Mahogany End Tables

A high quality, Round Mahogany Table with Reeded Edge produced by Niagara Furniture. Beautifully shaped and banded top surrounded by sapele veneers, the entire table supported by thr...

For FULL item description click on More Details below. Shipping Quote Information The shipping quote stated in the listing was from 1st Dibs and they normally set all the costs and ...

Paul McCobb Connoisseur Collection for H. Sacks & Sons Mahogany End Table. Featuring a sturdy, balanced rectangular framework with smoothly refinished Mahogany surface, turned legs, detailed with square tubular buffed Brass cross stretchers. With Brass tag...

Circular light blue leather top with banded edge over a frieze with drawers with brass knobs. Turned support and four reeded saber legs with casters.

English mahogany oval drop leaf side table with bobbin legs. Very good vintage condition. Measures 14"W ( 30"W with leaves up) x 22"D x 26.25"H W2032...

A pair of rare Edward Wormley for Dunbar three tier occasional tables # 4423. Refinished in dark brown walnut.

Petit end tables of rattan and bleached mahogany in the style of Paul Frankl. Classic 1950's rounded design two tiered tables.

A very fine French 19th-early 20th century Louis XV style mahogany, tulipwood, parquetry and ormolu mounted oval gueridon side table with a Brêche Violette marble top, attributed to François Linke (1855-1946). The inset oval Brêche Violette marble top with a gilt-bronze surround, above a lozenge parquetry frieze with foliate ormolu mounts, with a drawer to one side, on cabriole legs headed by clasps and joined by an 'X'-shaped stretcher centered by a finial, on scroll sabots. Unsigned. Circa: Paris, 1900. François Linke (1855-1946) was one of the most celebrated ébénistes of his time. Born in Pankraz, Bohemia, Linke moved to Paris in 1875 and six years later established independent ateliers at 170, rue de Faubourg St. Antoine. As was the practice among contemporaries and noteworthy predecessors, such as Alfred Beurdeley and Henry Dasson, Linke initially produced furniture derived from styles popular during the 18th century ancien régime. By 1900, his worldwide reputation as an individualistic master of high quality furniture was already established. However, with a huge display, placing his extravagant pieces in room settings and winning the Médaille d'Or for his Grand Bureau, Linke's participation in the Paris 1900 exhibition...

A very fine French 19th/20th century Louis XV style oval gilt bronze-mounted mahogany, walnut and satinwood veneered parquetry occasional center table fitted with a frieze drawer, in...

American Hepplewhite mahogany drop-leaf pembroke with one board rounded molded edge top, supporting interior wings, and terminating on tapered squared legs. Early 19th century. Table...

A pair of unusual tables by Dunbar ca' 1970's. Large scale-perfect as end tables or lamp tables, walnut tops, legs have a stuctural cut out detail.

An exceptional French Regency Louis XVI style bow front two-tier buffet server, tea table, or occasional side table By Baker Furniture USA, Circa 1980s Carved mahogany, with satin...

These magnificent small chests are shipped as professionally photographed and described in the listing narrative: Meticulously professionally restored and completely installation ready. A fabulous pair of restored three-drawer small Treasure chests...

