Martin Visser Round Dining Table in Wengé for 'T Spectrum
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Martin Visser Round Dining Table in Wengé for 'T Spectrum
About the Item
- Creator:Martin Visser (Designer),'t Spectrum Bergeijk (Manufacturer)
- Dimensions:Height: 27.37 in (69.5 cm)Diameter: 59.45 in (151 cm)
- Style:Mid-Century Modern (In the Style Of)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1960s
- Condition:Wear consistent with age and use. Minor traces of age and use are visible on the legs and top of the table.
- Seller Location:Waalwijk, NL
- Reference Number:Seller: 1916_item_9696 1stDibs: LU933114199172
Martin Visser
Martin Visser was a Dutch furniture-designer and art-collector. Visser started designing at a young age, but most of all he was an art collector. His collection contains works of a cobra, Anselm Kiefer and Keith Haring. His focus was on young and promising artists. The Kröller-Müller museum accommodates over 400 works of Vissers art-collection. Vissers's career as a designer started at department store De Bijenkorf. From 1955, he became head of production and design of ’t Spectrum. For this company, Visser designed numerous items, including the table.
't Spectrum Bergeijk
Dutch furniture company ‘t Spectrum — later Spectrum — was established in 1941 with a run of pieces that were spare and outwardly industrial in appearance. Its early armchairs and dining chairs were often framed in tubular metal, and boast clearly defined lines and minimal curves. The vintage ‘t Spectrum seating in the decades that followed, which was designed by the likes of Gerrit Rietveld and Wim van Gelderen, is characterized by the angular forms and Pop art-hued colors that we associate with the best of mid-century modernism.
‘t Spectrum emerged in 1941 as an offshoot of the Dutch fabric manufacturer De Ploeg. When a shortage of textiles and other materials took shape owing to the demands of the Second World War, De Ploeg director Piet Blijenburg changed gears, and sought to broaden the manufacturer’s offerings as well as prevent the company's employees from being forced into work for occupying military forces.
‘t Spectrum was a brand devoted to furniture and interiors — as well as goods and decor for the home such as coat racks, napkin rings and beds. Legendary modernist furniture designer Gerrit Rietveld — an integral part of the Dutch art and design movement of the early 20th century called De Stijl — was brought on in a supervisory role in its early days, and designer Martin Visser was installed to oversee the production of furniture.
The end of the war brought a greater availability of metals and other materials to ‘t Spectrum, which became more focused on creating affordable furniture for the era’s new homeowners. A new factory designed by Rietveld was built in Bergeijk in 1957. During the late 1960s, ‘t Spectrum offered a richer range of furnishings, incorporating alluring hardwoods and leathers as part of sophisticated lines of seating and other pieces designed in the mid-century modern style. Visser recruited the likes of Friso Kramer, Benno Premsela, Constant Nieuwenhuys and others to design for ‘t Spectrum over the years.
With competition for cheaper furniture on the rise in the 1970s, ‘t Spectrum liquidated in 1974. A group of employees acquired the designs and continued the company under the name of Arspect. The firm produced ‘t Spectrum designs and works from other designers.
Arspect closed its doors in 1986. A former employee bought the company and renewed it with the name Spectrum. Today, Spectrum operates in Eindhoven in the Netherlands, creating contemporary designs alongside pieces dating back to the look and feel of the products offered by the original manufacturer. The company is also reproducing original designs created by Visser and Rietveld.
On 1stDibs, browse a selection of vintage ‘t Spectrum Bergijk seating, tables, storage pieces and more.
Established in 2006, Morentz has a team of approximately 55 restorers, upholsterers, interior advisers and art historians, making it a gallery, workshop and upholstery studio, all in one. Every day, a carefully selected array of 20th-century furniture arrives from all over the world at the firm’s warehouse, where the team thoroughly examines each piece to determine what, if any, work needs to be done. Whether that means new upholstery or a complete restoration, Morentz's aim is always to honor the designer’s intention while fulfilling the wishes of the client. The team is up to any challenge, from restoring a single piece to its original glory to furnishing a large-scale hotel project.
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