Neoclassical Furniture

Antique (late 19th century) patinated bronze bust of a lovely female after the original model by the French master, Etienne Henri Dumaige, mounted on light blue marble plinth. 25 by...

A magnificent Neoclassical gilt bronze and malachite console table. The regal European antique (likely French) hand-crafted from 19th century and later elements, features a pair of large richly detailed gilded bronze Imperial (Royal) Eagles with spread wings, perched atop architectural columns adorned with finely chiseled and sculpted ormolu embellishments, flanked by dore bronze figural rams head mounts, over gilt brass and stunning malachite plinth...

French Bronze Neoclassical Style Round Desktop Picture Frame from circa the 1890s. This beautiful ornate oval frame is made of bronze and has a supporting leg on the back. Decorated ...

19th Century American School Nautical Painting. Wonderful oil on panel maritime painting of steam yacht with American flag. Signed by A Benson in lower right corner. Framed in ornate...

An antique Wedgwood Jasperware blue and white oblong jewelry dish in the Neoclassical Style, circa late-19th century, England. Piece has a ...

Russian malachite and silver table by Imperial silversmiths the Grachev Brothers Russian, 1884 Measures: Height 85cm, width 113cm, depth 63cm This beautiful silver table was man...

Rectangular faux marble top over a case with a single drawer over a pair of cabinet doors opening to a fitted interior with drawers, over a drawer and a door, sides with similar deco...

Antique gilt bronze and malachite casket by Monbro Fils Ainé French, mid 19th Century Measures: Height 68cm, width 92cm, depth 52cm This marriag...

Historistic chandelier vienna around 1890s with Capricorn heads Brass polished and stove enamelled Original old glass shades.

Found in England, this pair of tall black porcelain vases dates from approximately 1880s. Decorated with gilt and classical Greek or Roman figures...

Ultra 'old world' sophistication radiates from this magnificent light green painted and parcel gilt rectangular coffee table. The table has a faux marble top over a gilt-embossed fri...

A chic, rare, and unusual pair of circa 1800 Baltic Directoire style armchairs or fauteuils of both klismos and curule variant form, the solid mahogany frames gilt-metal rosette moun...

Calacatta Marble Column Pedestal with octagonal top and base. Provenance: From a New York City Collection. 39.5" H x 9.5" Diameter.

Handsome Antique Sofa, American Classical Mahogany, Tapestry Style Upholstery, Circa 1840's, 19th Century!! Experience the charm of a classic American mahogany sofa from the mid-19th century with this antique piece. Upholstered in striking multicolor tapestry fabric, this sofa features scrolled feet and carved stiles that add to its elegant appearance. The seating area is perfect for conversation and can accommodate up to four people, making it ideal for your entryway, foyer, living room, or guest room. This circa 1840's antique sofa is a beautiful settee that brings a touch of Victorian style to any space. The upholstery fabric is complemented by the mahogany frame in brown, and the sofa comes as a unit that requires no assembly or additional parts. The model is perfect for creating a seating area where you and your guests can relax and enjoy each other's company. American Classical Mahogany Sofa...

An outstanding Console Table with particularly fine color and wood graining. A mid 19th c. beautifully constructed console table with pieced book matched sections on the top, apron ...

Crystal and gilt bronze jardinière. France, late 19th century.

This "chess table," as we call it, has a chessboard on its top surface, with the chess squares made using the intarsia technique. The light squares are made of maple wood veneer, whi...

A French Neoclassical commode, with its original marble top and brass accents, from the 19th century. This antique chest from France features a rectangular-shaped marble top, with pr...

Pair of 19th Century French Neoclassical Gilt & Patinated Bronze Candelabras by Ferdinand Barbedienne This magnificent pair of French Neoclassical-style eight-light candelabras, attr...

Rare extra-large (cm 59 x 85) antique watercolour of capital from a collection of architectural details of Florence monuments painted in Italy in the middle of 19th Century. Black ma...

