European End Tables

19th century beech gueridon with 3 legs on wheels. Legs are detailed with black lacquer at the top and at the base of each column.

A handsome pair of Italian bedside chests, born in the mid 20th century, in a distressed rustic finish, fitted with one open shelf, over two dra...

Decorate a den or living room with this elegant side table. Crafted in England circa 1990, the table stands on a carved turned pedestal base ending with three scrolled legs; the octa...

Just the right size for your favorite seating group, this 19th century French Regence Painted marble top table was sculpted in the Regence style and fitted with contoured and beveled...

In-stock pair of large 'Angulaire' marble side or end tables by Design Frères. This pair is available now and ready to ship.

A pair of handcrafted architectural English oak Ziggurat end tables/nightstands. Offset and stepped oak legs. Lower shelf. Top surface of quarter-sawn oak, pippy oak and inlaid brass...

French Louis XVI-style kidney-shaped nightstand with marble top and brass mounts. Adorable late 19th century Louis XVI style kidney-shaped nightstand or end table features a beige an...

Finely carved and incised end table by Charles Douduyt, made of solid oak the incised top rest on a grooved column base supported by three detached sph...

A unique pair of Italian wooden cylindrical end tables on triangular bases, from the early to mid 20th century. These antique tables from Italy ...

Pair of Italian blond ash end tables in the style of Gio Ponti. Excellent proportions; beautiful wood grain. Chic and understated.

A 19th century French farmhouse dining or work table with an extreme length of 13’ and seats 12 people, in good condition. Grey white painted fruitwood with two storage drawers. The ...

A Fine Pair of French Neoclassical Style Gilt and Silvered Bronze Marble-Top Tables ATTRIBUTED TO FERDINAND BARBEDIENNE AND GEORGES-EMILE-HENRI SERVANT, THE BRONZES AFTER THE ANTIQU...

Pair of midcentury Danish modern teak side tables by Hans Olsen.

This exquisite Linke quality bronze mounted end table is a superb example of fine French craftsmanship, blending elegance, luxury, and functionality. The table features a richly vein...

An Italian smaller-sized serpentine chest of drawers, with hand-painted floral embellishments, from the 19th century. This antique commode from Italy...

What a find. Offered is a vintage Danish modern end/side table made by Toften Mobelfabrik. It is made of teak and has a bottom rack/shelf. It is in good condition with some age wear ...

In-stock pair of 'Rectiligne' mirrored end tables by Design Frères. Also great as low nightstands or as a narrow 2-part coffee table. These are available now and ready to ship. Als...

Pair of stylized neoclassic mid-century stands or tables crafted in hardwoods with a mahogany finish having round grain painted tops with scall...

Unique coffee table with original design by Logniture. Made entirely from old reclaimed oak. Such unique handmade design will highlight your interior or exterior and bring comfort to...

A fine French 19th century gilt-bronze (Ormolu) mounted, mahogany and tulipwood marquetry oval Gueridon (side) table with marble top, attributed to François Linke (1855-1946). The in...

Lovely Modernist square two-tiered table with strong and simple geometric forms Date: 1940ca Origin: France Dimension: 19 3/4? square, 21 1/2? high.

Antique Directoire style brass mounted mahogany gueridon, circa 1920's. With a flame mahogany top with brass banding on the outer edge, a fluted pedestal and 3 down swept legs with b...

