19th Century Carved Rosewood Centre Entry Table

A superb example of Victorian splendor and its attributes, elegant, sophisticated, refined American high style, this richly decorated parlor (center) table features the original subs...

A scarce elegant and most distinctive Biedermeier Period (1815-1848) highly figured maple table. Hand-made in Continental Europe in the early/mid-19th...

A truly unique, one-of-a-kind antique center table, hand crafted from a vintage distressed and antiqued wooden spool/reel, a removable 19th centu...

A most distinctive antique, circa 1870, Portuguese Renaissance Revival carved walnut trestle table with beautifully aged warm, rich dark patina! Born in Portugal during the second h...

We are delighted to offer for sale this large and very important carved giltwood marble topped impressive centre table circa 19th century A 19th century French carved giltwood centre table in the Louis XIV taste, surmounted by a rectangular panel of breche violette marble, within a foliate border, the cushion frieze decorated with foliage and with shaped and pierced acanthus and paterae aprons, on openwork square section tapered legs with acanthus leaf husk and paterae ornament, united by curved acanthus scroll stretchers with central finial The condition is really quite exquisite, there doesn’t seem to be any losses or issue with the carving anywhere, the marble is free from chips, there may be stress fractures as is often the case with old thick marble tables...

A good centre table by Johnstone & Jeanes of London   Constructed in amboyna, with extensive marquetry inlays in specimen woods, and enhanced with parcel-gilt highlights. Rising from a cruciform platform base adorned with knops and having concealed castors, supporting the inlaid, and gently stepped and tapering centre column with stylized 'c' form brackets bracing the octagonal top, the outer guard band having English roses inlaid at the angles, with foliates with the national emblems of Scotland and Ireland, thistles and shamrocks. Stamped by the makers to the underside, 'Johnstone & Jeanes 67 Bond Street'. circa 1845 Published in “British Furniture 1820 to 1920” by Christopher Payne, 2023, p. 131, illustrated fig. 3.21. Johnstone, Jeanes & Co John Johnstone of Bond Street came to prominence after his collaboration with Robert Jupe, an 'upholder' of 47 Welbeck Street, Cavendish Square, London, who patented a remarkable design for a circular expanding dining table with a segmented top in 1835. After Jupe's death, the firm traded as 'Johnstone and Jeanes' from 1842 until 1880, having moved to 67 Bond Street and continuing the tradition of producing high quality furniture. After 1880, the company was re-named Johnstone & Norman. They exhibited at the Great Exhibition 1851, The International Exhibition of London in 1862, and The Paris Exhibition of 1878. Both the Royal Collection Trust and the Victoria & Albert Museum own stamped pieces of furniture in their collections. The company of Crace were designers and decorators to the Royal household from 1768 until 1899, working for every monarch from George the Third...

A rare exceptionally carved Rococo rosewood center table with rectangular top with gadrooned edge above a conforming frieze with an apron carved in deep relief with scrolling vinery ...

A superb quality 19th Century rosewood cente table, the wonderfully figured, shaped and moulded edge top above a carved frieze incorporating carved floral and shell decoration, suppo...