An Italian 19th-century Grand Tour Greco Roman bronze sculpture of Narcissus, after the original sculpture excavated in 1862 at Pompeii, the green patinated bronze figure of the mythological son of the river god...

A French Neoclassical faïence transfer printed creamware plate from Stone, Coquerel et Le Gros, circa 1820-1830. A black transfer of an architectural image on a creamware body, de...

A 19th-century patinated bronze figure of the Berlin Adorante, or Praying Boy. The piece is a reduction of the Hellenistic-era original, currently in t...

Psyche revived by Cupid’s kiss. After Canova. Beautifully carved in fine statuary marble. The winged young man who has just landed on a rock where a ...

A gorgeous antique 19th-Century French cast iron jardiniere or planter with the lovely original surface and patina. This beautiful jardiniere is nice large size, heavy and well cast,...

A distinct and stately Neoclassical gentleman’s dressing table from France, perhaps inspired by the influential English aesthete Beau Brummell whose high standards for personal appea...

A French Neoclassical style, uniquely-carved and bleached-wood chest of three-drawers from the mid 19th century. This antique chest from France features a rectangular-shaped top with...

From Wedgwood, a blue Jasperware footed fruit bowl, date marked 1971. Jasperware, introduced by Josiah Wedgwood in the 1770s, is a type of unglazed stoneware known for its matte fin...

Pair of Cast Iron Urn or Planters or Jardinières A stunning pair of Neoclassical Urn or Planters on Pedestal Bases. Direct from a New Canaan CT Mansion of an Lady come this stunning pair of Garden Urns. Each massive urn sits upon a pedestal base having Lion busts...

These magnificent gilt bronze (ormolu) mounted malachite urns were created in c.1830 to a design by Ivan Ivanovich Galberg (Russian, 1782-1863). Galberg was an important figure, who ...

Nicholas I period Russian malachite side table with gilt bronze base Russian c. 1840 Measures: Height 77cm, diameter 89cm This is a truly excepti...

This exceptional micromosaic snuff box represents the heights of this ancient art form. Depicting four doves sitting atop a bronze dish, the inse...

A fine antique English Neoclassical porcelain plate Attributed to Coalport. Decorated throughout with rich gilding, and red, green,...

This elegant antique porcelain tea bowl and saucer were hand-painted at Coalport Porcelain in England circa 1820. They are decorated in the Regency style with a band of gilded Greek ...

Stunning pair of French vases, urns, cachepots, or garniture set. Featuring neoclassical Directoire style motifs of a muse and musical trophy. The vase is supported by paw feet with a gilt finish and mounted to a faux marble plinth...

The elegant and stylish vintage side table was created in France circa 1890. The square tabletop, crafted from richly veined onyx, features warm tones of green, cream, amber, and rus...

This glamorous covered vase or urn, it is painted with natural landscapes. The drawings are so detailed that we can say done in Flemish style. We can see a landscape with houses and castles at the orizont, and in another scene, birds and games. Every scenes looks like a Flemish painting. There are green garlands...

Antique Pair French Neoclassical Ormolu Bronze Candlesticks Elegant pair of 19th century French ormolu bronze single light candle holders. The tapered fluted shafts with acanthus c...

This nice neoclassical Style Fireplace Tools are made of brass. This is a French work. Circa 1970

19th century French neoclassical period fireback. The fireback is made of cast iron and has a natural brown patina. Upon request, it can be made black or pewter. It is in good condit...

A rare and exquisite Danish bookcase designed by Jørgen Roed (1808–1888), one of Denmark’s most renowned Golden Age artists. This elegant neoclassical piece, crafted in rich mahogany...

A very nice New England Cherry and Pine 19th century tavern or side table with a detachable dovetailed top. The top is held in place with four pegs through the apron. Very nice color...