A scarce period Charles X (1818-1834) French Restoration mahogany travailleuse sewing (thread stand - side table - jewelry dressing table) with light, warm, beautifully aged patina. Born in France in the early 19th century, almost certainly Parisian work, exquisitely hand-crafted, this exceptionally executed example features ornate gilt bronze ormolu mounts, escutcheons, and elaborate gilt metal trim. Having a highly figured light mahogany hinged lid top, lifting open to reveal a striking finished interior with divided compartments and original inset mirror plate. The conforming rectangular case fitted with a faux drawer front over a dovetailed drawer with sectioned interior. Elegantly rising on oval-shaped medial shelf stretcher-joined curvacious legs. Dimensions (approx): 27" High, 20" Wide, 13.5" Deep Stunning light almost blonde antique mahogany coloring and mellow warm tone, superb wood grain detail, and charming, beautifully aged patina over the whole. Great shape overall. Retaining original antique character marks, wear consistent with age and indicative of minimal use, nothing that detracts from the aesthetics or functionality, but only adds to the overall authenticity, refined elegant warmth, luxurious sophistication, and cozy unpretentious rustic elegance. Delivered cleaned, hand waxed, polished French patina finish, ready for immediate use and generational enjoyment! What is Charles X style: The comte d’Artois – or Charles X - was the son of the dauphin Louis-Ferdinand de Franc and Marie-Josèphe de Saxe. He succeeded his two brothers Louis XVI and Louis XVIII and became the King of France in 1824. Thirty years after the French Revolution, he wanted to embody the return of monarchy and became the leader of the catholic party . As the previous kings, he was crowned in 1825 but he was soon overthrown by the revolution in July, 1830, called "Trois Glorieuses". He left then for England, Scotland, Prague and Istria where he died in 1836. Charles X style lasted from 1818 to 1834 and happened during the Bourbon Restoration (French Restoration). This style did not replace totally the style of furniture from the French Empire but it was different from the formalism in the Napoleonic era, during which strictness and simplicity were inspired by Greco-Roman art. Indeed, artistic fields flourished. In terms of furniture, this renewal was suggested by the softening of shapes. Even though the simple aspect from the French Empire was still visible, shapes became curvier with volutes and arabesques. Another distinction is the loss of the massive aspect of furniture and the decrease of dimensions in order to decorate smaller appartments. Handling ability and comfort were key-words in the making of furniture. Apartments had essential elements such as chests of drawers, big rounded tables in the dining room, desks or secretaries, armoires and even dressing tables, comfortable fainting couches in the living room, small tables, pedestal tables, as well as gondola chairs. The wavy aspect of the latters certainly represent Charles X style the best.  One of the most emblematic features of this style is the use of bois clairs – light woods in warm blond tones - and indigenous woods that are varnished in order to highlight the grains. Bird's-eye maple, ash trees, plane trees, yew trees, beech trees, olive trees and cedar trees were most likely to be used. Indeed, at the beginning of the 19th century dark woods were hard to find. In 1806, the Napoleon’s Continental System was established in order to ruin the United Kingdom by preventing the country from any business with the rest of Europe. Therefore craftsmen had to find alternatives from mahogany which was the most commonly used material at this time. After 1815, the import of wood was even more difficult because of peace treaties and the European political situation, which contributed to the popularity of the bois clairs and indigenous woods. The furniture was often decorated with fine inlays made out of dark wood representing foliage, which contrasted with the veneer. Even though these patterns can look like bronze decorations from the Empire era,  they were far more simple and did not represent any military or mythological attributes. On the tables, trays were sometimes made out of marble as in the French Empire, but it was often put aside and inlaid veneer, Verre Eglomisé – a type of glass with a mirror finish –, mirror or porcelain from Sèvres or Paris were more likely to be used. Decorative elements from the Monarchy were highly appreciated again as they suggested luxury. Indeed, marquetry work was particularly fashionable - Boulle marquetry thrived around 1820 as the works of the Levasseur family can show. In the same way, draperies and trimmings referred to the monarchist splendour. Fabrics were often white – the traditional colour of the Bourbons – or light coloured as oppposed to the typical green from the Napoleonic era.  One of the most symbolic figures from this period of time might be Jean-Jacques Werner (1791-1849), a cabinetmaker who worked for prestigious clients such as the Duchesse de Berry who was Charles’s step-daughter. His works can be seen at the Musée des Arts Décoratifs and at the Grand Trianon in the Palace of Versailles. The duchess’s appartments situated at the pavillon de Marsan and at the Palais de Saint Cloud illustrate Charles X style the best with furniture made out of bois clairs and ornamented with dark wood patterns or fine gold decorations. Chales X style allows a transition between the sobriety of the Empire style and the abundant aspect of Louis-Philippe style. The gothic style started at this time through the "style à la cathédrale", inspired by religious architecture, which thrived from 1827 to 1830. Indeed, at the beginning of the 19th century, Romanticism put the spotlight on the Middle Ages. Cabinetmakers were not inspired by the medieval furniture but rather by architectural elements of churches and cathedrals. For instance the backs of chairs were decorated with arches shaped like rib and serration. In the same way, before Charles X abdicated, pieces of furniture were made out of dark woods – such as mahogany, which was used again in France – and were inlaid with light wood. Romanticism also influenced the layout of furniture in appartments to suggest movement through a mix of various styles, various shapes and various sizes, as opposed to the static aspect of Neoclassicism. The start of industrialisation and mechanisation also influenced this style as early technical developments led to the production of pieces of furniture in series. Credit: Marc Maison Bibliography: FANIEL Stéphane (Dir.), Le Dix-neuvième Siècle Français, Collection Connaissance des Arts, 1957, Hachette SASSONE, Adriana Boidi, Furniture from Rococo to Art Deco, 2000, Evergreen -- Extremely versatile: As warm and attractive as it is useful, this remarkable antique table having the ideal size and small proportions for a variety of different uses, including as a side table, accent or occasional table, tall sofa...

