Louis XVI-Style French Console Table In White Lacquer With Gold Accents

We kindly invite you to read the full description, as we aim to provide detailed technical and historical information to ensure the authenticity of our pieces. Elegant and refined It...

We kindly suggest that you read the whole description, as with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Eleg...

We kindly suggest that you read the entire description, as it provides detailed technical and historical information to guarantee the authenticity of our objects. This elegant and refined Italian wrought iron wall console table features an exceptional curvilinear and slender design, aesthetically and symmetrically perfect. The upper top is made of high-quality wood painted black, with few decorative elements that are simple and rationally distributed. This model has the convenient feature of being fixed to the wall by means of two small perforated plates welded to the back edge of the console table (see photo), ensuring the piece of furniture is permanently solid and stable. The console table was created between 1930 and 1935 in an ironworking workshop in the Santo Spirito district of Florence, Tuscany, Italy. Since ancient times, this part of the city has been the vibrant center of Florence's craftsmanship. Florence has a long history of metalworking, dating back to the Renaissance, when it was an important center for the production of wrought iron. Florentine craftsmen were renowned for their intricate designs and high-quality ironwork, often used for furniture, gates, and architectural elements. Italian wrought iron consoles have a rich history and are admired for their craftsmanship, elegance, and durability. The evolution of these pieces reflects broader trends in art, architecture, and interior design in Italy, particularly in Tuscany. The use of wrought iron dates back to antiquity, but during the late medieval period, Italian blacksmiths began to perfect their skills, creating functional and decorative artifacts, including furniture. The Renaissance (14th-17th centuries) was a significant period for art and craftsmanship in Italy. Wealthy patrons, inspired by classical antiquity, commissioned intricate wrought iron work for their homes and public buildings. Tuscany during the Renaissance was the world center for art, culture, science, and crafts. During the Baroque period (17th-18th centuries), wrought iron consoles became more extravagant, featuring bold and dramatic designs with heavy ornamentation. Neoclassicism (late 18th-early 19th century) brought a return to simplicity and classical inspiration; wrought iron furniture had decorative elements inspired by ancient Greece and Rome. From the 19th to the early 20th century, ironwork saw a mix of styles, including the revival of earlier periods and the introduction of new trends such as Art Nouveau, with organic, flowing lines and patterns inspired by nature. In the 20th century, wrought iron console tables continued to evolve, blending traditional craftsmanship with modern design principles. Mid-century modern styles (1920-1950) favored a more minimalist design, with simple, clean lines and functional forms. Wrought iron furniture could incorporate glass and wood. Italian wrought iron console tables were traditionally made by skilled blacksmiths using techniques passed down through generations. This involved heating the iron in forges and shaping it with a hammer and anvil. Italian wrought iron console tables are often considered functional works of art, serving practical purposes while acting as focal points in a room. This particular type of table is versatile and suits a variety of settings, from classic to contemporary. Antique wrought iron console tables...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Interesting and graceful oak bench; the legs, conical and elegantly fluted, are joined at the base by a well-designed and harmonious X-shaped element; the well-solid frame is carved with simple, linear, and refined motifs; the upper oval part serves as the seat is enriched with fine "Vienna straw" work. The bench was made between 1880 and 1885 in an artisan workshop near Paris certainly by a very skilled master cabinetmaker because this kind of workmanship requires a lot of experience and skill. The process of seat construction using equidistant holes and a woven plant material (drawn guinea cane) was known since Egyptian times (a stool was found in the tomb of the architect Kha dating from 1600° B.C.), but it was from the mid-19th century that it became popular worldwide. It was the Austro-Hungarian cabinetmaker Michael Thonet (father of bentwood) who in 1842 created chair No. 4 with this technique for the Daum café on Vienna's Kohlmarkt, but success came in 1859 when the Gebruder Thonet company of Michael's sons presented chair No. 14 made of curved solid wood with a straw seat...

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