The overhanging foliate cornice above a frieze with reliefs of female and male figures surmounted by ribbon ties and flanked by foliage and laurel leaves, above two pairs of glazed doors divided...

Both pieces show remarkable similarities (both in the quality of the color of the glass and of the decoration and in the lines of the same ones) with Bohemian red glass...

This colorful pedestal clock has been crafted from fine red marble and green onyx, and beautifully decorated with gilt bronze (ormolu) and champlevé enamel. While a popular crafts material in ancient times, onyx was largely forgotten about until its rediscovery in the mid-19th century in Algeria by a French marble-worker called Delmonte. Onyx became highly fashionable in France following this discovery, and it was used to create a variety of decorative art objects. The clock features a green onyx cube-shaped case, which is surmounted by a slightly projecting red marble top. This top is fringed with champlevé enamel drapery-like motifs, with gilt bronze drop-finials. The case is mounted on its front with a circular dial, which features a central floral champlevé enamel motif, encircled by black Arabic Numerals. This dial is set within a gilt bronze egg-and-dart and champlevé enamel bezel. The sides of the case are mounted with circular gilt bronze barometers...

This is a late 19th century Neo-classical R.J. Horner style ebonized desk with carved dolphin base and tooled green leather top. It has wonderful patina! The desk is very heavy and m...

A fine 200 year old American Federal period Boston Classical mahogany pedestal center table. circa 1825 Exquisitely hand-crafted in the Northeastern United States in the early 19th ...

Elegant 19th century carved and giltwood Neo-Classical console with original marble top. Note the exceptional carving on this piece! A true work of art!

Pair of Large Italian White Glazed Urns, Neoclassical Style ca. 1890

Small-scaled American Neoclassic split baluster two part mirror. The frame features ebonized half columns contrasted with mahogany corners blocks and framing substrate. Gilt and bron...

Large Carrara marble group of Virgin, Child and The Baptist signed P. Romanelli Italian, 19th century Measures: Figure: height, 170cm, width 70cm, depth 40cm Base: height 93.5cm, width 59.5cm, depth 43cm Executed in stunning Carrara marble, this exceptional sculpture is signed for the Florentine artist Pasquale Romanelli...