Austrian Biedermeier (19th Century) mahogany end table with a drawer and lyre form pedestal sides connected with a bottom stretcher.

Art Deco Mahogany Two-Tier Lamp Table. 24.25" H x 23.75" W x 19.75" D. Provenance: From an East 78th Street, New York Estate.

An exceptional pair of Chippendale style nightstands By Baker Furniture USA, circa 1980s Carved mahogany, with original brass hardware. Measures: 22.25" W x 16.25" D x 28...

Antique Louis XVI Oval End Table ~ Lamp Table with Carrara Marble is the perfect accent table! No sharp corners anywhere, it features a luxurious Carrara marble top surrounded by br...

Round Terrazzo top side table by Edward Wormley for Dunbar, c.1950s, USA. This table features a terrazzo stone top and mahogany, fluted tripod base. Retains original Dunbar metal la...

England, circa 1780. A late eighteenth century mahogany bedside commode with galleried top, handles to either side, two doors with marquetry decoration to the front, above a drawer ...

Superb quality antique Victorian mahogany inlaid shaped centre table having a mahogany inlaid shaped top with a splendid quality inlaid centre and satinwood stringing, pretty shaped ...

This Antique Federal Period Mahogany Work Table, dating to around 1840, is a striking example of American craftsmanship from the Federal period. The piece is made from richly grained...

This vintage Eastlake mahogany octagonal eight leg accent table has been given a custom Regency style update featuring a hand painted faux Carrara ma...

Beautiful and restored Empire-style Mahogany side table. Round Mahogany top and base with new polish, three ebonized legs with dual ring gilt-wood accent det...

A Fine French 19th-20th Century Louis XVI Style Mahogany, Tulipwood and Gilt-Bronze (Ormolu) Mounted Belle Époque Guéridon Circular Side-Table with a Parquetry Top, by François Linke (1855-1946). The single-drawer end table inset with a symmetrical parquetry top an ormolu frieze, the apron with bow-tied swagged floral wreaths, the corners with fruit and acorns ormolu mounts, raised on four tapered legs topped with chased rings and inset spigots, all raised on bell-shaped sabots. Signed on top trim: F. Linke. Circa: Paris, 1890-1900. François Linke (1855-1946) was one of the most celebrated ébénistes of his time. Born in Pankraz, Bohemia, Linke moved to Paris in 1875 and six years later established independent ateliers at 170, rue de Faubourg St. Antoine. As was the practice among contemporaries and noteworthy predecessors, such as Alfred Beurdeley and Henry Dasson, Linke initially produced furniture derived from styles popular during the 18th century ancien régime. By 1900, his worldwide reputation as an individualistic master of high quality furniture was already established. However, with a huge display, placing his extravagant pieces in room settings and winning the Médaille d'Or for his Grand Bureau...

A Mid-Century Modern pair of Paul Frankl cork top mahogany nightstands or end tables professionally restored to their original finishes - dark walnut mahogany stain and ivory lacquer...

A Very Fine Quality Late 19th Century Mahogany And Satinwood Oval Two Tier Etagere, Dumb Waiter, Or Occasional Table, Having Removable Glass Tray With Wavy Galleried Edge To Top, Rai...

These fabulous end tables are shipped as professionally photographed and described in the listing narrative: Meticulously professionally restored and completely installation ready. ...

Edward Wormley for Dunbar Mid Century Mahogany End Tables - Pair Each side table measures: 27 wide x 27.5 deep x 22.25 inches high All pieces of furniture can be had in what we cal...

19th century Dutch Ceylonese specimen table, circa 1890. Handmade in the Dutch style with a Ceylonese twist on the base in Sri Lanka. Various woods include: Nadoun, satinwood, mahoga...

An exquisite pair of Chinese Chippendale style Mahogany End Tables with beautiful carvings. Very finely crafted. Very good vintage condition. Measure 22" in width, 17" in depth and...

Mid-20th-century polished brass drop leaf bar cart with hand-turned wheels and supports, marquetry tops to top and bottom with triple bottle holders. Italy, circa 1950 Height of ...

French Art Nouveau mahogany floral inlaid rectangular end table with gallery and shelf. (LOUIS MAJORELLE)

A Mid 18th Century Georgian Mahogany Wine Table, Or Occasional Lamp Table, Having Well Figured Circular Tilting Top, Retaining Good Colour & Patina, Raised On Elegant Gun Barrel Turn...

