Glass Tables

Stunning bamboo rectangular dining table made in the California organic modern style by McGuire. This is a genuine McGuire model # MCBA22 with an iron frame painted golden gate orange for authenticity. The table features a geometric design base measuring 46 inches wide and 21 inches deep covered with tobacco colored bamboo poles...

Outrageous opportunity to own a rare Mario Botta dining or conference table, made in 1986, in mint condition. This Dining table or desk, titled the model "Tesi" from 1986, was designed by Mario Botta and produced by Alias. The perforated sheet steel structure is lacquered in black with a rectangular glass top. This iconic table demonstrates the influence of Le Corbusier, Louis Kahn and Carlo Scarpa on Botta’s work. During the 1980s, famous Swiss architect, Mario Botta worked with the manufacturer Alias as a designer on a whole range of furniture. Botta’s ingenious designs are often composed of simple geometric shapes, while also creating unique complex spaces. See images 3, 8 and 9 in this posting to see some of his stunning architectural works. This listing is a rare opportunity to acquire one of the last examples of the original production of this collectible and iconic design. Condition: The table for sale here is in great original condition with less-than-usual usage marks for its age. It has been very well taken care of for its entire life. Artist: Mario Botta (Swiss, born 1943) Title: TESI TABLE...

A fine French drinks cart or trolley (bar cart) of bronzed brass and glass by the celebrated Maison Charles, featuring an elegant brass X-frame design decorated with brass rosettes, ...

This rectangular two tiers neoclassical style coffee table is made of brass with twoglass shelves. This is a French work in the style of Maison Jansen. Circa 1940.    

With the Pli table series French designer Victoria Wilmotte brings objects of unusual crystalline elegance and astonishing geometry to living environments, d...

Antique Art Nouveau shaving stand with swinging candleholders. Wonderful flowing lines. By Thonet of Austria, circa 1900.   

Of all the artist-designed furniture from the last century this is perhaps one of the most famous examples. This iconic table is from an edition begun in 1963 under the supervision o...

A fine French Mid-Century coffee or cocktail low table of brass and marble attributed to the Parisian interior decoration and design house of Maison Jansen, featuring a rectangular t...

Iconic "Andre" dining table designed by Tobia Scarpa and produced by Gavina in Italy in 1968. The table is signed on the top frame. This gorgeous table is fully made in solid steel,...

A pair of fine French Modern low end or side tables - each table featuring a square glass top set upon a brass frame of tapered, reeded legs adjoined by graceful demi-lune supports. ...

Stunning walnut burl cube by Milo Baughman for Thayer Coggin. A great piece used as a small coffee table, large side table or pedestal. Matching coffee table and console with ottom...

Slick glass-top cocktail table with brass French legs. The glass top mimics the shape and the curves of the brass skeleton base below.

Stunning walnut burl coffee table by Milo Baughman for Thayer Coggin. This coffee table makes a statement and will be a real centerpiece. Matching console table and ottoman...

Kartell lifestyle enhances the living room with Philippe Starck’s Blast, a coffee table rectangular with rounded corners and clear bases and tops. The design is a development of the Sir Gio table...

A rare and impeccably balanced dining ensemble, this set unites one of Tenreiro’s most elegant tables with ten of his iconic high-back dining chairs — a complete expression of his ma...

Made in Italy, 1950s. This high-quality and elegant dining table is made in ebonized beech with Canaletto walnut edges. It features a black opaline glass top and a green Alps marble...

A handsome Italian square two-tiered low table or cocktail table of brass, chrome, and smoked glass by Zevi. Zevi was a furniture manufacturer from Remanzacco, Udine, Italy. The co...

