Mahogany End Tables

Louis XVI style mirror top table with gallery.

Paul Frankl for Johnson Furniture Cork and Mahogany Corner Table, ca 1951 Unique large corner table that would be perfect with two larger mid-century sofas set in a L-shape arrangem...

A Superb Quality French 19th Century Louis XVI Style Ormolu Mounted Mahogany and Kingwood Vitrine Table, Attributed to Henry Dasson (French, 1825-1896), with a beveled glass lift top...

Beautifully shaped mid century modern round mahogany end table having tripod spiderleg base that makes the table a piece of art.

Each with a white and light gray marble top with brass gallery over a brass inlaid frieze with drawer. Raised on square tapered legs with lower shelf. Sabot feet.

This outdoor bali end table is beautifully constructed from solid wood in Ohio, USA. This silhouette is simple and modern with sleek slats that are made for outdoor use. This piece snuggles up perfectly to the side of any of our Bali chairs...

Attributed to the Iconic designer, T.H. Robsjohn Gibbings and manufactured and retailed by John Stuart, this pair of side, end or lamps tables have all the glamours touches of the Am...

Pair Large Ebonized Two Drawer 3 Tier Cane Shelf Carved Twisted Rope Legs End Tables MINT!

A fine quality Regency period mahogany Lectern or reading table with adjustable tilt top supported on a turned and reeded vase shaped column on a swep...

