Mid-Century Modern Vamo Sonderborg Rosewood Dining Set
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Mid-Century Modern Vamo Sonderborg Rosewood Dining Set
About the Item
- Creator:
- Dimensions:Height: 32 in (81.28 cm)Width: 18 in (45.72 cm)Depth: 20.5 in (52.07 cm)Seat Height: 17 in (43.18 cm)
- Sold As:Set of 10
- Style:Mid-Century Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:circa 1960s
- Condition:Wear consistent with age and use. age appropriate wear, vintage finish, light scuffs, minor scratches, vintage fabric worn.
- Seller Location:Brooklyn, NY
- Reference Number:Seller: 12702-6990JRc/F1stDibs: LU92185676243
Ib Kofod-Larsen
Furniture maker and architect Ib Kofod-Larsen was one of the greatest design minds to emerge from mid-century Denmark, and his impact was felt across the world, especially in the United States. Kofod-Larsen, who is known for his exemplary seating, tables and storage solutions, understood that the attention to detail, quality materials and functional design ethos of the Scandinavian modernism style he followed would become part of a major international movement.
Due to his foresight and innovation, Kofod-Larsen was one of the best-selling Danish designers in the U.S. in the 1950s, when mid-century modernism was at its most popular.
Originally trained as a cabinetmaker, Kofod-Larsen later studied at the Royal Danish Academy of Fine Arts and was most interested in designing practical yet graceful furniture, although he also dabbled in things like wallpaper and textiles. He favored natural grains and woods like teak and rosewood combined with leather, steel and fabric upholsteries to create inviting pieces. Working with manufacturers such as Faarup Møbelfabrik, Christensen & Larsen and Bovenkamp, he brought his sculptural aesthetic to the world.
Some of his seating designs have earned legendary status: The U-56 chair (1956) was renamed the Elizabeth because England’s Queen Elizabeth II is said to have picked up a pair during a 1958 trip to Denmark. With OPE Möbler, he created the Seal chair (1956) with a wooden frame shaped around leather upholstery. The sculptural Penguin chair (1953), produced by Selig and named for its curved back, became Denmark’s most frequently exported piece of furniture to the U.S. at the time. Its bentwood shell echoes the work of Kofod-Larsen’s modernist contemporaries Eero Saarinen and Charles and Ray Eames, while its options as a dining, lounging and rocking chair offer versatility for the home.
As mid-century modern furniture experiences a fresh wave of popularity in the U.S. — although, one could argue that it never really went away — Kofod-Larsen’s timeless pieces are among the most coveted vintage finds. Several of his designs continue to be produced, such as the Penguin chair, which has been manufactured by Brdr. Petersen since 2012.
Find vintage Ib Kofod-Larsen furniture today on 1stDibs.
Johannes Andersen
Denmark has a long tradition of producing some of the most acclaimed furniture designers of the 20th century. Johannes Andersen is no exception — his name is synonymous with mid-century modern design. He elevated Scandinavian modernism’s prioritization of practicality and space conservation to new heights and worked with luxurious woods like teak, mahogany and rosewood for a range of designs that merged grace and function.
After completing his cabinetmaker apprenticeship in his early 20s, Andersen began to design for several furniture makers, including CFC Silkeborg and Trensum. A few years later, he opened his own workshop and enjoyed success from the outset. Free of the constraints of working under another studio, Andersen quickly developed his own, distinctive style that drew on Danish functionalism and human-centered design.
After the end of World War II, Andersen noticed the worldwide postwar consumption boom and the burgeoning interest in Scandinavian modern design. He took full advantage of this and began to sell his shapely and eye-pleasing tables, chairs and sideboards to markets outside of Denmark. Other Scandinavian manufacturers took notice of Andersen’s work, which led to many successful, career-long collaborations for the furniture maker.
Like Finn Juhl and Alvar Aalto, Andersen was deeply drawn to organic shapes and flowing lines. He transformed furniture’s traditionally square or rectangular panels and surfaces — like the tops of coffee tables and seat-backs of dining room chairs — into imaginative half-moons with rounded corners, beveled edges and fluid contours. His unexpected use of curves is the highlight of his sleek Capri line for Trensum and can be found in his comfortable saddle-shaped Allegra bar stool and playful but elegant Smile coffee table, which sports an anthropomorphic grin in the slot intended to hold magazines.
Andersen wanted his furniture to be compact — he experimented with reducing the footprints of bulky furniture, and his simple, iconic credenzas, sideboards and folding bar cabinets were born. These and other vintage Johannes Andersen furnishings are in high demand today by collectors and mid-century modern enthusiasts all over the world.
On 1stDibs, find a wide range of Johannes Andersen tables, seating, cabinets and other furniture.
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