Carl Malmsten, Visingsö, Dining table, Sweden, 1960s

Gianfranco Frattini (1926-2004) Capri A dining table. The rectangular glass top supported on each of the wide sides by a two-tier black lacquered cylinder wood frame, on four black cylinder feet. Manufactured by Cassina, Italy. 1985. Gianfranco Frattini (1926-2004) Born in Padua in 1926, Gianfranco Frattini studied architecture at the Politecnico di Milano. Having graduated in 1953, he first collaborated with Gio Ponti before opening his own practice. Throughout his career, Frattini was very focused on interior designs for which he created furniture and lights. That led him to work with some of the most important design companies, Artemide, Knoll, Arteluce, Bernini and Cassina. With the latter, Frattini had a long and fruitful collaboration giving birth to masterpieces such as the 780/783 nesting tables, the Sesann sofas. The Capri table...

A square coffee table with a slate top on a four legs matte chrome-plated steel stand, Denmark. Model created in 1956. First edition stamped by maker E. Kold Christensen.   Lit...

A square walnut low table, the top plate rested on the frame supported by four rectangular feet. With "Cassina" label underneath. Manufactured by Cassina. Italy, 1960s. Provenance P...

Afra & Tobia Scarpa (1935-2011 & 1935-) « Polygonon » A dining table, the oval glass top rested on an octogonal metal base with an iridescent green and blue color. Manufacture...

Dining table or desk designed by Yngve Ekstrom, produced by Swedese, Sweden, 1960s. Very good condition with small signs of usage.

First edition “Maria” dining table by Bruno Mathsson, made with a teak table top and beech legs. Beautiful brass locking mechanism that keeps the middle part from moving when folded....

A substantial dining table designed by Børge Mogensen for Karl Andersson & Söner, crafted in Sweden during the 1960s. Made of solid pine, the table features a broad rectangular top w...

This “Svensk Fur” or ‘Swedish Pine’ dining table is a nod to modernist design with traditional Swedish craftsmanship. The design relays an insight about the society and culture in which it was produced: closeness to nature, the appreciation of a clutter-free environment and the value of quality handiwork. The Malmvall pieces that appeal to most are the models designed for Karl Andersson & Söner, for the sheer fact that they seem completely contemporary and undated. The pieces of the line, such as this table, are often compared to the designs of Axel Einar Hjorth, even though Malmvall’s designs are exceptional on their own merit. Self-taught, Göran Malmvall was a highly skilled cabinetmaker with considerable technical expertise and was renowned for the boldness of his innovations. This table holds a natural expression with its airy and organic design, which is dominated by the natural beauty of the material and the creative use of the tenon and mortise joinery. The rectangular tabletop showcases the solid pine’s pattern, reinforcing the rustic feel. The legs have carved out vertical lines, a smart detail that elongates them optically. Göran Malmvall, the youngest son of Karl Andersson, was a highly skilled cabinetmaker with considerable technical expertise and was renowned for the boldness of his innovations. His expertise can be traced not only in this detail, but also in the legs’ joinery technique. Swedish modern – despite its name – in many ways transcends the word ‘modern’, and so does Malmvall. Like the style, the Svensk Fur pieces can be incorporated successfully into contemporary and traditional interiors alike, lending themselves to a timeless and universal appeal. Condition: In good vintage condition. Wear consistent with age and use. Some minor scratches and marks on the wood. Dimensions: 51.18 in W x 31.1 in D x 28.34 in H 130 cm W x 79 cm D x 72 cm H About the Designer: Göran Malmvall (1917–2001) was the youngest son of the manufacturing company’s founder, Karl Andersson. He studied furniture design under Carl Malmsten and was involved with the family business from an early age until 1982, mainly in the capacity of an in-house furniture designer. Self-taught, he was a highly skilled cabinet-maker with considerable technical expertise, and was renowned for the boldness of his innovations. His most notable designs include Svensk Fur, Svitjod and, not least, the KA 72 cabinet...