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Mario Buatta John Widdicomb Faux Tortoiseshell Chinoiserie Dining Table 2 Leaves
- CreatorJohn Widdicomb (Manufacturer)
- DimensionsHeight: 29 in (73.66 cm)Width: 72 in (182.88 cm)Depth: 42 in (106.68 cm)
- StyleChinoiserie (In the Style Of)
- Materials and Techniques
- Place of Origin
- Date of Manufacturecirca 1970s
- ConditionWear consistent with age and use. Some crazing to lacquer on table leaves (see pic 9). Some surface scratches to top and edge dings with examples pictured.
- Seller LocationPhiladelphia, PA
- Reference NumberSeller: 1549681825691stDibs: LU934128488932
Shipping & Returns
- ShippingShips From: Philadelphia, PA
- Return Policy
A return for this item may be initiated within 7 days of delivery.
About the Manufacturer
In the Widdicomb family, furniture ran in the blood. Furniture maker George Widdicomb emigrated from England to the United States in 1845, eventually setting up a cabinet shop in Syracuse, New York, before moving west to Grand Rapids, Michigan. There, he opened a shop with his four sons, including John Widdicomb, whose name would help carry the family legacy into the 20th century.
A wealth of pine and oak forests rendered Grand Rapids a logging center during the 1800s, and it eventually gained recognition for its furniture industry. The city became a destination for furniture makers who hailed from across the United States and beyond. The Widdicomb shop in Grand Rapids prospered, as the patriarch’s formal English training allowed him to produce pieces with superior craftsmanship compared to those of his competitors. Although the Civil War halted business and took the life of one of the Widdicomb brothers, the family’s survivors would start anew as Widdicomb Brothers and Richards, soon renamed the Widdicomb Furniture Company.
John Widdicomb, however, split from the family business in 1897 to create the John Widdicomb Company, where he would go on to focus on Louis XV- and French Provincial-style furnishings. Chairs made in these styles have distinct characteristics, such as floral motifs carved in the frames and gently angled backrests. John's company also remained a family affair: The founder’s son, Harry, assumed control of the company when his father died in 1910, while John's nephew Ralph Widdicombe — who retained the English spelling of his last name and joined the John Widdicomb Company at its start — designed every single piece of the offerings at his uncle's manufacturing outfit until he retired in 1951. Ralph was an internationally distinguished furniture designer whose modern mahogany bedroom suite won first prize at the Paris Exposition in 1900.
The original iteration of Widdicomb, which was helmed by John's older brother William while John ran his own brand, had shifted from making period revival styles of furniture, such as Georgian and Chippendale, to manufacturing modern pieces in the late 1920s. Admirers of mid-century modern furnishings likely recognize Widdicomb for the partnerships with iconic designers such as Frank Lloyd Wright, T.H. Robsjohn-Gibbings and Mario Buatta. In 1959, master woodworker George Nakashima created his Origins collection for Widdicomb when the firm merged with Mueller Furniture Corporation and was known, for around 10 years, as Widdicomb-Mueller. Origins, a revered Shaker-influenced group of nightstands, upholstered lounge chairs, dining-room tables and more, saw Nakashima working with woods like Carpathian elm and laurel in his Pennsylvania studio.
Eventually, the two Widdicomb companies would combine in 1970, operating under the name John Widdicomb Co.
In 2002, the business closed after more than a century of operations, and its assets were acquired by Stickley Furniture. Interestingly, it was not the first time Widdicomb and Stickley overlapped: In the final years of the 19th century, the companies opened a shared storehouse in London, while John Widdicomb and Albert Stickley would travel Europe together for the purposes of research.
Today, Stickley continues to produce John Widdicomb Company furniture, including French, Italian, English and Russian reproductions, as well as modern works from the first half of the 20th century.
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