Afra & Tobia Scarpa 'Polygonon' Dining Table & Mario Bellini Dining Chairs

Widely recognized as superstars of postmodern Italian design, husband-and-wife team Afra and Tobia Scarpa (1937–2011; b. 1935) collaboratively created chairs, sofas and other furniture that work equally well in both traditional and cutting-edge environments.

Ranging from architecture and interior design to furniture and clothing, the Scarpas’ practice from its beginnings in the mid-1950s to the 21st century has included a diverse scope of projects combining new technology with thoughtful function and sculptural yet simple forms.

Afra Bianchin and Tobia Scarpa met as architecture students at the Università Iuav di Venezia. In a class led by architect and furniture designer Franco Albini, they created their first collaborative piece, the Pigreco armchair, later produced with Gavina. After graduating in 1957, Tobia worked for Murano glass company Venini & Co. before the couple opened a studio in Afra’s hometown, Montebelluna, in 1960. (Tobia, the son of famed glass artist and architect Carlo Scarpa, was born in Venice.)

For Afra and Tobia, a close collaborative process was pivotal to the success of their designs. The duo was also prolific — they designed for the most influential European manufacturers, including B&B Italia, Cassina, Knoll and FLOS. With respect to the latter, Afra and Tobia were among the legendary Italian lighting maker’s earliest collaborators, and their pioneering designs for the brand included the Papillon lamp, one of the first fixtures to use halogen technology. Their most recognized designs include the Bastiano sofa (1962), the Vanessa bed (1959), the Coronado sofa (1966) and the Soriana seating collection (1970). Work on the Soriana sofa began in late 1969 for an early 1970 debut, and it feels as radical today as it did in its heyday.

Architecture was also a central part of Afra and Tobia’s practice, which spanned residential buildings and factories for Italian companies such as Benetton. Their commissions for the global fashion brand included numerous industrial projects, from textile plants to storefronts. By 1985, Afra and Tobia Scarpa’s work was celebrated in a 30-year retrospective at Center Four in Queens, New York. Looking around the 30,000-square-foot exhibition space, Afra joked to the New York Times, “Seeing all those things makes us feel very tired, and now we feel that maybe we worked too much.”

It was not too much for their legacy, as Afra and Tobia Scarpa’s work continues to inspire new generations. Scarpa designs are in collections at the Louvre, the Museum of Modern Art and the Victoria and Albert Museum. The couple was awarded the Compasso d’Oro in 1970 for the Soriana armchair.

Find vintage Afra & Tobia Scarpa furniture today on 1stDibs.

Milan-born architect and designer Mario Bellini just may be the closest thing to a modern-day Renaissance man: His creative output spans genres, from electronics to furniture to architecture to cars, comprising iconic designs in each. He has been the recipient of multiple prestigious Compasso d’Oro design awards, and more than 20 of his works are in the permanent collection of the Museum of Modern Art.

Born in 1935, Bellini studied architecture at the Polytechnic University of Milan before founding his own firm in his native city in the early 1960s. He soon branched out beyond architecture, however, first for the tech manufacturer Olivetti, where he served as chief industrial design consultant from 1963 to 1991. During that time, Bellini oversaw the design of some of Olivetti’s most popular typewriters.

His penchant for electronic design didn’t stop there: Bellini also designed cameras for Fuji, televisions for Brionvega and a slew of audio devices for Yamaha, then served as design consultant for Renault and devised the interior of the 1980 Lancia Trevi for Fiat. Meanwhile, his architecture work spans continents, including such modern gems as the Museum of Islamic Arts at the Louvre, the National Gallery of Victoria extension in Melbourne, the Dubai Creek Complex and the Milan Convention Centre in his hometown.

And then there’s the furniture: Over the last 70 years, Bellini has designed office furniture for Vitra; lamps for Artemide, Erco and FLOS; porcelain for Rosenthal and long-admired sofas and other seating for Kartell, Natuzzi, B&B Italia, Cassina and more.

His oft-imitated 1977 Cab chair for Cassina, comprising 16 individual pieces of saddle leather that create a “skin” over a minimal metal frame, remains one of the manufacturer’s best sellers today. His pudgy-legged, round tables for Cassina foreshadow Faye Toogood’s widely loved Roly Poly line. His postmodern Summa armchairs for Kartell, as well as his elegant Chiara floor lamp, still lure collectors on vintage furniture websites.

Bellini’s most famous contribution to furniture design, though, may be his 1970 Camaleonda sofa for B&B Italia (then C&B Italia). An entrant to the 1972 MoMA show “Italy: The New Domestic Landscape,” the seat takes its name from the Italian words for chameleon and wave. Its bulbous, modular form makes it infinitely flexible. The sofa was a runaway hit at the show and, once discontinued, remained so popular among vintage dealers that B&B Italia reissued it in 2020 with all recycled materials and interchangeable seat covers. “Of all the objects I have designed, Camaleonda is perhaps the best in terms of its sense of freedom,” Bellini said.

Browse an expansive collection of Mario Bellini furniture — including dining tables, armchairs, mid-century sofas and more — today on 1stDibs.