Sculptural TM Dining Entry Table in Waxed Aluminum and Glass by Jonathan Nesci

100 Variations is an installation by designer Jonathan Nesci at Eliel Saarinen's First Christian Church in Columbus, Indiana from 2014. The installation celebrates the legacy of architect Eliel Saarinen, and became the pilot installation for architecture biennial, Exhibit Columbus. One hundred unique, mirror-polished aluminum occasional tables were installed on the sunken courtyard lawn of the church, comprise the installation. First Christian Church, which was designed by architect Eliel Saarinen, was the first in a series of important architectural commissions in Columbus. The installation pays homage to the “Golden Ratio,” which Eliel Saarinen used...

Tier side table in .25 inch thick aluminum plate, part of the solo show "Nine variations" at Mondo Cane Gallery in 2011. Digitally cut aluminium plates intersect and are fused with r...

Eero table in half-inch thick wax-polished aluminum. A minimal design in half-inch, mechanically-fastened aluminum plate with a protective coating of wax. Also available in brushed, ...

The standard table is made in spun, machined and powder-coated aluminum with an inset cast concrete top. Produced for The New, the inaugural show of Volume Gallery...

3/4" starfire glass dining table with curved steel legs

The form of the Bentz table base derives from a simple profile swept along a down and up trajectory. In doing so, it creates an airy and sculptural central focus with the functional ...

A modernist aluminum glass coffee table, was designed by Knut Hesterberg for Ronald Schmitt, Germany, 1970s. While a glass plate topped the table, the polished aluminum base shows a ...

"Lybra" is a dining table, designed by Elliott Littman and manufactured by Driade, featuring a silver grey painted steel structure with tempered glass th. 0.47" top. Indoor use only. DIMENSIONS: D. 56.7", W. 127.5", H. 28.3" Tables can be considered as a project in tension between architecture and sculpture for a designer. Littman visualizes this Dual nature designing Lybra table by emphasizing the supporting steel beam, making it clear through top transparency and giving it the value of a craftwork. ELLIOTT LITTMAN, a confirmed cultural wanderer intermediate between new world creative happiness and old world intellectual restlessness, moves quickly from Washington to Vienna, dividing himself impartially between New York and Milan and between the activity of critic and writer and constructive application to the furniture and structure themes. Like a sculptor, Littman gives shape to function by modelling objects that are useful for daily life but also charming to look at, pieces of design similar to three-dimensional prostheses from a virtual universe built on descriptive geometrical magic. While for many years he has been exploring the mysteries of an “American archaeology” made of abandoned spaces...