A scarce period Charles X (1818-1834) French Restoration mahogany travailleuse sewing (thread stand - side table - jewelry dressing table) with light, warm, beautifully aged patina. Born in France in the early 19th century, almost certainly Parisian work, exquisitely hand-crafted, this exceptionally executed example features ornate gilt bronze ormolu mounts, escutcheons, and elaborate gilt metal trim. Having a highly figured light mahogany hinged lid top, lifting open to reveal a striking finished interior with divided compartments and original inset mirror plate. The conforming rectangular case fitted with a faux drawer front over a dovetailed drawer with sectioned interior. Elegantly rising on oval-shaped medial shelf stretcher-joined curvacious legs. Dimensions (approx): 27" High, 20" Wide, 13.5" Deep Stunning light almost blonde antique mahogany coloring and mellow warm tone, superb wood grain detail, and charming, beautifully aged patina over the whole. Great shape overall. Retaining original antique character marks, wear consistent with age and indicative of minimal use, nothing that detracts from the aesthetics or functionality, but only adds to the overall authenticity, refined elegant warmth, luxurious sophistication, and cozy unpretentious rustic elegance. Delivered cleaned, hand waxed, polished French patina finish, ready for immediate use and generational enjoyment! What is Charles X style: The comte d’Artois – or Charles X - was the son of the dauphin Louis-Ferdinand de Franc and Marie-Josèphe de Saxe. He succeeded his two brothers Louis XVI and Louis XVIII and became the King of France in 1824. Thirty years after the French Revolution, he wanted to embody the return of monarchy and became the leader of the catholic party . As the previous kings, he was crowned in 1825 but he was soon overthrown by the revolution in July, 1830, called "Trois Glorieuses". He left then for England, Scotland, Prague and Istria where he died in 1836. Charles X style lasted from 1818 to 1834 and happened during the Bourbon Restoration (French Restoration). This style did not replace totally the style of furniture from the French Empire but it was different from the formalism in the Napoleonic era, during which strictness and simplicity were inspired by Greco-Roman art. Indeed, artistic fields flourished. In terms of furniture, this renewal was suggested by the softening of shapes. Even though the simple aspect from the French Empire was still visible, shapes became curvier with volutes and arabesques. Another distinction is the loss of the massive aspect of furniture and the decrease of dimensions in order to decorate smaller appartments. Handling ability and comfort were key-words in the making of furniture. Apartments had essential elements such as chests of drawers, big rounded tables in the dining room, desks or secretaries, armoires and even dressing tables, comfortable fainting couches in the living room, small tables, pedestal tables, as well as gondola chairs. The wavy aspect of the latters certainly represent Charles X style the best.  One of the most emblematic features of this style is the use of bois clairs – light woods in warm blond tones - and indigenous woods that are varnished in order to highlight the grains. Bird's-eye maple, ash trees, plane trees, yew trees, beech trees, olive trees and cedar trees were most likely to be used. Indeed, at the beginning of the 19th century dark woods were hard to find. In 1806, the Napoleon’s Continental System was established in order to ruin the United Kingdom by preventing the country from any business with the rest of Europe. Therefore craftsmen had to find alternatives from mahogany which was the most commonly used material at this time. After 1815, the import of wood was even more difficult because of peace treaties and the European political situation, which contributed to the popularity of the bois clairs and indigenous woods. The furniture was often decorated with fine inlays made out of dark wood representing foliage, which contrasted with the veneer. Even though these patterns can look like bronze decorations from the Empire era,  they were far more simple and did not represent any military or mythological attributes. On the tables, trays were sometimes made out of marble as in the French Empire, but it was often put aside and inlaid veneer, Verre Eglomisé – a type of glass with a mirror finish –, mirror or porcelain from Sèvres or Paris were more likely to be used. Decorative elements from the Monarchy were highly appreciated again as they suggested luxury. Indeed, marquetry work was particularly fashionable - Boulle marquetry thrived around 1820 as the works of the Levasseur family can show. In the same way, draperies and trimmings referred to the monarchist splendour. Fabrics were often white – the traditional colour of the Bourbons – or light coloured as oppposed to the typical green from the Napoleonic era.  One of the most symbolic figures from this period of time might be Jean-Jacques Werner (1791-1849), a cabinetmaker who worked for prestigious clients such as the Duchesse de Berry who was Charles’s step-daughter. His works can be seen at the Musée des Arts Décoratifs and at the Grand Trianon in the Palace of Versailles. The duchess’s appartments situated at the pavillon de Marsan and at the Palais de Saint Cloud illustrate Charles X style the best with furniture made out of bois clairs and ornamented with dark wood patterns or fine gold decorations. Chales X style allows a transition between the sobriety of the Empire style and the abundant aspect of Louis-Philippe style. The gothic style started at this time through the "style à la cathédrale", inspired by religious architecture, which thrived from 1827 to 1830. Indeed, at the beginning of the 19th century, Romanticism put the spotlight on the Middle Ages. Cabinetmakers were not inspired by the medieval furniture but rather by architectural elements of churches and cathedrals. For instance the backs of chairs were decorated with arches shaped like rib and serration. In the same way, before Charles X abdicated, pieces of furniture were made out of dark woods – such as mahogany, which was used again in France – and were inlaid with light wood. Romanticism also influenced the layout of furniture in appartments to suggest movement through a mix of various styles, various shapes and various sizes, as opposed to the static aspect of Neoclassicism. The start of industrialisation and mechanisation also influenced this style as early technical developments led to the production of pieces of furniture in series. Credit: Marc Maison Bibliography: FANIEL Stéphane (Dir.), Le Dix-neuvième Siècle Français, Collection Connaissance des Arts, 1957, Hachette SASSONE, Adriana Boidi, Furniture from Rococo to Art Deco, 2000, Evergreen -- Extremely versatile: As warm and attractive as it is useful, this remarkable antique table having the ideal size and small proportions for a variety of different uses, including as a side table, accent or occasional table, tall sofa...

A gorgeous pair of Art Deco or Mid-Century Modern mahogany nightstands By Gilbert Rohde for Herman Miller USA, 1930s Measures: 18"W x 12"D x 25.5"H. Newly refinished. Ver...

Circa 1880 19thC English Coalbrookdale Iron & Mahogany Tavern Table sku 1399 W70 x D70 x H76 cm

A fine French tiered serving or side table (or tray) or etagere of mahogany, featuring a kidney-shaped upper tier with a pierced brass gallery around three quarters of the circumfere...

