Art Glass Pedestals

Incredible octagonal pedestal table designed and signed by Tomasso Barbi, this fantastic piece was produced in Italy in the 1970s. This gorgeous column is fully made in briarwood...

A sleek design by the Jeré studio, this elegant minimalist cylindrical form in brass is perfectly scaled to display sculpture or art objects in style. Hand signed near the bottom.

Incredible octagonal pedestal table in brass and birch burl. This incredibly stylish and versatile piece was designed by Tomasso Barb and produced in Italy during the 1970s. Signed o...

Elegant pair of brass pedestals with tainted Murano glass tops. Creation by Studio Glustin. Measures: ø 60 x H 62 cm / ø 40 x H 52 cm.

Pair of French brass and chrome pedestal tables, top glass In the spirit of Paul Evans France, 1980s

Ernst Rockhausen German Arts and Crafts Pedestal Stand in Wood and Brass Offered for sale is a German Arts & Crafts wood and brass pedestal stand by Ernst Rockhausen and Söhne of ...

Pair of pedestals in brass with pink onyx top Collection Studio Glustin 2018 One diameter 55 cm x H 67 , the other one diameter 45 cmx H 55 cm.

36" Round Dining Table in White Oak and Pewter Inlays Modern Steel Pedestal Base is a variation of our Sunrise base as a pedestal for a round dinin...

Wonderful and Minimalist Brass and Glass Pedestal Table designed by Peter Ghyczy in the early 1970s in the Netherlands. Born in Budapest, Peter Ghyczy started his career as an archit...

No33 Scarpa Dining Table – Round Top with Customizable Wooden Base by Joel Escalona ——— Introducing the Scarpa Collection, a homage to the legendary Italian architect and designer...

Round pedestal dining table model UFO with a base in brushed steel and tabletop in thick glass with a black enamel decorative circle. Designed by Luigi Saccardo and manufactured by Maison Jansen in the 1970s. Maison Jansen was a Paris-based interior decoration office founded in 1880 by Dutch-born Jean-Henri Jansen. From its beginnings, Maison Jansen combined traditional furnishings with influences of new trends including Anglo-Japanese style, the Arts and Crafts movement, and Turkish style. The firm paid great attention to historical research with which it attempted to balance clients' desires for livable, usable, and often dramatic space. Within ten years the firm had become a major purchaser of European antiques, and by 1890 had established an antique gallery as a separate firm that acquired and sold antiques to Jansen's clients and its competitors as well. In the early 1920s Jean-Henri Jansen approached Stéphane Boudin, who was then working in the textile trimming business owned by his father and brought him on board. Accounts of the arrangement vary. Speculation existed that Boudin was able to provide financial solvency to the prominent but capital-poor atelier. Boudin's attention to detail, concern for historical accuracy, and ability to create dramatic and memorable spaces brought increasing new work to the firm. Boudin was made director and presided over an expansion of the firm's offices and income. Not originally equipped with its own workrooms for producing furniture the firm began by relying upon antiques and the furniture contracted to outside cabinetmakers. By the early 1890s Maison Jansen had established its own manufacturing capacity producing furniture of contemporary design, as well as reproductions, primarily in the Louis XIV, Louis XVI, Directoire, and Empire styles. Throughout the firm's history, it employed a traditional style drawing upon European design, but influence of contemporary trends including the Vienna Secession, Modernism, and Art Deco has also appeared in Jansen interiors and in much of the custom furniture the firm produced between 1920 and 1950. Under Boudin's leadership, Maison Jansen provided services to the royal families of Belgium, Iran, and Serbia; Elsie de Wolfe, and Lady Olive Baillie's Leeds Castle...

This architectural side table marries sculptural minimalism with luxurious materiality. It features a smooth, square travertine pedestal base whose warm, subtly veined surface grounds the design with natural gravitas. A beveled square glass top appears to hover above, subtly supported by a centered gold-finished cross-bar that spans gracefully across the stone, bringing an elevated shine and visual tension to the composition. The cross-bar nestles into precise grooves carved into the travertine—an elegant detail that ensures both structural integrity and aesthetic refinement. The beveled edge of the glass enhances the interplay of weight and transparency, accentuating the stone’s solid presence while inviting a sense of lightness. Measuring approximately 27.75 inches square for the glass surface, with a base of 23.5 inches square, and standing around 22.25 inches in height, the table offers a commanding yet thoughtful footprint. Its proportions are ideally suited for both statement placement and purposeful function in luxe interiors. The stone remains unblemished, with the travertine maintaining full polish and clarity. The glass shows a minor repaired chip at one corner, and the gold bars have gently aged, offering patina that enhances rather than detracts—adding an authentic collector’s narrative. Stunning travertine stone square pedestal cocktail table in the style of Maitland-Smith. Super-sleek, elegant and Classic modern style. The stone has exotically marbled earth tone veins. The Minimalist design is perfectly complimented and contrasted by the flat bar brass...