These tables have a contemporary feel while also incorporating traditional elements. The combination of mahogany and fumed oak create contrast in color and texture. With a shelf and ...

From the 1940s Dunbar Enduring Modern catalog is model # 2193, a single large end table with lower tier bookshelf by Edward J. Wormley. Rounded legs, has divider in center to hold bo...

Custom walnut side tables or nightstands with drawer and shelf. Can be made in custom dimensions in Walnut, Mahogany or Oak. Iron pull...

A gorgeous pair of Art Deco or Mid-Century Modern mahogany nightstands By Gilbert Rohde for Herman Miller USA, 1930s Measures: 18"W x 12"D x 25.5"H. Newly refinished. Ver...

A neoclassical American Empire work table in mahogany and crotch mahogany with two drawers with convex fronts. Top rests on cylindrical column over a quatre-from base and terminating...

Stunning vintage Art Deco Revival custom two-toned mahogany round side or accent table with a black granite top custom made by Rialto & designed by Zlata Pericic for Meca Design & Pr...

Good 18th century Irish George II mahogany birdcage tilt-top tea table, the single plank top with wheat carved edge over original birdcage device, having ...

An English 18th century George III Mahogany tripod table England, C.1790. In excellent condition commensurate of age.

Antique French Louis XVI Mahogany Marble Top Bouillotte Table represents an understated elegance that is perfect for the tailored yet refined decor. Hand-crafted from exotic imported...

This pair of large end tables or nightstands were designed by Michael Taylor for Baker's Far East Collection. Featuring a rich mahogany construction, its finish is dramatic and elega...

Liberty & Co. London. Attributed to Leonard Wyburd. A rare Arts & Crafts, Mahogany side table with four finely made out swept upper supports, pierced to the tops with heart details,...

A fine French 19th century gilt-bronze (Ormolu) mounted, mahogany and tulipwood marquetry oval Gueridon (side) table with marble top, attributed to François Linke (1855-1946). The in...

For FULL item description click on More Details below. Shipping Quote Information The shipping quote stated in the listing was from 1st Dibs and they normally set all the costs and ...

Pair of Clean Lined Rosewood and Mahogany Side Tables, in the style of Edward Wormley for Dunbar, American, circa 1960s. They are a versatile size and can be used as end or side tabl...

This Louis XVI Directoire style French mahogany and marble top stand, circa 1910, is a refined example of early 20th-century craftsmanship rooted in classical tradition. Designed wit...

Pair of Mid-Century Modern style side tables for sale. Manufactured by high-end furniture company Bernhardt Furniture, and made here in the US. These have been professionally refinis...

Rare pair of Paul Mccobb side tables retaining the original marble tops. Part of the Irwin Collection by Calvin Furniture Co.. McCobb employs a wonderful mix of dark brown Mahogany a...

This exquisite Linke quality bronze mounted end table is a superb example of fine French craftsmanship, blending elegance, luxury, and functionality. The table features a richly vein...

Wedge shaped side table by Edward Wormley for Dunbar, c.1950s, USA. This end table features a trapezoidal travertine top, which sits atop dark contrasting mahogany base with horizont...

A most charming antique French mirrored commode stand. Born in France in the late 19th / early 20th century, most likely Parisian work, except...

Pair of Modern Mahogany and Acrylic End Tables, with single drawer and open shelf. 24.25" H x 24" W x 17" D. Provenance: From the Collection of Laura and Lewis Kruger.

Impressive pair of neoclassical side tables crafted in hardwoods featuring crotch cut burled walnut tops banded in mahogany on a round case with one drawer over four tapered legs wit...

Elegant beautifully made round end table by Maitland Smith having a mix of woods, inlaid in a gorgeous decorative flower motif with bronze finish knobs, single drawer, and lower tier...

Art Deco chrome and mahogany side table. Four chrome plated rounded flat metal legs. Mahogany square top and base. Comes with glass top not photographed.

A very handsome Federal work table in fine West Indies mahogany with fold-down leaves. There are two drawers with two rounded columns flanking each side. Drawers have the original turned pulls. Top rests on a square column that gradually widens ending with ogee moldings and rests on quatre-form base with concave arches. Table rests on foliate-carved scrolls that end in carved lions' paw feet with original porcelain casters. Attributed to highly regarded cabinetmaker, Isaac Vose...

Regency tea or tobacco table in mahogany, with lion-feet and amazing brass fitted drawer.