivating all-over floral design. It is perfect...

Large Austrian wood and cold-painted bronze lamp Austria, c. 1910 Height 42cm, width 41cm, depth 30cm This Orientalist lamp is an unusual example of the...

Beautiful Sivas hand-knotted wool rug with a beige field. This piece has blue borders and an accents layout on a palmettes pattern design. This rug measures: 11'7" x 16'.

Wonderful group of 6 colorful pages of a 19th century North African prayer book with expressive calligraphic script in black ink with red, green and yellow highlights. These are trul...

Middle Eastern Moorish Mother of Pearl Inlaid Marquetry Jewelry Box. Exquisite middle Eastern Moorish Syrian inlay jewelry box covered with fine Moorish micro mosaic marquetry. Beaut...