Midcentury Dining Set Orsay Designed by Gae Aulenti for Knoll International For Sale
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Midcentury Dining Set Orsay Designed by Gae Aulenti for Knoll International

About

Very rare version of the Orsay series designed in 1969 by Gae Aulenti for Knoll International. The square table is very spacious (57 inch x 57 inch / 145 cm x 145 cm). It is made of aluminum and has a solid top made of Carrara marble. The marble makes the table very heavy; it takes four persons to move it. The chairs have been reupholstered with a fine beige leather: two chairs with and two chairs without arm rests.                      

Details

  • Condition
  • Wear
    Wear consistent with age and use.
  • Dimensions
    H 29.14 in. x W 57.09 in. x D 57.09 in.H 74 cm x W 145 cm x D 145 cm
  • Seller Location
    Doornspijk, NL
  • Sold As
    Set of 5
  • Reference Number
    LU1251214231492
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About Gae Aulenti (Designer)

The Italian architect and designer Gae Aulenti will forever be best remembered for her work with museums, in particular her 1980-86 renovation of a Beaux Arts Paris train station to create the galleries of the Musée d’Orsay. Aulenti — whose first name, short for Gaetana, is pronounced “guy” — should also be recalled for her tough intellectual spirit and for working steadily when few women found successful architectural careers in postwar Italy.

     After she graduated from the Milan Polytechic in 1954, Aulenti opened an architectural office. She also joined the staff of the progressive architectural magazine Casabella, whose editorial line was that the establishment, orthodox modernism of Le Corbusier and the Bauhaus, had outlived it usefulness. When their movement for fresh approaches to architecture and design received a sympathetic hearing, Aulenti found patrons — most prominently Gianni Agnelli, of Fiat, who later employed her to renovate the Palazzo Grassi in Venice for use as an arts exhibition space.

     Commissions for showrooms and other corporate spaces brought Aulenti to furniture design. She felt that furniture should never dominate a room. Her chairs and sofas — low-slung, with rounded enameled metal frames and ample seats — and tables, particularly her 1972 marble “Jumbo” coffee table for Knoll, project solidity and sturdiness. In lighting design, however, Aulenti is bravura. Each work has a marvelous sculptural presence. Pieces such as her “Pipistrello” table lamp and “Quadrifoglio” pendant are a perfect marriage of organically-shaped glass and high-tech fixtures. Others have a futuristic elegance—and some even have a touch of personality. Aulenti’s “Pileino” and “La Ruspa” table lamps each look almost like little robots. Her lighting pieces are an artful grace note in the career of a woman who believed in strength.

About the Seller

5 / 5
Vetted
Platinum
1stdibs seller since 2015
Located in Doornspijk, NL
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