This is a superb, absolutely spectacular pair of end tables with some of the finest bronze Dore' gold finished bronze and superb marble top. The frames are made of solid mahogany and...

This elegant Nathan Margolis Queen Anne style end table reflects the craftsmanship and timeless refinement for which the Margolis workshop is renowned. Expertly handcrafted from rich...

We are delighted to offer this stunning original Victorian hand carved mahogany tall side table or Jardinière plant stand A very decorative and good looking piece, its solid maho...

Pair of Hollywood Regency end tables or side tables by Widdicomb with Verre Églomisé gold leaf on glass and resin breeze block sculptural sides set in ma...

Art Deco chrome and mahogany side table. Four chrome plated rounded flat metal legs. Mahogany square top and base. Comes with glass top not photographed.

The circa 1800 English Georgian tray on contemporary base are made of solid mahogany. The tray is decorated with panels of fretwork. Perfect as a tea table, side table or occasional ...

This exquisite coffee table by Jules Leleu was executed in circa 1957 France, in Mahogany with patinated metal stretchers, brass accents and a antiqued mirrored glass top. Documented in Leleu Decorateurs Ensembliers by Francoise Siriex, the underside is impressed with Maison Leleu inventory numbers '29090'. Jules Leleu first opened Maison Leleu, a Paris gallery, in 1924 and won a grand prize at the 1925 Exposition Industrielle et Arts Decoratifs. Later, Leleu designed the Grand Salon of the Ambassadors at the Society of Nations in Geneva and the French Embassies of several nations and the SS Ile de France...

Charming pair of Edwardian, Adams style English stands crafted in mahogany, rosewood and satinwood with oval tops having inlaid chinoiserie flowers, pots and vases in exotic woods, o...

A very nice pair of Chippendale style mahogany end tables with single full width drawer and brass handles, in overall very nice condition. 18"high 20" wide 28" depth You are welcom...

We are delighted to offer for sale this very nice vintage Bevan Funnell mahogany & brown leather topped tripod table A good looking and wel...

E W Godwin, attributed, probably made by Collinson & Lock. A rare and exceptional Anglo Japanese mahogany side table with semi-circular legs. The sem...

Large scale end or side table, designed by Tommi Parzinger for Charak Modern, American, circa 1950s. This piece is a versatile size and can be used as a side or end table, or as a ni...

Round Terrazzo top side table by Edward Wormley for Dunbar, c.1950s, USA. This table features a terrazzo stone top and mahogany, fluted tripod base. Retains original Dunbar metal la...

An elegant and rare pair of end tables (series number 1110) by Widdicomb, circa 1938. Stout mahogany construction with exquisite case and foot detail. Fabulous nickel screen accent i...

With octagonal hinged tilt top with spindle gallery on a carved support with gothic and leaf design carved details, three cabriole legs and paw feet.

A set of two cantilever top end tables--one with shelf and the other without—for a less "matched" look. Made by Edward Wormley for Dunbar. USA, circa 1950. Made of mahogany and pr...

Designed after a 20th Century Classic this French Side Table is a high quality antique reproduction which features fantastic hand carved details all the way from the molding along th...

Pair of sculptural saber leg occasional tables by Robsjohn Gibbings for Widdicomb, circa early 1950s. Newly finished. Price listed is for the pair.

Edward Wormley for Dunbar Mid Century Mahogany End Tables - Pair Each side table measures: 27 wide x 27.5 deep x 22.25 inches high All pieces of furniture can be had in what we cal...

Harvey Probber Style end tables with mahogany bases and faux marble resin tops. Excellent examples of this design.

Edward Wormley for Dunbar Minimalist design bleached mahogany corner table number 4977. Nicely grained woods with open design and expert craftsma...

Pair Louis XVI Style Mahogany End Tables ~ Nightstands with Carrara Marble will make perfect symmetrical companions to any seating group or bedside. Designed for placement against a...