A scarce period Charles X (1818-1834) French Restoration mahogany travailleuse sewing (thread stand - side table - jewelry dressing table) with light, warm, beautifully aged patina. Born in France in the early 19th century, almost certainly Parisian work, exquisitely hand-crafted, this exceptionally executed example features ornate gilt bronze ormolu mounts, escutcheons, and elaborate gilt metal trim. Having a highly figured light mahogany hinged lid top, lifting open to reveal a striking finished interior with divided compartments and original inset mirror plate. The conforming rectangular case fitted with a faux drawer front over a dovetailed drawer with sectioned interior. Elegantly rising on oval-shaped medial shelf stretcher-joined curvacious legs. Dimensions (approx): 27" High, 20" Wide, 13.5" Deep Stunning light almost blonde antique mahogany coloring and mellow warm tone, superb wood grain detail, and charming, beautifully aged patina over the whole. Great shape overall. Retaining original antique character marks, wear consistent with age and indicative of minimal use, nothing that detracts from the aesthetics or functionality, but only adds to the overall authenticity, refined elegant warmth, luxurious sophistication, and cozy unpretentious rustic elegance. Delivered cleaned, hand waxed, polished French patina finish, ready for immediate use and generational enjoyment! What is Charles X style: The comte d’Artois – or Charles X - was the son of the dauphin Louis-Ferdinand de Franc and Marie-Josèphe de Saxe. He succeeded his two brothers Louis XVI and Louis XVIII and became the King of France in 1824. Thirty years after the French Revolution, he wanted to embody the return of monarchy and became the leader of the catholic party . As the previous kings, he was crowned in 1825 but he was soon overthrown by the revolution in July, 1830, called "Trois Glorieuses". He left then for England, Scotland, Prague and Istria where he died in 1836. Charles X style lasted from 1818 to 1834 and happened during the Bourbon Restoration (French Restoration). This style did not replace totally the style of furniture from the French Empire but it was different from the formalism in the Napoleonic era, during which strictness and simplicity were inspired by Greco-Roman art. Indeed, artistic fields flourished. In terms of furniture, this renewal was suggested by the softening of shapes. Even though the simple aspect from the French Empire was still visible, shapes became curvier with volutes and arabesques. Another distinction is the loss of the massive aspect of furniture and the decrease of dimensions in order to decorate smaller appartments. Handling ability and comfort were key-words in the making of furniture. Apartments had essential elements such as chests of drawers, big rounded tables in the dining room, desks or secretaries, armoires and even dressing tables, comfortable fainting couches in the living room, small tables, pedestal tables, as well as gondola chairs. The wavy aspect of the latters certainly represent Charles X style the best.  One of the most emblematic features of this style is the use of bois clairs – light woods in warm blond tones - and indigenous woods that are varnished in order to highlight the grains. Bird's-eye maple, ash trees, plane trees, yew trees, beech trees, olive trees and cedar trees were most likely to be used. Indeed, at the beginning of the 19th century dark woods were hard to find. In 1806, the Napoleon’s Continental System was established in order to ruin the United Kingdom by preventing the country from any business with the rest of Europe. Therefore craftsmen had to find alternatives from mahogany which was the most commonly used material at this time. After 1815, the import of wood was even more difficult because of peace treaties and the European political situation, which contributed to the popularity of the bois clairs and indigenous woods. The furniture was often decorated with fine inlays made out of dark wood representing foliage, which contrasted with the veneer. Even though these patterns can look like bronze decorations from the Empire era,  they were far more simple and did not represent any military or mythological attributes. On the tables, trays were sometimes made out of marble as in the French Empire, but it was often put aside and inlaid veneer, Verre Eglomisé – a type of glass with a mirror finish –, mirror or porcelain from Sèvres or Paris were more likely to be used. Decorative elements from the Monarchy were highly appreciated again as they suggested luxury. Indeed, marquetry work was particularly fashionable - Boulle marquetry thrived around 1820 as the works of the Levasseur family can show. In the same way, draperies and trimmings referred to the monarchist splendour. Fabrics were often white – the traditional colour of the Bourbons – or light coloured as oppposed to the typical green from the Napoleonic era.  One of the most symbolic figures from this period of time might be Jean-Jacques Werner (1791-1849), a cabinetmaker who worked for prestigious clients such as the Duchesse de Berry who was Charles’s step-daughter. His works can be seen at the Musée des Arts Décoratifs and at the Grand Trianon in the Palace of Versailles. The duchess’s appartments situated at the pavillon de Marsan and at the Palais de Saint Cloud illustrate Charles X style the best with furniture made out of bois clairs and ornamented with dark wood patterns or fine gold decorations. Chales X style allows a transition between the sobriety of the Empire style and the abundant aspect of Louis-Philippe style. The gothic style started at this time through the "style à la cathédrale", inspired by religious architecture, which thrived from 1827 to 1830. Indeed, at the beginning of the 19th century, Romanticism put the spotlight on the Middle Ages. Cabinetmakers were not inspired by the medieval furniture but rather by architectural elements of churches and cathedrals. For instance the backs of chairs were decorated with arches shaped like rib and serration. In the same way, before Charles X abdicated, pieces of furniture were made out of dark woods – such as mahogany, which was used again in France – and were inlaid with light wood. Romanticism also influenced the layout of furniture in appartments to suggest movement through a mix of various styles, various shapes and various sizes, as opposed to the static aspect of Neoclassicism. The start of industrialisation and mechanisation also influenced this style as early technical developments led to the production of pieces of furniture in series. Credit: Marc Maison Bibliography: FANIEL Stéphane (Dir.), Le Dix-neuvième Siècle Français, Collection Connaissance des Arts, 1957, Hachette SASSONE, Adriana Boidi, Furniture from Rococo to Art Deco, 2000, Evergreen -- Extremely versatile: As warm and attractive as it is useful, this remarkable antique table having the ideal size and small proportions for a variety of different uses, including as a side table, accent or occasional table, tall sofa...

