Japanese Tables

A exhibition stand made of old materials. Probably, is the top board a zelkova and the legs an oak. There is a very valuable wood grain, and it looks like an art created by nature....

It's an old table in Japan. Cedar and pine are used for the materials. It seems that it was made in a private house in the Tohoku region around the early Showa period. Although it is a simple design, the Kumite part is assembled with a traditional technique that does not use nails. The color that changed naturally over a long time and used is very beautiful, and it will complement the decoration as an exhibition table...

A scarce period Charles X (1818-1834) French Restoration mahogany travailleuse sewing (thread stand - side table - jewelry dressing table) with light, warm, beautifully aged patina. Born in France in the early 19th century, almost certainly Parisian work, exquisitely hand-crafted, this exceptionally executed example features ornate gilt bronze ormolu mounts, escutcheons, and elaborate gilt metal trim. Having a highly figured light mahogany hinged lid top, lifting open to reveal a striking finished interior with divided compartments and original inset mirror plate. The conforming rectangular case fitted with a faux drawer front over a dovetailed drawer with sectioned interior. Elegantly rising on oval-shaped medial shelf stretcher-joined curvacious legs. Dimensions (approx): 27" High, 20" Wide, 13.5" Deep Stunning light almost blonde antique mahogany coloring and mellow warm tone, superb wood grain detail, and charming, beautifully aged patina over the whole. Great shape overall. Retaining original antique character marks, wear consistent with age and indicative of minimal use, nothing that detracts from the aesthetics or functionality, but only adds to the overall authenticity, refined elegant warmth, luxurious sophistication, and cozy unpretentious rustic elegance. Delivered cleaned, hand waxed, polished French patina finish, ready for immediate use and generational enjoyment! What is Charles X style: The comte d’Artois – or Charles X - was the son of the dauphin Louis-Ferdinand de Franc and Marie-Josèphe de Saxe. He succeeded his two brothers Louis XVI and Louis XVIII and became the King of France in 1824. Thirty years after the French Revolution, he wanted to embody the return of monarchy and became the leader of the catholic party . As the previous kings, he was crowned in 1825 but he was soon overthrown by the revolution in July, 1830, called "Trois Glorieuses". He left then for England, Scotland, Prague and Istria where he died in 1836. Charles X style lasted from 1818 to 1834 and happened during the Bourbon Restoration (French Restoration). This style did not replace totally the style of furniture from the French Empire but it was different from the formalism in the Napoleonic era, during which strictness and simplicity were inspired by Greco-Roman art. Indeed, artistic fields flourished. In terms of furniture, this renewal was suggested by the softening of shapes. Even though the simple aspect from the French Empire was still visible, shapes became curvier with volutes and arabesques. Another distinction is the loss of the massive aspect of furniture and the decrease of dimensions in order to decorate smaller appartments. Handling ability and comfort were key-words in the making of furniture. Apartments had essential elements such as chests of drawers, big rounded tables in the dining room, desks or secretaries, armoires and even dressing tables, comfortable fainting couches in the living room, small tables, pedestal tables, as well as gondola chairs. The wavy aspect of the latters certainly represent Charles X style the best.  One of the most emblematic features of this style is the use of bois clairs – light woods in warm blond tones - and indigenous woods that are varnished in order to highlight the grains. Bird's-eye maple, ash trees, plane trees, yew trees, beech trees, olive trees and cedar trees were most likely to be used. Indeed, at the beginning of the 19th century dark woods were hard to find. In 1806, the Napoleon’s Continental System was established in order to ruin the United Kingdom by preventing the country from any business with the rest of Europe. Therefore craftsmen had to find alternatives from mahogany which was the most commonly used material at this time. After 1815, the import of wood was even more difficult because of peace treaties and the European political situation, which contributed to the popularity of the bois clairs and indigenous woods. The furniture was often decorated with fine inlays made out of dark wood representing foliage, which contrasted with the veneer. Even though these patterns can look like bronze decorations from the Empire era,  they were far more simple and did not represent any military or mythological attributes. On the tables, trays were sometimes made out of marble as in the French Empire, but it was often put aside and inlaid veneer, Verre Eglomisé – a type of glass with a mirror finish –, mirror or porcelain from Sèvres or Paris were more likely to be used. Decorative elements from the Monarchy were highly appreciated again as they suggested luxury. Indeed, marquetry work was particularly fashionable - Boulle marquetry thrived around 1820 as the works of the Levasseur family can show. In the same way, draperies and trimmings referred to the monarchist splendour. Fabrics were often white – the traditional colour of the Bourbons – or light coloured as oppposed to the typical green from the Napoleonic era.  One of the most symbolic figures from this period of time might be Jean-Jacques Werner (1791-1849), a cabinetmaker who worked for prestigious clients such as the Duchesse de Berry who was Charles’s step-daughter. His works can be seen at the Musée des Arts Décoratifs and at the Grand Trianon in the Palace of Versailles. The duchess’s appartments situated at the pavillon de Marsan and at the Palais de Saint Cloud illustrate Charles X style the best with furniture made out of bois clairs and ornamented with dark wood patterns or fine gold decorations. Chales X style allows a transition between the sobriety of the Empire style and the abundant aspect of Louis-Philippe style. The gothic style started at this time through the "style à la cathédrale", inspired by religious architecture, which thrived from 1827 to 1830. Indeed, at the beginning of the 19th century, Romanticism put the spotlight on the Middle Ages. Cabinetmakers were not inspired by the medieval furniture but rather by architectural elements of churches and cathedrals. For instance the backs of chairs were decorated with arches shaped like rib and serration. In the same way, before Charles X abdicated, pieces of furniture were made out of dark woods – such as mahogany, which was used again in France – and were inlaid with light wood. Romanticism also influenced the layout of furniture in appartments to suggest movement through a mix of various styles, various shapes and various sizes, as opposed to the static aspect of Neoclassicism. The start of industrialisation and mechanisation also influenced this style as early technical developments led to the production of pieces of furniture in series. Credit: Marc Maison Bibliography: FANIEL Stéphane (Dir.), Le Dix-neuvième Siècle Français, Collection Connaissance des Arts, 1957, Hachette SASSONE, Adriana Boidi, Furniture from Rococo to Art Deco, 2000, Evergreen -- Extremely versatile: As warm and attractive as it is useful, this remarkable antique table having the ideal size and small proportions for a variety of different uses, including as a side table, accent or occasional table, tall sofa...