Pair of curved black modern end tables. Stunning curved waterfall design nightstand end tables with single top drawer and open shelf. Featuring ...

A pair of unusual tables by Dunbar ca' 1970's. Large scale-perfect as end tables or lamp tables, walnut tops, legs have a stuctural cut out detail.

This mid-century rattan square side table boasts a mahogany tabletop held by twin arch side rattan poles, evoking the style of Paul Frankl. Professionally restored in 2019, it combin...

An Italian mahogany and walnut bedside table from the 19th century, with inlaid décor, single drawer over single door, pull out bottom and cabriole legs. Created in Italy during the ...

Pair of White Lacquered mahogany drink tables by Baker Furniture. Featuring curved jellyfish design with satin white lacquered finish. Brand new, American, by iconic American manufac...

Paul McCobb for Calvin The Irwin Collection 3-drawer end tables or nightstands. Mahogany wood with solid tapered legs, brass pulls and edge trim. [Label inside drawers: Paul McCobb,...

Pair of Mid-Century Neoclassical-style mahogany end / side tables with circular tops and a stretcher shelves supported by three curved legs topped with brass embellishment busts atop...

French Art Nouveau mahogany floral inlaid rectangular end table with gallery and shelf. (LOUIS MAJORELLE)

This beautifully restored Paul Frankl-inspired rattan corner table with a striking dimensional quartered koa wood top is a fusion of elegance and natural charm. Crafted with a blend ...

An unusual and rare pair of side tables by Edward Wormley for Dunbar, circa 1940s. Mahogany with original cork tops, Asian Style with green Dunbar labels.

Elegant tall side table made of mahogany with black marble top. It Is well made with exceptional bronze dore gilt mounts in the empire Style with a tapered leg ending in bronze dore ...

An early 19th century French Charles X mahogany table with a dark grey and white veined marble top. This handsome, sculptural table has a car...

Mid-Century Modern John Keal for Brown Saltman mahogany occasional or end tables with travertine tops on colosseum form base. Original condition, no labels.

Fine and useful antique English George IV black line inlaid figured mahogany Sheraton style drop-leaf Pembroke table. Opens to serve as a lovely small dining table for four. Retains its original...

A Mid-Century Modern pair of Paul Frankl cork top mahogany nightstands or end tables professionally restored to their original finishes - dark walnut mahogany stain and ivory lacquer...

American Federal figured mahogany two-drawer stand with carved molded edge top, original gilt floral ringed brasses, interior locks, and resting on turned bulbous pineapple legs...

Pair of French Louis XV Style Mixed Wood Inlaid Ormolu End Tables Dimensions : 20" Wide X 20" Deep X 29" Tall This gorgeous pair of end tables was made in the French Louis XV style...

An exceptional Georgian banded mahogany two-tier occasional table by Baker Furniture. The table features gorgeous flame mahogany wood grain with nice carved details and brass accents...

An attractive two drawer serpentine front Chippendale End Table suitable for use as either an end table or as a night stand. Great hand carved details and designer quality hardware g...

Pair of walnut rolled edges square one drawer tapered legs end side tables night stands.

Magnificent crotch mahogany period Karl Johan (Biedermeier) lyre-shaped pedestal base table. Originally handcrafted as a sewing table, today it makes a wonderful end or side table.

Pair of French Art Deco amboyna wood end tables with 3 drawers having chrome and brass drawer pulls and flanked by a Pair of shelves and resting on a mahogany base. (PRICED AS Pair)

Pair of baker furniture Hollywood Regency end tables by Michael Taylor. Circa 1950's Mid-Century Modern Style. They each feature natural mahogany wood construction and drawers with o...

Great pair of mahogany nightstands, attributed to Lorin Jackson. Each has one drawer with a brass X-pull, and storage below behind doors, with both doors having round brass knobs ech...

A very fine French 19th/20th century Louis XV style oval gilt bronze-mounted mahogany, walnut and satinwood veneered parquetry occasional center table fitted with a frieze drawer, in...