Early 18th century walnut side table from France with a two board top which has pegged construction and a beveled edge, following down t...

This exceptional pair of French Louis XV style nightstands showcases the artistry and elegance of fine 20th-century furniture making. Crafted from richly grained kingwood and satinwo...

Midcentury brass bar cart, circa 1970s. It is versatile in size and can be used as a bar or serving cart or as an additional storage space in an office. It has four bottle holders at...

A lovely pair of nightstands designed by Pierre Cardin in the 1970s and produced in France. These feature white lacquer with polished steel trim in a Classic Art Deco design. Each ha...

Bjorn Wiinblad (1918-2006). Unique Oval coffee table, frame and edging in brass, table top dark olive green Tiles hand made by Biorn Winblad. Measures: 120 x 87 cm. H. 52 cm. Good ...

Architectural quartersawn English oak & American black walnut pillar end tables or nightstands. Designed and handcrafted in England using traditional furniture...

1950's Stitched leather, metal and Saint-Gobain glass side table or vide poche by Jacques Adnet

French bleached oak night stand or end table, France, circa 1950s.

Just imagine, This French Louis XVI style Bouillotte Table, with a perforated Brass Gallery and antiqued Mirrored Top. This is in the Louis XVI style, c.1920-1940s This table has ...

Honed cream limestone 'Entretoise' coffee table by Design Frères. Chic and understated.

Spectacular pair of Ebonized Mirrored Tables with Spiral Twist Legs and partial Gilt. Eglomise styled tables with hand painted stencils betwee...

Made for us in England, this Classic tilt-top tea table on a four leg base features a pie crust edge and acanthus leaf carving on the legs that terminate in well-executed claw and ba...

French walnut coffee table or little end table made circa 1940. Full of character Good condition with marks of use (please see photos) Shipping: 57 / 63 / 53 kg 11 kg

Iconic tulip pedestal table by Eero Saarinen for Knoll International. Early edition, likely from the 1960. It consists of a cast aluminum base with original white vinyl wrap. The mak...

A small rustic table in patinated sycamore having rectangular thick top on four pole turned pole and tapered splay legs with through tenons showing on top surface, joined at the ends...

This pair of French nightstands or bedside tables is made in solid wood and have been painted in a light neutral Gustavian gray cream color with rich thick patina, Classic details on...