Shimmer rounded table is shown here with laminated and glued glass, and in the medium size of the two rounded tables. The collection consists of low tables, low tables and consoles in laminated and glued glass, characterized by a special iridescent multichromatic finish; the nuance varies according to the angle of the light source and the vantage point. Reflected objects with a magical and ethereal appearance emerge. The high tables bases can be dismantled and are fixed to the top by means of metal plates, concealed by a circular decorated covering. Patricia Urquiola was born in Oviedo (Spain) in 1961. Lives and works in Milan. She attended the School of Architecture of Madrid Polytechnic and Milan Polytechnic, where she graduated in 1989 with Achille Castiglioni. From 1990-1992 she was assistant lecturer to both Achille Castiglioni and Eugenio Bettinelli in Milan and Paris. From 1990-1996 she was responsible for the new product development office of DePadova, working with Vico Magistretti. In 1996 she became head of Lissoni Associati’s Design Group. In 2001 she opens her own studio working on product design, architecture, installations. Amongst her last projects of architecture: Mandarin Oriental Hotel in Barcelona and W Retreat&Spa a Vieques (Porto Rico); a villa in Udine; scenography of the opera “L’incoronazione di Poppea” by Monteverdi; showroom and installations for Hermès, Gianvito Rossi, Flos, Moroso, H&M and the general concept of Pitti Immagine Firenze. She designs for the most important Italian and international firms as Agape, Alessi, Andreu World, Artelano, Axor, B&B Italia, Bart Design, Bisazza, BMW, Bosa, Budri, Chevalier Edition, Il Coccio, De Padova, De Vecchi, Driade, Emu, Fasem, Salvatore Ferragamo, Flos, Foscarini, Gallotti & Radice, Gandia Blasco, Glas Italia, Kartell, Kettal, Kvadrat, Mixing Media, Maurice Lacroix, Liv’it, Peter Mabeo, MDF Italia, Molteni, Moroso, Mutina, Olivari, Panasonic, Paola Lenti, Rosenthal...

This large coffee table is made of chrome with two glass shelves. The top glass is beveled all arround the glass. This is a French work. Circa 1970

Sebastian Herkner’s distinctively tall, skinny side table series pina is inspired by the abstract turns and twists of the famous Pina Bausch dance theatre. The basic figurine with ba...

This Decapo extendible is shown in the large dining table size with a top in extra-clear satin white or black glass, flamed oak, black ash, Canaletto walnut or in 4 Fenix colors with...

Matter, light and colour merge in an intense material interplay in the Lokum series of side tables, crafted by Sabine Marcelis for Acerbis. It is a collection that captures the sophi...

Mixed metals. A swirling constellation of polished brass and polished nickel rods topped with mirrored glass, our electrum accent table is the perfect cocktail perch. With a simple, but kinetic form and a glamorous combo of brass and nickel...

Italian Modern Bronze Octopus Center Table. This stunning Italian sculptural bronze table in the shape of an octopus is expertly detailed and comes with a 59 inch glass top. This v...

Table designed by Le Corbusier, Pierre Jeanneret, Charlotte Perriand in 1928. Relaunched by Cassina in 1974. Manufactured by Cassina in Italy. The idea informing the LC6 table, whic...

Marcel Breuer And Carlo Scarpa Delfi Marble and Glass Table Manufactured by Cassina (Italy) ELEGANCE OF LINE The design table with rectangular to...

Amazing midcentury laminate and purple enamel metal coffee table. This fantastic piece was designed in Italy by Gae Aulenti for Zanotta during the 1970s. This stunning straight-lined table with a clean enamelled metal frame with a light purple laminate formica top is in a stunning vintage condition. A wonderful item is perfect to complete a mid-century minimal living room...

This wonderful signed sculpted Paul Evans cocktail table from 1976 looks like molten castle drippings of bronze of varying heights in brutalist and crown forms. It is called the stalagmite table...

Series of round high and low tables, made of a special conglomerate of 100% recycled glass grit and glass shards. Each piece is hand-made and characterized by an irregular surface ...

The robust volume of the Rock dining table is an elegant faceted work that resembles the irregular shapes of rocks. Entirely finished in gold leaf and completed with a round top is ...

A rare, extra tall "Mosquito" table, also known affectionately as the "MUG" table due to its distinctive, insect-like angled legs. Designed by the influential Dutch designer Wim Riet...

Table ADN round with base hand carved in solid polished walnut wood. With Tempered glass top, 12mm thickness. Base dimensions: Diameter 66cm x height 74cm. Available on request in: ...

Antique French dressing table with a bronze trimmed hinged turtle top lid with mirror on verso. The table with intricate and fine marque...