Embossed and engraved silver plaque La Madonna del lago (The Madonna of the Lake) Probably Milan, post 1824 Brass frame It measures 16.14 in x 13.85 in (41 x 35.2 cm) and it weighs 10.357 pounds (4.698 g): silver 1.31 pounds (598 g) + brass 9.03 pounds (4.100 g) State of conservation: some abrasions on the bottom. The frame is old, but not original. The plaque is made up of a sheet of embossed and engraved silver, and held in a solid brass frame. It depicts the “Madonna del lago” – “Madonna of the Lake” - (the Madonna with Child and San Giovannino) by Marco d'Oggiono (Oggiono, 1474 circa - Milan, 1524 circa), while changing only the background landscape. Almost certainly the subject reproduced in the plaque was taken from a famous engraving by Giuseppe Longhi (Monza, 1766 - Milan, 1831), one of the greatest engravers of his era. The silver is unmarked, probably because originally the Madonna was due to be exposed in a church: sometimes precious metals destined for worship and liturgical use would be exempted from payment and were, therefore, not marked. It is very likely that the plaque was made in Milan because in this city in 1824 the engraving by Giuseppe Longhi was made and printed. In addition, in Milan, the alleged lost painting by Leonardo da Vinci in his Milanese period (1482-1500) would be produced; this is the painting from which Marco d'Oggiono took his version. The painting Marco d?Oggiono was one of Leonardo da Vinci's most brilliant students and collaborators (D. Sedini, Marco d’Oggiono, tradizione e rinnovamento in Lombardia tra Quattrocento e Cinquecento, Roma 1989, pp. 151-153, n. 56; p. 225, n. 124, with previous bibliography). His style reflects in every way that of the Tuscan Maestro, so much so that he was the one who executed some copies of da Vinci's paintings. The execution of the “Madonna del Lago” probably draws inspiration from a lost painting by the Maestro, created while he was living in Milan (1482-1500). There are many similarities with other works by Leonardo such as the “Vergine delle rocce” or the “Vergine con il Bambino e San Giovannino, Sant’Anna e l’Agnello”. The painting, from which the drawing and then the famous engraving were taken, is found today at the M&G Museum of Bob Jones University in Greenville, South Carolina, where it came to rest after the sale of the Harrington Collection in London in 1917. The work appears in the inventories of the collection of Napoleon and Joséphine Bonaparte at the castle of Malmaison, before 1809. The Malmaison building was born and developed in the 17th and 18th centuries. In the 18th century it belonged to Jacques-Jean Le Coulteux du Molay, a wealthy banker. Later, during the Directory, Joséphine Bonaparte de Beauharnais bought it on April 21st, 1799, but settled at the castle definitively only after her husband separated from her in 1809. She remained there until 1814, the year of her death. When Joséphine died, the estate passed to her son Eugène de Beauharnais, who moved to Munich with his whole family in 1815, bringing with him the collection of paintings he inherited from his mother. Eugène died in 1824 and his wife Augusta of Bavaria (von Bayern), unable to keep it, in 1828 sold the Malmaison to the Swedish banker Jonas-Philip Hagerman. It is likely that in this period Augusta also sold part of the paintings inherited from her husband, including the “Madonna del Lago”. This painting then came into the possession of Leicester Stanhope, fifth Earl of Harrington (1784 - 1862) and then was passed down to his descendants. In 1917, at the death of Charles, eighth Earl of Harrington, his brother Dudley inherited the title and properties and he put up a part of his collections for sale. Among these, precisely, the painting by Marco d'Oggiono was to be found. On the occasion of that auction the painting was presented as a work by Cesare da Sesto, by virtue of a handwritten note by the Countess of Harrington on the back of the table. However, already in 1857, the German critic Gustav Waagen had identified Marco d'Oggiono as the author of the painting, then exhibited in the dining room of Harrington House in London (Treasures of Art in Great Britain, in 4 volumes, London, 1854 and 1857). The engraving Giuseppe Longhi was one of the most renowned engravers in Italy between the end of the 18th century and the first quarter of the 19th century. In 1824 Giuseppe Longhi, based on a design by Paolo Caronni, made a famous engraving of the painting of Marco d?Oggiono. The activity of Longhi was then at the peak of his notoriety, enough to earn him very substantial commissions; it is not risky to suppose that some of his successful engravings were also reproduced using other means: in our case in silver. (A. Crespi, a cura di, Giuseppe Longhi 1766–1831 e Raffaello Morghen...

A fine 19th century Italian hand-carved Carrara marble pedestal sculpted from luxurious Carrara marble, the choice of sculptors for centuries, it features a tiered twist design, one ...

Russian (circa 1810) mahogany diminutive recamier with gilt swan carved sides and ball & claw feet front feet and upholstered in a cut green velvet

A very handsome pair of matching ormolu appliques, both panels cast in openwork detail and showing neoclassical inspired motifs of palmettes, swags an...

An antique English pair of oval Neoclassical lidded lead urns decorated with half relief, Acanthus leaves, pinecones, and lions heads on both sides, in good condition. Minor fading, ...

This beautiful neoclassical style mantel clock, created from porphyry mounted with silvered and gilt bronze, is formed in the shape of a vase. The movement of the clock is of the cer...

Set of four large Academic style torchères emblematic of the continents French, late 19th Century Height: 228cm, diameter 50cm Torchères alone: Height 197cm, diameter 34cm Bases alone: Height 31cm, diameter 50cm The four large torchères in this set are designed in the manner of Mathurin Moreau, one of the leading Academic sculptors of the nineteenth century. The patinated metal sculptures were cast by Miroy Frères...