A very fine French 19th-early 20th century Louis XV style mahogany, tulipwood, parquetry and ormolu mounted oval gueridon side table with a Brêche Violette marble top, attributed to François Linke (1855-1946). The inset oval Brêche Violette marble top with a gilt-bronze surround, above a lozenge parquetry frieze with foliate ormolu mounts, with a drawer to one side, on cabriole legs headed by clasps and joined by an 'X'-shaped stretcher centered by a finial, on scroll sabots. Unsigned. Circa: Paris, 1900. François Linke (1855-1946) was one of the most celebrated ébénistes of his time. Born in Pankraz, Bohemia, Linke moved to Paris in 1875 and six years later established independent ateliers at 170, rue de Faubourg St. Antoine. As was the practice among contemporaries and noteworthy predecessors, such as Alfred Beurdeley and Henry Dasson, Linke initially produced furniture derived from styles popular during the 18th century ancien régime. By 1900, his worldwide reputation as an individualistic master of high quality furniture was already established. However, with a huge display, placing his extravagant pieces in room settings and winning the Médaille d'Or for his Grand Bureau, Linke's participation in the Paris 1900 exhibition...

Midcentury Italian table on brass tripod base.

Early Walnut Side Table From Italy, Circa 1800. Solid walnut construction with nice original patina and wear.

Solid brass bases support plate glass tops. Tops show some wear, including one edge chip, as shown (.75" thick tops). Brass bases are in original gilt finish. Great quality construc...

Fine quality pair of French Louis XVI style side tables, having inset marble tops, gilded ormolu mouldings and mounts, single frieze drawers and raised on elegant cabriole legs. One ...

A handsome and unusually small Louis XVI chest in mahogany offering four drawers with bowed front, and featuring a fluted tambour molding on the top drawer resting under characterist...

Two-tiered walnut table clad in Celadon-colored shagreen.

An unusual Louis XV period side table with adjustable height top operated by lowering two side handles. The piece has a scalloped apron and cabriole legs with an interior fitted tray...

Italian-made vintage coffee table with bamboo frame and woven rope top. Good conditions.

Pair of Burl Wood End Tables, Italy 1950s Crafted from thuja burl wood with mahogany accents and brass hardware. Glass tops feature a decorated faux marble surface. Wonderful pair!

Early bentwood side table, designed by Alvar Aalto for Finmar, Finland, circa 1940s. Classic example of Danish modern design.

With nicely beveled and thick inset glass top over a conforming shelf with reeded straight legs and tapered circular feet.

"Locust" Wood desk with "Nest" chair by Alexandre Caldas Desk: Width: 120 cm Depth: 80 cm Height: 76 cm The design can be inspiring for those who deal with it in a day-to-day use. In this case, the comfort and the organization frees us for the creative process, while is functionality tries to be unobtrusive and restrained, without harming the environment that surrounds it. Without great effort, its user can easily reach everywhere and access the tools of work…LOCUST Working Desk The construction of the legs in an “X” mode, confers an extreme stability without further lockups, since the locking is already part of the design. Also the way the top trapdoors are designed conceals the hinges, making imperceptible the way they open and close. The fact of being higher in the back create a slope which allows a better reading and writing. This difference combined with the 48 degree tilt of the front drawers, creates an illusion of thickness that completely eliminates the viewing of all the front storage when we are standing at it. The inner hole in one leg carries internal electric power...

Side, end table, selette or nightstand. The size of this little table with a drawer allows to use it for different functions. Made circa 1930, with the art déco characteristics: sty...

Inspired by the original Rhapsody lamp, by her fiancée Patrick Coard Paris, Kifu Paris designs a sculptural side table as an ode to his iconic lighting collection. The tabletop is in...

Louis XVI style mirror top table with gallery.

Superb quality antique Victorian mahogany inlaid shaped centre table having a mahogany inlaid shaped top with a splendid quality inlaid centre and satinwood stringing, pretty shaped ...

Pair of Guy Lefevre for Maison Jansen side table, nesting table, floating glass top. Low table 17 /13/13 Top table 20/14/15.

This is a beautiful little antique cabinet! Small and simple and yet so appealing, this piece dates to the 19th century and is of French make. The wood has a soft glow from its patin...

Rare Art Deco piece, coffee table with beautiful spiral legs made of red beech and black tiles with gold motif. Dimensions for this table with turned legs of red beech is H 56 x W5...

The 'Diagramme' wrought iron and travertine drink table by Design Frères. Chic blackened wrought iron frame contrasting with cream travertine t...