A scarce period Charles X (1818-1834) French Restoration mahogany travailleuse sewing (thread stand - side table - jewelry dressing table) with light, warm, beautifully aged patina. Born in France in the early 19th century, almost certainly Parisian work, exquisitely hand-crafted, this exceptionally executed example features ornate gilt bronze ormolu mounts, escutcheons, and elaborate gilt metal trim. Having a highly figured light mahogany hinged lid top, lifting open to reveal a striking finished interior with divided compartments and original inset mirror plate. The conforming rectangular case fitted with a faux drawer front over a dovetailed drawer with sectioned interior. Elegantly rising on oval-shaped medial shelf stretcher-joined curvacious legs. Dimensions (approx): 27" High, 20" Wide, 13.5" Deep Stunning light almost blonde antique mahogany coloring and mellow warm tone, superb wood grain detail, and charming, beautifully aged patina over the whole. Great shape overall. Retaining original antique character marks, wear consistent with age and indicative of minimal use, nothing that detracts from the aesthetics or functionality, but only adds to the overall authenticity, refined elegant warmth, luxurious sophistication, and cozy unpretentious rustic elegance. Delivered cleaned, hand waxed, polished French patina finish, ready for immediate use and generational enjoyment! What is Charles X style: The comte d’Artois – or Charles X - was the son of the dauphin Louis-Ferdinand de Franc and Marie-Josèphe de Saxe. He succeeded his two brothers Louis XVI and Louis XVIII and became the King of France in 1824. Thirty years after the French Revolution, he wanted to embody the return of monarchy and became the leader of the catholic party . As the previous kings, he was crowned in 1825 but he was soon overthrown by the revolution in July, 1830, called "Trois Glorieuses". He left then for England, Scotland, Prague and Istria where he died in 1836. Charles X style lasted from 1818 to 1834 and happened during the Bourbon Restoration (French Restoration). This style did not replace totally the style of furniture from the French Empire but it was different from the formalism in the Napoleonic era, during which strictness and simplicity were inspired by Greco-Roman art. Indeed, artistic fields flourished. In terms of furniture, this renewal was suggested by the softening of shapes. Even though the simple aspect from the French Empire was still visible, shapes became curvier with volutes and arabesques. Another distinction is the loss of the massive aspect of furniture and the decrease of dimensions in order to decorate smaller appartments. Handling ability and comfort were key-words in the making of furniture. Apartments had essential elements such as chests of drawers, big rounded tables in the dining room, desks or secretaries, armoires and even dressing tables, comfortable fainting couches in the living room, small tables, pedestal tables, as well as gondola chairs. The wavy aspect of the latters certainly represent Charles X style the best.  One of the most emblematic features of this style is the use of bois clairs – light woods in warm blond tones - and indigenous woods that are varnished in order to highlight the grains. Bird's-eye maple, ash trees, plane trees, yew trees, beech trees, olive trees and cedar trees were most likely to be used. Indeed, at the beginning of the 19th century dark woods were hard to find. In 1806, the Napoleon’s Continental System was established in order to ruin the United Kingdom by preventing the country from any business with the rest of Europe. Therefore craftsmen had to find alternatives from mahogany which was the most commonly used material at this time. After 1815, the import of wood was even more difficult because of peace treaties and the European political situation, which contributed to the popularity of the bois clairs and indigenous woods. The furniture was often decorated with fine inlays made out of dark wood representing foliage, which contrasted with the veneer. Even though these patterns can look like bronze decorations from the Empire era,  they were far more simple and did not represent any military or mythological attributes. On the tables, trays were sometimes made out of marble as in the French Empire, but it was often put aside and inlaid veneer, Verre Eglomisé – a type of glass with a mirror finish –, mirror or porcelain from Sèvres or Paris were more likely to be used. Decorative elements from the Monarchy were highly appreciated again as they suggested luxury. Indeed, marquetry work was particularly fashionable - Boulle marquetry thrived around 1820 as the works of the Levasseur family can show. In the same way, draperies and trimmings referred to the monarchist splendour. Fabrics were often white – the traditional colour of the Bourbons – or light coloured as oppposed to the typical green from the Napoleonic era.  One of the most symbolic figures from this period of time might be Jean-Jacques Werner (1791-1849), a cabinetmaker who worked for prestigious clients such as the Duchesse de Berry who was Charles’s step-daughter. His works can be seen at the Musée des Arts Décoratifs and at the Grand Trianon in the Palace of Versailles. The duchess’s appartments situated at the pavillon de Marsan and at the Palais de Saint Cloud illustrate Charles X style the best with furniture made out of bois clairs and ornamented with dark wood patterns or fine gold decorations. Chales X style allows a transition between the sobriety of the Empire style and the abundant aspect of Louis-Philippe style. The gothic style started at this time through the "style à la cathédrale", inspired by religious architecture, which thrived from 1827 to 1830. Indeed, at the beginning of the 19th century, Romanticism put the spotlight on the Middle Ages. Cabinetmakers were not inspired by the medieval furniture but rather by architectural elements of churches and cathedrals. For instance the backs of chairs were decorated with arches shaped like rib and serration. In the same way, before Charles X abdicated, pieces of furniture were made out of dark woods – such as mahogany, which was used again in France – and were inlaid with light wood. Romanticism also influenced the layout of furniture in appartments to suggest movement through a mix of various styles, various shapes and various sizes, as opposed to the static aspect of Neoclassicism. The start of industrialisation and mechanisation also influenced this style as early technical developments led to the production of pieces of furniture in series. Credit: Marc Maison Bibliography: FANIEL Stéphane (Dir.), Le Dix-neuvième Siècle Français, Collection Connaissance des Arts, 1957, Hachette SASSONE, Adriana Boidi, Furniture from Rococo to Art Deco, 2000, Evergreen -- Extremely versatile: As warm and attractive as it is useful, this remarkable antique table having the ideal size and small proportions for a variety of different uses, including as a side table, accent or occasional table, tall sofa...