This is a low table using old wood and old Japanese paper. The top board is stacked with old Japanese paper on a pine tree and dyed with persimmon juice, ink, and black Urushi. Whi...

Beautiful aged teak wood panels joined together with lovely patina and soft rounded edges. Celebrating the cracks and crevices and all the other marks that time and loving use have l...

A charming antique American kitchen range warming oven wood stove converted into a unique table with lots of storage! Born around the turn of the late 19th / early 20th century, repurposed and fashioned it a one-of-a-kind table (or kitchen island) in the second half of the 20th century, having a divided top fitted with a later pair of glass panels over decorative cast iron burner hot plates, flanking an enameled hard work surface center, over patinated metal frame case fitted with two large cabinet doors featuring etched glass windows, well aged crackle paint and white porcelain pulls, opening to reveal a large and spacious single storage compartment in updated wood finished interior. The old fashioned wood burning cooking stove with utilitarian rectangular shaped body, sculptural silhouette in early Art Deco taste with simple clean lines, smooth rounded edge and corners, single scrolling decorative element mounted on slated faux vent, rising on four substantial cast metal cabriole legs with stylized decoration. circa 1920 Versatile: Finished on all sides so it can be placed anywhere in the room. Strong and sturdy, yet lightweight enough to easily move or put away when not in use, ideal size and proportions for a variety of different ways, including as use as a playful card games table, kitchen island, add chopping / cutting board and use as butcher block stand in a home, cafe or restaurant, breakfast buffet...

Antique Victorian quality mahogany large round dining table having a quality large mahogany circular top with a moulded edge supported on a tu...

This early twentieth century French Art Deco period rectangular bistro table or cafe table features a metal top on a cast iron pedestal base. ...

The top board is chestnut wood, and the legs are single-board lowtable with cedar. The top board emphasizes the wood grain and expresses the flat surface beautifully and three-dimen...

Since ancient times, people have created necessary tools from familiar materials to survive in the severe struggle against nature, inherited them, and nurtured their lifestyle and cu...

We are delighted to offer for sale this lovely circa 1910 English oak whatnot display stand or folding cake table A good looking, decorative and well mad...

This is an old Japanese round tray. It's a simple structure, but it has an elegant appearance. Around 1900, it is estimated that it is from the Meiji period to the Taisho period. ...