Dining Table Sober Oval with glass top, 12mm thickness, painted below glass top in blueberry finish. With stell frame under the glass top in bronze finish and with 4 feet in wood p...

Mettsass table designed by Ettore Sottsass in Barcelona manufactured by BD. The structure is made of flat sheets of steel, painted in red RAL 3001. The glass is painted in the sam...

With the Pli side table series French designer Victoria Wilmotte brings objects of unusual crystalline elegance and astonishing geometry to living envir...

This low coffee and side-table comes with a base and top in Canaletto walnut, natural ash, ash stained black, intense blue or anthracite. The structure's body is made out of blown Murano glass, available in amber, blue-grey or smoke grey. Here you are shown the Mastea coffee table in the Canaletto walnut base finish and in the low size. Matteo Zorzenoni started to experiment with Murano glass in the 1970s and, even if the generations have changed, the glass is blown as it once was: it needs a master glassblower and two strong lungs. Working with this material every day is like revisiting a traditional dish. The ingredients are the same but there is something new in the taste. Matteo Zorzenoni's research is mainly focused on materials and their limits, aimed at discovering their potential. His projects have been exhibited at: Maxxi Museum in Rome, the Biennale of Art and Design in St. Etienne, the London Design Festival, the Venice Biennale. Matteo Zorzenoni was a professor at the IUAV in Venice, collaborates with the IED in Madrid and hosted a laboratory for Domaine de Boisbuchet (Vitra Design Museum). After a collaboration with Fabrica, Benetton Communication Research Center, he started a new project with Jaime Hayon, which is still on going. His research in the craft sector continues with projects for customers, including Cappellini, Mercedes Benz, Replay, Alcantara, Bosa Ceramiche...

The Bubble Glass Coffee Table embodies a retro-futuristic fantasy. Inspired by past visions of the future, it draws from mysterious tales of speculative technologies and flying sauce...

Made in Italy, 1950s. This dining table features an ebonized beech frame and its original back-painted pale green glass top. This is a vintage piece, therefore it might show slight ...

With the Pli side table series French designer Victoria Wilmotte brings objects of unusual crystalline elegance and astonishing geometry to living envir...

Elegant dining table Italian Guglielmo Ulrich attributed 1950s, extraordinary design and quality, works of fine master craftsmen who have disappea...

Stylish Italian Mid-Century Modern petite desk elegantly named "Dattilo" in wood teak designed by Vittorio Dassi, from the 1950s. The drawer front is very elegant, inspired by the co...

Minimalist and elegant Mid-Century Modern side, end or drink table attributed to Cesare Lacca and designed in Italy in the 1950s. It is made of stainless-steel has a polished finish ...

Beautifully Art Deco coffee or centre table with a wrought iron base and the warm original gilded and black smoked detailing of the glass top, detailed design of pleasant curves, ver...

This is a Glamorus Paul Evans glass top cityscape 8 foot dining table. Please note, this is a mirror finish show showing many reflections in photos...

Drawing inspiration from the captivating design aesthetics of 1960's Italian craftsmanship, the Chelmsford table stands as a testament to Lemon's unwavering commitment to honouring t...

Yves Klein Blue "IKB" Pigment glass table This brand new and iconic Yves Klein IKB blue table is from an edition that begun in 1963 under the supervision of R...

Rare outdoor side table by Walter Lamb for Brown Jordan. Collectible example is from the early years of Lamb’s work with Brown Jordan, dating to the mid 1950s. Constructed of a tubul...

Zeta dining table, design by Matteo Cibic, product by Scapin Collezioni ZETA DINING TABLE is a dining table that harmoniously combines volumes and materials. The top, made of extra-...

The Bubble Glass Coffee Table embodies a retro-futuristic fantasy. Inspired by past visions of the future, it draws from mysterious tales of speculative technologies and flying sauce...

Yves Klein Gold "Monogold" Table Made with 3,000 sheets of gold leaf, glass, Plexiglas and steel. This iconic table is from an edition begun in 1963 u...

A circular glass coffee table circa 1970's. Its features a black lacquered faux bamboo base with thick glass circular top.

This dressing table with mirror was designed by Jindrich Halabala and manufactured in 1940 by UP Zavody in Czechoslovakia. It has been completely restored, varnished in a satin finis...

Polished stainless steel and smoked glass occasional table. Designed by Sergio Mazza & Giuliana Gramigna. Made by Cinova in Italy.

A pupil of Diego Rivera, Genaro Alvarez is one of the most famous mosaic artist producing some of the most celebrated midcentury designs in Mexico. He mixed Mexican smalti and semipr...

This high coffee and side-table comes with a base and top in Canaletto walnut, natural ash, ash stained black, intense blue or anthracite. The structure's body is made out of blown Murano glass, available in amber, blue-grey or smoke grey. Here you are shown the Mastea coffee table in the Canaletto walnut base finish and in the high size. If you are interested in the natural ash, ash stained black, anthracite ash or Intense blue base structures. Matteo Zorzenoni started to experiment with Murano glass in the 1970s and, even if the generations have changed, the glass is blown as it once was: it needs a master glassblower and two strong lungs. Working with this material every day is like revisiting a traditional dish. The ingredients are the same but there is something new in the taste. Matteo Zorzenoni's research is mainly focused on materials and their limits, aimed at discovering their potential. His projects have been exhibited at: Maxxi Museum in Rome, the Biennale of Art and Design in St. Etienne, the London Design Festival, the Venice Biennale. Matteo Zorzenoni was a professor at the IUAV in Venice, collaborates with the IED in Madrid and hosted a laboratory for Domaine de Boisbuchet (Vitra Design Museum). After a collaboration with Fabrica, Benetton Communication Research Center, he started a new project with Jaime Hayon, which is still ongoing. His research in the craft sector continues with projects for customers, including Cappellini, Mercedes Benz, Replay, Alcantara, Bosa Ceramiche...

Please message us with your zip code to request a more reasonable domestic U.S. shipping quote. Antique French Victorian Blue and White Porcelain Enamel Cast Iron Radiator Cover Con...

The bell table by Sebastian Herkner turns our perceptual habits on their head, using the lightweight, fragile material of glass as base for a metal top that seems to float above it. ...

Carlo Scarpa Sarpi Table For Cassina Carlo Scarpa designed this design table in 1974, successor to the popular Doge, with which it appears in the ...